Fashion Design Commons^™

Disability Advocacy In Fashion Design, Erin Higinbotham, Susan Macdermott Otd, Otr/L

Spring 2023 Virtual OTD Capstone Symposium

Originally marketed towards older adults followed by children, adaptive fashion greatly impacts the everyday independence of all disabled people. Utilizing the Person-Environment-Occupation model and understanding the relationship between the disabled community, clothing, and occupational participation and again with the fashion company, the designer, and their fulfillment of a need or gap in accessibility lead to the purpose of this capstone of identifying occupational therapy’s role in designing ready-to-wear adaptive clothing through understanding and bridging the gaps in fashion education for designers. To address this, advocacy in education and educational materials were created to fill this gap and promote accessibility and …

The King’S Fashion Reimagined, Callie J. Reeder

Belmont University Research Symposium (BURS)

Callie Reeder

The King’s Fashion Reimagined

This was a venture to reimagine the fashion of Elvis Presley, the king of rock and roll in the 1970s. Elvis was known for the bold jumpsuits he often wore while performing. His fashion style was reimagined through the lens of upper-class 18th century styles. The 18th century gave us permission to be luxurious. The18th century elements such as the ditto suit and cravat were combined with 1970s jumpsuits and bell bottoms to create a whimsical reimagined collection of stage costumes.

Investigating How Qipao And Hanfu Dresses Are Representative Of China, Jennifer Tibberts

Senior Honors Theses

This research investigates why hanfu and qipao represent the nation of China. Previous sources have described the dresses, Chinese history, and Chinese fashion aesthetics, and have questioned why many people wear these dresses today. However, previous studies have not investigated what aspects of hanfu and qipao make both Chinese people and outsiders associate these dresses so strongly with China. This research looks deeply into the importance of fashion to expression of identity, characteristics and ideals of Chinese clothing, what hanfu and qipao are, how the dresses connect with Chinese history and traditions, and why the styles have phased in and …

Exhibition Catalog On Rediscovering The Fashion Of Hanboks And Kimonos: The Tale Of Kisaengs And Geishas, Sylvia Chung

Dissertations, Theses, and Capstone Projects

This capstone project examines traditional costumes of Korean hanboks and Japanese kimonos and explores the wardrobes of kisaengs and geishas. It also highlights the contemporary design of hanboks and kimonos by rediscovering their fashion impact in today's global era.

Is Fast Fashion A Concern Of The Everyday Teen?, Mariah N. Cruz

Student Research Symposium

The phrase “fast fashion” refers to getting clothes at extremely low costs to keep up with the newest fashion trends. When we purchase items, we don’t put much thought into where our clothing goes after we “get rid” of them. The saying “Out of sight, out of mind” is apparent when it comes down to consumers and letting go of old clothes. Our only concern as consumers is the next big thing. The fashion industry has drastically changed over the past two decades and trends play a huge role in this push for mass production. We as a society are …

Style Migrations: South-South Networks Of African Fashion, Victoria L. Rovine

Artl@s Bulletin

Fashion design from Africa and by African designers provides a rich source of information about south-south networks of influence and inspiration. Using several case studies, this article explores the products of cultural interactions between Africa and other world regions, and between cultures within Africa, to illuminate south-south networks of innovation. Case studies include the work of Sakina M’Sa, Maimouna Diallo, and the distinctive embroidery of northern Mali known as “Ghana Boy” style.

Tailor Made

SIGNED: The Magazine of The Hong Kong Design Institute

Aesthetics and practicality make fine dancing partners at the HKDI's Department of Fashion and Image Design, where Liz McLafferty encourages students to explore the boundaries between the inperatives of art and the needs of society.

Alien Resurrections

SIGNED: The Magazine of The Hong Kong Design Institute

Angus Tsui burst on to the fashion scene, if you'll excuse the metaphor, with his striking Xenomorph graduation collection. He's now in the forefront of eco-friendly fashion design, recycling the bits that other designers discard into bold new creations that are impossible to ignore.

Haute Architecture

SIGNED: The Magazine of The Hong Kong Design Institute

Hong Kong's favourite couturier Barney Cheng spent part of his summer working with HKDI's students to create high fashion for the city's most prestigious racing event. He talked to Daisy Zhong about the insights he acquired from his young colleagues.

The Dragon Stirs

SIGNED: The Magazine of The Hong Kong Design Institute

Mao JiHong is leading the charge of new Chinese designers with his emphasis on handmade craftsmanship and Asian inspired creativity. He spoke to Diasy Zhong about the rebirth of luxury manufactuing in China and the consequences for European fashion brands who have relied on easy profits in the east for too long.

Global Warning

SIGNED: The Magazine of The Hong Kong Design Institute

Italian fashion legend Romeo Gigli came to Hong Kong this spring to launch his latest collection at JOYCE and he spoke exclusively to SIGNED magazine's Daisy Zhong about how the fashion world is in danger of losing its diversity.

Dressing Indian: Appropriation, Identity, And American Design, 1940-1968, Alison Rose Bazylinski

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the ways the American fashion industry and fashion publications appropriated aspects of Indian cultures as marketing tools from 1940 to 1968 and the ways representations stereotypes created through fashion outlets denoted American and individual, rather than Native, identity. Representational stereotypes created at the turn of the twentieth century provided fashion merchandisers and sellers with a home-grown marketing scheme, while the development of an American fashion industry based on mass-produced, ready-to-wear sportswear led to nation-wide dissemination and use of "Indian" colors, patterns, and designs.

Counterfeits, Copying And Class, Ann Bartow

Law Faculty Scholarship

Consumers who want to express themselves by wearing contemporary clothing styles should not have to choose between expensive brands and counterfeit products. There should be a clear distinction in trademark law between illegal, counterfeit goods and perfectly legal (at least with respect to trademark law) "knockoffs," in which aesthetically functional design attributes have been copied but trademarks have not. Toward that end, as a normative matter, the aesthetic features of products should not be registrable or protectable as trademarks or trade dress, regardless of whether they have secondary meaning, just as functional attributes of a utilitarian nature are not eligible …

Wind Chime, Arlene Handschuch

Arlene Handschuch

Silk Softwear, Arlene Handschuch

Arlene Handschuch

Moonglow, Arlene Handschuch

Arlene Handschuch

1000 Pieces, Arlene Handschuch

Arlene Handschuch

Moonlight Garden, Arlene Handschuch

Arlene Handschuch

Emanations, Arlene Handschuch

Arlene Handschuch

King Arthur Legends Children’S Try-On Costumes – Higgins Armory Museum, Arlene Handschuch

Arlene Handschuch

Historic Costume Reproductions – Higgins Armory Museum, Arlene Handschuch

Arlene Handschuch