Art and Design Commons^™

Artists Making Their Mark

Nathan Lewis

Profile of the artist Nathan Lewis in the Today's Masters column of Fine Art Connoisseur.com (Jul/Aug 2012): 69.

The Dorothy And Herbert Vogel Collection: Fifty Works For Rhode Island, Alison W. Chang

Journals

Exhibition Notes, Number 41, Summer 2012. RISD Museum was the recipient of fifty contemporary works from the celebrated collectors Dorothy and Herb Vogel. Both worked as civil servants throughout their lives so they never had extraordinary means with which to build a collection, but acquired more than 4000 works since their marriage in 1962. Their commitment to minimal and conceptual art is well-known, but their taste was much broader and included work rooted in Abstract Expressionism as well as figurative compositions. Most of the collection was given to the National Gallery of Art. The gift to Rhode Island is part …

From Ruhlmann To Rohde: How French Art Deco Became American, Lily K. Meehan '14

Summer Research Program

The American art deco designers of the 1930s were truly innovators, inventors and artists. They were not, however, the only ones creating “a modern world” during this time. In fact, America was one of the last countries to embrace the art deco style which was thriving in Germany, Austria, and France. There was a strong connection between the French art décoratifs movement and early 20th century American industrial designs. This paper investigates how the International Exposition of Modern Industrial and Decorative Arts held in Paris in 1925 heavily influenced the start of the American art deco movement.

Dan Walsh | Uncommon Ground, Judith Tannenbaum

Journals

Exhibition Notes, Number 40, 2012. Dan Walsh has been devoted to abstract painting since he arrived in New York in the early 1980s. Naturally his work has evolved over the past three decades, but he has remained consistently attached to Minimalism’s basic language of geometry and grids.

Gear Driven, Richard Cammarata

All Student Theses

Merging the past and the present and the simplistic with the complex, form the foundation of my work. My sculptural work in ceramics depicts hybridized versions of distinct pieces of machinery that have been distorted and fused together to create ambiguous forms that offers a sense of curiosity and draws attention to each piece. These pieces are reminiscent of the types of rusted and decayed parts I found lying around my grandfather's truck yard when I was a boy. Machinery appealed to me not only because of the interesting forms but also because of the visual texture and enduring quality …

Taxidermy Of Thought, Jason Walker

All Student Theses

Sculpture is how I bring to life the dark corners of my mind. There have always been images of creatures, geology, and botanical life swirling around my head. Images that often include spires of exoskeleton, creeping tendrils searching for sustenance, or something that moves in an unnatural way. After years of envisioning and automatically sketching out these "things" it is beginning to get a bit crowded in there. It was time to excise this world in my mind and bring it into existence through my hands.

Using many different materials, including plaster, wire, paper mache, epoxy, urethane resins, many different …

Ralph Fasanella: Worker, Activist, Artist, Nick Salvatore

Nick Salvatore

[Excerpt] In his art, as in his life, Ralph Fasanella reminds us all of the complexity of our society and of the need for each generation to dedicate itself anew to the commitment of justice for all. That his work, accomplished without the benefit of formal training, is as arresting and as pleasing as it is, is but a reflection of Ralph Fasanella's basic message.

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …

Agnes Gough, 1902-1988 (Sc 648), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan of sample item (Click on "additional files" below) for Manuscripts Small Collection 648. Letters to Mary Taylor Moore, librarian of the Kentucky Library, Bowling Green, Kentucky, from Miss Agnes Gough, an artist and a teacher, originally from Benton, Kentucky, but living in Oak Ridge, Tennessee, and Anchorage, Alaska, when these letters were written.

Richardson, Laura Elizabeth (Ferguson), 1908-1986 (Sc 2546), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2546. Laura Elizabeth Richardson’s notebook containing holographic notes about the history of quilting. Notebook includes hand executed quilt pattern images in ink, poems, definitions of quilting terms, and textile descriptions. Includes notes about the provenance of Richardson’s quilt collectionand her furniture.

Wilson, Ivan, 1889-1981 (Sc 625), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 625. Photocopies of records – letters, lists, autobiographies – pertaining to Ivan Wilson of Hazel, Kentucky, an art teacher at Western Kentucky University for years and an artist, whose paintings were sold through the Kentucky Museum from 1955-1973. These transactions were handled and the records kept by Gayle Carver, Kentucky Museum curator.

Hubbard, Elbert Green, 1856-1915 (Sc 646), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 646. Sketch done by Elbert Green Hubbard, a writer, that has a note on it addressed to J.L. Harman and signed by Hubbard.

Ghost2, Matthew Klepac

The Hilltop Review

I'm a ghost; unseen, unheard, untie me

Untimely demise, one word describes me

Damaged; a phantom I float over rhythm

Vanish in thin air and reappear like apparitions

I'm at the mercy of a vengeful god, a lost soul

I float alone unnoticed in this city of ghosts

Those kids all thought they knew me so I tried to fit the mold

But conformity's a fake ID and loneliness is cold

The Heroine's Journey, Catherine Bailey

The Hilltop Review

My current research focuses on representations of gender in contemporary literature and visual culture, with a particular emphasis on feminist criticism. Furthermore, I am interested in the ways in which ancient mythology, fairy tales, and folklore have shaped--and continue to shape--societal ideals about normative gender behavior. While some myth critics profess the benefits of framing one's life in terms of a grand narrative--an archetypal "hero's journey"--feminist critics and queer theorists argue that these sweeping narratives can be damaging to people of all genders by forcing them into limiting social scripts. Much of my recent research has explored the question of …

Radio In India:The Fm Revolution And Its Impact On Indian Listeners, Ratnesh Dwivedi Mr

Ratnesh Dwivedi

If you ask most people who invented Radio, the name Marconi comes to mind. Usually KDKA Pittsburgh is the response when you ask about the first Radio station. But are these really Radio's firsts? In the interest of curiosity and good journalism, we set out to determine if these were in fact Radio's firsts. Broadcasting began in India with the formation of a private radio service in Madras (presently Chennai) in 1924. In the very same year, British colonial government approved a license to a private company, the Indian Broadcasting Company, to inaugurate Radio stations in Bombay and Kolkata. The …

Narrative Brought To Life: The Wizarding World Of Harry Potter, Stefani Klaric

Electronic Thesis and Dissertation Repository

This thesis explores The Wizarding World of Harry Potter and the motivations for creating fictive, immersive environments. These can be defined as spaces that generate new physical environments or worlds that engage our senses. The theme park is the experiential space where entertainment, fantasy, and commodity consumption come together. By including recognizable objects, narratives, characters, and the like, taken directly from the Harry Potter books and films, audiences and participants are brought into The Wizarding World of Harry Potter in a way that immerses them in the space and allows them to experience the narrative by participating in a journey …

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

The Culturator: Film Noir Meets Bike Culture, Daniel Dean

Art & Design Faculty Research

Part of this weekend’s nuit blanche Northern Spark festival, project Mobile Experiential Cinema invites goers to embark on a rambling, bicycle-mounted, multi-location cinematic experience that blends bike culture with locally-bred film. Created by artists Daniel Dean and Ben Moren, the project launched alongside the inaugural Northern Spark fest last year as an interactive projected film-focused group ride featuring live performance elements and urban exploration embodying all plot twists and theatrical curve balls we’ve come to expect from the mystery genre. We caught up with Mobile Experiential Cinema collaborators Dean and Moren to chat about the project’s creation, its noir influences …

Installation Art - Frenzy Episode | Contact | Raising The Dead, Agnieszka Golda, Martin V. Johnson, Ruth Fazakerley

Agnieszka Golda

This monograph presents a series of three exhibitions developed collaboratively by Agnieszka Golda and Martin Johnson. It describes a wonderful tracery of not quite recognisable anthropomorphic creatures who inhabit oddly constructed and disjointed spaces. Together Golda and Johnson have utilised crocheted and printed textiles, carved wood and painted aluminium to form strange dwellings, figures and passages. Dr Ruth Fazakerley's research and art practice span Australian contemporary urban public art, painting and sculptural installation. In her essay here she positions Golda and Johnson's work in a wider context. The distinctive aesthetic force of collaborative process is underpinned by Golda's discerning scholarship …

If I Were To Meet You Again, Rachel Grate

Passwords

No abstract provided.

Untitled, Jenna Tico

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No abstract provided.

Camel Girl, Robin Xu

Passwords

No abstract provided.

Collegiate Love Letters

Passwords

No abstract provided.

Art After Hours, Rachel Brownell

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No abstract provided.

London, Dear, Jessica Stern

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No abstract provided.

Front Matter

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No abstract provided.

Shelby, Edmund P., 1833-1917 (Sc 382), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 382. Photostat of a letter written by Edmund P. Shelby, Lexington, Kentucky, to Richard Jouett Menefee, concerning disposition of original paintings done by Menefee’s grandfather, Matthew Harris Jouett, of Governor Isaac Shelby. Menefee was especially interested in locating Jouett’s works.

Chaosocial - A Social Media Platform For Social Movements, Nathanael Hughes

Liberal Arts and Engineering Studies

Recent Social Movements have increasingly used social media as a driving component in recruiting, developing the cause, and mobilizing people to action. Chaosocial is a web application that provides a layer of organization over social media, allowing organizations traditionally limited in ability to leverage social media to use it to strengthen their social movements.

Inside Front And Back Covers: Pottery By Preston Saunders, Preston Saunders

Bridgewater Review

No abstract provided.

Investigations Of Form, Preston Saunders

Bridgewater Review

No abstract provided.