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Articles 1 - 5 of 5

Full-Text Articles in Art and Design

2004 Forces, Scott Yarbrough May 2004

2004 Forces, Scott Yarbrough

Forces

No abstract provided.


The Bridge, Volume 1, 2004, Bridgewater State College Jan 2004

The Bridge, Volume 1, 2004, Bridgewater State College

the bridge

Volume 1 Staff

Lauren Carter, Editor-in-Chief
Jennifer Stodder
Kaitlin MacLean
David Mitchell
John Butler
Christina Warsheski
Courtney Smith

Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant


The Transformation Of Electricity In My Brain, Claire Watkins Jan 2004

The Transformation Of Electricity In My Brain, Claire Watkins

Theses and Dissertations

This thesis is an exciting and enthralling story about the history of the world as seen through the eyes of Claire Watkins. The story takes place in the dusty corners of her art studio in the old confederate capital, Richmond, Virginia. Ms. Watkins leads her audience through such unsuspecting places as her brain, the life of an African Dung Beetle, the center of an atom and the dark reaches of outer space. The story is inspirational and thought provoking. It will force you to see the world as an interconnected web that weaves your life together with the cosmos. A …


The History Of The World, Ruby Wescoat Jan 2004

The History Of The World, Ruby Wescoat

Theses and Dissertations

This Thesis is my effort to understand what subjects I find interesting and why. In the processes of writing and making sculpture, I discovered that my underlying fascination is in history. I am interested in places and objects for their individual qualities, but I also want to know how they relate to the world. If I am drawn to an ancient place or object, I want to examine how it fits into the contemporary world, and visa versa. The complexity of these relationships is increased by the vast number of histories (or stories) that are intertwined in the world. Over …


Perpetual Novelty, Brian Caverly Jan 2004

Perpetual Novelty, Brian Caverly

Theses and Dissertations

Within this thesis is a mapping out of the processes, concepts, and influences, behind the sculptural practice of Brian Caverly. From Complex Adaptive Systems to the world of order of Michel Foucault to the reexamination of the Modernist movement by Yve Alain Bois and Rosalind Krauss, a rhizomatic path of connections and lines form and cross over, weaving together into a swarming mayhem of over population. Out of this chaos and order grow complex installations and constructions that are inherently bound by the system of their making, yet attempt at every turn to escape conformity.