Fiber, Textile, and Weaving Arts Commons^™

Tapestry, Alana Medina

CGU MFA Theses

The wall pieces are intentionally left to be crude, unrefined, and raw. A look at the world with a border, walking backwards to a beginning, what it was like before the traffic of the mind. Itinerant qualities along with an objective dissidence bring about an experience of tribal nomadic earthy hues. The paintings stay close to my interpretation of the earth, similar to the sculptures. Like twins born in the same embrace with contemporaneous qualities they exist together with a connection in materiality. There is a relationship between my paintings and sculptures; a mutual dependence seen and experienced together that …

Cows - Clean Ocean Wave Sculpture, Kim Bernard

Artist in Residence: Kim Bernard

Description and images from Kim Bernard's University of New England Artist in Residence fall semester 2016 culminating project. Kim worked with UNE students and faculty to gather ocean debris and weave it into a permanent art installment at UNE's Arthur P. Girard Marine Science Center.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

The Handweavers Of Modern-Day Southern Appalachia: An Ethnographic Case Study, Cathryn F. Washell

Electronic Theses and Dissertations

One of the most prominent traditions associated with the Southern Appalachians is the art of weaving. Extensive research has focused on the history of Appalachian weaving, but there is little on the current weaving community. Today, the region still serves as an axis for weaving, and many practicing weavers, weaving instructors, and learning institutions can be found in Southern Appalachia. The core of this study is the interviews with ten weavers that reside and practice their work in Appalachia. Using concept coding, the transcripts of the interviews led to the development of four major themes that highlight the weavers’ discovery …

Style Migrations: South-South Networks Of African Fashion, Victoria L. Rovine

Artl@s Bulletin

Fashion design from Africa and by African designers provides a rich source of information about south-south networks of influence and inspiration. Using several case studies, this article explores the products of cultural interactions between Africa and other world regions, and between cultures within Africa, to illuminate south-south networks of innovation. Case studies include the work of Sakina M’Sa, Maimouna Diallo, and the distinctive embroidery of northern Mali known as “Ghana Boy” style.

Fit To Be Tied

SIGNED: The Magazine of The Hong Kong Design Institute

In conjunction with the 8th International Shibori Symposium, HKDI presented The Animal Fiber: Art Informs Shibori from 13 December 2011 to 14 January 2012, revealing how an ancient technique has grown into an art form revered by couturiers and a medium of experimentation loved by children of all ages.

Material Innovation

SIGNED: The Magazine of The Hong Kong Design Institute

Science and design have never been closer, with innovative textiles and other materials changing the way we think about garments and fashion.

Waste Management And Upcycling, Katarina Brieditis, Katarina Evans

SIGNED: The Magazine of The Hong Kong Design Institute

All material is good material, you only need to create ways to use it. Re Rag Rug started as an experimental design project to explore the social and ecological factors of turning waste material into rugs…

Creating Narratives Through Art As Self-Definition For Black Women, Shannon Snelgrove, Laura Gardner Ph.D.

The Winthrop McNair Research Bulletin

The purpose of this study was to examine ways in which Black female artists have created narratives through art as self-definition. These artists have responded to stereotypical stories and images of Black women by creating self-defined stories and images. This study specifically focused on Faith Ringgold because she has combined narrative and visual art in story quilts that present Black women as empowered, multidimensional people. Her story quilt Who’s Afraid of Aunt Jemima reclaims the narrative of the stereotypical Black mammy character, Jemima. Ringgold depicts Jemima as a liberated, dynamic entrepreneur and family woman. In creating positive characterizations of Black …

Magic Carpets

SIGNED: The Magazine of The Hong Kong Design Institute

Two designers have harnessed creativity and innovation to recreate and invigorate a traditional Swedish handicraft using recycled materials. As Libby Zeng reports their goal is to persuade the whole world to embrace sustainable design.

Talley, Martha (Fa 998), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 998. Project titled: “Quilts and Quilting in the Jonesville Community of Hart County, Kentucky.” Includes survey sheets with brief descriptions of quilting methods, terms, patterns beliefs, and superstitions in Hart County, Kentucky. Sheets include a brief description, informant’s name, terms, pattern, and a photo of the quilt.

Gamblin, Margaret, B. 1949 (Fa 997), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 997. Project titled: “Quilting.” Includes survey sheets with brief descriptions of quilting methods, terms, and patterns in McCracken County, Kentucky. Sheets include a brief description, informant’s name, terms, and a photo of the quilt.

Shidal, Denise (Fa 995), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 995. Project titled: “Quilting.” Includes survey sheets with brief descriptions of quilting methods and patterns in Shelby County, Kentucky. Sheets include a brief description, informant’s name, terms, and a photo of the quilt.

Tichenor, Judy, B. 1951 (Fa 987), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 987. Project titled: “Quilting in Ohio County.” Includes survey sheets with brief descriptions of quilting practices, superstitions, and patterns in Ohio County, Kentucky. Sheets include a brief description, questionnaire answers, informant’s name, terms, implements, and photos of quilts.

Indigo Dying With Amy Deveau's Chemistry Class, Kim Bernard

Artist in Residence: Kim Bernard

Description and images from one of Kim Bernard's class "drop-ins" during her fall semester 2016 time as the University of New England Artist in Residence. Kim met with Professor Amy Deveau's chemistry class to integrate the process of dying with indigo into their subjects.

Symposium Program Outline For Crosscurrents: Land, Labor, And The Port. Textile Society Of America’S 15th Biennial Symposium. Savannah, Ga, October 19-23, 2016.

Textile Society of America Symposium Proceedings

Conference program: times, locations, speakers, events.

Wednesday, October 19th 2016, through Sunday, October 23rd 2016.

10 pages

The Intercontinental Reflections Of An Eighteenth-Century Mexican Rebozo, Eleanor A. Laughlin

Textile Society of America Symposium Proceedings

The eighteenth-century Mexican rebozo (scarf) is an excellent example of a garment type that crossed not only ocean currents, but also boundaries of race and class. Initially, the rebozo was associated with indigenous culture in Mexico. Evidence suggests that the rebozo existed during the pre-Columbian period,1 but it has been most commonly remembered as an article of clothing used by the Spaniards to cover the exposed bodies of indigenous women in the church setting. Aspects of the scarf’s decorative elements, such as fringe and dying methods, are thought to have been inspired by Asian styles that arrived in Mexico via …

[Tsa Web Pages For] Symposium 2016 -- Crosscurrents: Land, Labor, And The Port Textile Society Of America’S 15th Biennial Symposium

Textile Society of America Symposium Proceedings

The web pages for the 2016 Savannah Symposium (archived in pdf).

The 2016 Textile Society of America Symposium will take place in Savannah, Georgia on the campus of the Savannah College of Art and Design (SCAD) and at the Hyatt Regency Hotel. To maximize scholarly interchange, the Symposium will consist of multiple, concurrent sessions, plenary and keynote speakers, a poster session and curated exhibitions that will intersect with the scholarly program. In addition to the symposium sessions and exhibitions, there will be a series of dynamic pre- and post-conference workshops and study tours to local and regional art institutions and …

The Emergence Of The Bird In Andean Paracas Art. C. 900 Bce - 200 Ce, Mary B. Brown

Dissertations, Theses, and Capstone Projects

In the first millennium BCE, an enigmatic cultural group now known as Paracas inhabited the remote desert coast of southern Peru. Following its disappearance, Paracas culture did not emerge in the historical record until 1927, when three burial centers were scientifically excavated on the arid Paracas peninsula that gave the culture its name. The burials contained over 400 mummy bundles that preserved the only physical remnants of this culture and its unique art forms. When unwrapped, mummy bundles of elite males revealed multiple layers of finely woven and elaborately embroidered textiles and painted ceramics, along with gold objects, feathers, and …

Druen, Sibyl Jean And Patricia Gilley (Fa 878), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 878. Paper titled: “Quilt Patterns: The Jonesville and Wisdom Communities.” Project includes survey sheets with brief descriptions of quilt patterns, process and terms of quilters in Hart and Metcalfe Counties, Kentucky. Sheets include a brief description, informant’s name, and a photo or drawing of the quilt and/or quilt pattern.

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Law Library Blog (July 2016): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

All Tied Up, Rhiannon Bode

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

Evolving Patterns: Conflicting Perceptions Of Cultural Preservation And The State Of Batik’S Cultural Inheritance Among Women Artisans In Guizhou, China, Katherine B. Uram

Lawrence University Honors Projects

My exploration features Miao batik-making in Guizhou Province and explores several sets of overlapping questions. The first set focuses on the status of the craft of Miao batik-making and the perceptions of its future. Is batik-making a dying art form? To what extent is Batik-making a thriving cultural practice today, or do Miao in China (and other ethnic groups involved in batik-making) perceive an inheritance crisis? My next focus is on the role of institutions and the tourism industry. If taught less and less in the domestic sphere (traditions passed from mother to daughter), what role do public domains such …

Dress And Womanhood Of Ancient Rome, Eliza Burbano

Honors Theses

Fashion transcends its own role of imagery, as it becomes the medium through which individuals express their place in society. Fashion history would not consider the ancient world as part of the history of the discipline. Nevertheless, the function of dress in ancient cultures like that of Rome has definitely helped shape social hierarchies that are still present today. Clothing structured Roman society deeply, just as class, race, and sexuality did. Scholar Kelly Olson (2002) defines the function of clothing as part of a sign system. This study argues that dress in ancient Rome goes beyond this idea, in that …

Li Remembered, Meredith (Yue) Du

Masters Theses

This thesis work arose from my interest and concern in the ongoing transformation happening in China socially, culturally, and environmentally. As a child of hydro engineers, I grew up on the construction site of Lishui Hydro project. In my experience, the hydroelectric plant was a poetic place, a huge geometric structure surrounded by beautiful water and views of mountains. In my research, I found that many people argue against hydro projects, especially Three Gorges Dam, and the main focus of their objections has to do with demolition and the displacement of people from their homes. Through publications, documentary films, and …

Thrills, Spills, And Unacknowledgments, Caitlin Aasen

Graduate School of Art Theses

Through the use of stains, resulting from a process of water and pigments, I showcase the metaphorical importance of stains within our lives. Nature, the everyday, and our bodies have always been an inspiration to my process. Instances such as looking through car windows at the colors rushing past, becoming one, as I travel 60 miles per hour. These moments of moving colors that blur the line between object and pigment are where I find inspiration formally and conceptually. These instances of blurs happen constantly in our lives. Not just because we are moving so fast, but because we can …

Full Issue, The Anthology

The Anthology

This is the entirety of the 2015 Winthrop Anthology issue.