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Articles 1 - 30 of 507
Full-Text Articles in Art and Design
(Meta-)Physical Artworks: Digital Augmentation In Art Observation, Macy A. Toppan
(Meta-)Physical Artworks: Digital Augmentation In Art Observation, Macy A. Toppan
Dartmouth College Master’s Theses
Augmented art— the subgenre of art that incorporates physical and digital artwork— is a rapidly growing field driven by advancing technology and a new generation for whom that tech is a given. Yet the presence of media like augmented and virtual reality in exhibition remains a controversial subject. Rather than focusing on the many theoretical debates about whether digital pieces can qualify as "good" art, we study it in practice through the eyes of the casual art observer. This paper highlights the audience in a within-participant study that asked viewers to take in a physical sculpture intentionally built with virtual …
Simply Butter (One Pat At A Time), Maddie Mcsweeney
Simply Butter (One Pat At A Time), Maddie Mcsweeney
Williams Honors College, Honors Research Projects
Simply Butter (one pat at a time) is an investigation of food and intimacy through sculpture, installation, performance, printmaking, and recordkeeping. In this series of Happenings, I explore themes of love, loss, and empathy while dealing with emotions related to grief and mental health issues. I look to cultural phenomena and art history figures who are concerned with similar sentiments to make conceptual connections and inform my choices when creating this project. Drawn to silliness and the absurd, I use the rudimentary yet familiar form of a stick of butter to act as a monolithic stand-in for the emotionally, mentally, …
Baird, Nancy Disher, B. 1935 (Sc 3705), Manuscripts & Folklife Archives
Baird, Nancy Disher, B. 1935 (Sc 3705), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3705. “Enid Yandell: Kentucky Sculptor,” a speech delivered at the Filson Historical Society, December 1983, by Nancy Baird [also the author of an article subsequently published as “Enid Yandell: Kentucky Sculptor,” Filson History Quarterly v. 62 (1988)].
How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak
How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak
Graduate Theses and Dissertations
This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …
The Space Between, Alexander Dixon
The Space Between, Alexander Dixon
Electronic Theses, Projects, and Dissertations
The Space Between investigates the intricate relationship between perception and reality. By integrating graphic design principles with the optical qualities of glass, the exhibition creates visual distortions that challenge and redefine our understanding of the world. The pervasive use of black throughout the exhibition signifies the vectorized image, a vital element of graphic design and the technological abyss prevalent within our society. The fundamental geometric shapes, coupled with minimalist sculptural forms, employ a graphic approach to highlight visual communication's influence on perception.
Graphic design has a history of shaping public perception. The basis of graphic design is the act of …
Burning Through The Shell, Ethan Harmon
Burning Through The Shell, Ethan Harmon
PANDION: The Osprey Journal of Research and Ideas
Artist Statement
“Burning Through the Shell” embodies the process of freeing myself from my inner turmoil. By pouring molten iron into a wooden trough, the iron burns and scorches its way through the wooden exterior, leaving behind only the remnants as it cools and frees itself from its temporary shell. This destructive yet creative act represents shedding my shell of social anxiety and insecurity, emerging stronger and more resilient. Throughout my life, I have always struggled with “coming out of my shell” and dealing with my mental health in a positive way. However, once I discovered my passion for sculpture …
Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel
Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel
ABO: Interactive Journal for Women in the Arts, 1640-1830
Sculpture as a medium is inherently connected to legacy making. In producing three- dimensional monuments designed to withstand the test of time, women artists provided evidence of the lasting quality and permanence of their creative acts. This article examines the actress, sculptress and novelist Anne Damer’s sculpture of the famous actress turned Countess Eliza Farren (c. 1788), paying particular attention to the relationship between sculpture as a static art form that captures tactile embodied presence and the ephemerality of performance. Farren’s involvement in Damer’s staging of the private theatricals at Richmond House (Farren directed and Damer starred) suggests that their …
Out In Thin Air, Daiqing Zhang
Out In Thin Air, Daiqing Zhang
Masters Theses
My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.
I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …
Dear Sycamore, Anna Schenker
Dear Sycamore, Anna Schenker
MFA in Visual Art
I create paintings, sculptures, and rubbings to pay tribute to the earthly beings found within my immediate surroundings. I use indexical processes that stain, trace, and record to preserve a moment in time. The process of rubbing is a tactile and meticulous activity of excavation. It is an imprint of what was once there, a mapping of attentive contact. The works are dependent upon the physicality of the host as I engage directly with the plants, seeds, weather, and trees that surround me. The rubbing’s flatness actively constructs a new reality; a liminal space hovers between the impression and the …
Every Rock Has A Soul, Karen Yung
Every Rock Has A Soul, Karen Yung
MFA in Visual Art
My studio practice focuses on the Asian American diaspora and the feelings of displacement that arise from being away from one’s homeland. This paper traces the beginning of my journey to find a way to make art that observes and applies Buddhist philosophies, practices and acknowledges the intrinsic energy found in all things. I create sculptures inspired by the qi of rocks to explore my ongoing struggles with my bicultural identity. Through the continuous pouring of wax and plaster that create stalagmites on to domestic objects, I imbue positive qi into my artworks to pass on to whoever seeks it. …
Inner Portraits, Bethany Salisbury
Inner Portraits, Bethany Salisbury
Graduate Theses
This paper investigates the many interconnected layers of women’s mental health through portraiture and how animal and plant symbolism can represent the way women's hormones and bodily health affect their mental health. I reveal how the artwork created presents these connections and inner mental health narratives to the viewer, creating a space of empathy, destigmatization, and self-reflection. This body of portraiture art connects five women through a series of both two-and three-dimensional portraits based on interviews using my own adaptation of Sara Lawrence-Lightfoots’ (1983) portrait methodology.
Women and non-binary individuals have always dealt with difficult interactions of bodily and mental …
Other Bodies: Deconstructing Visual Binaries By Subverting Visual Representations Of The Other., Amaiya L. Crawford
Other Bodies: Deconstructing Visual Binaries By Subverting Visual Representations Of The Other., Amaiya L. Crawford
College of Arts & Sciences Senior Honors Theses
The goal of creating my sculptural work, The Avian, is both to broaden the visual categorization of sentient bodies, as well as to deconstruct binary thinking regarding the way that bodies display racialized, gendered, and sexualized characteristics. The Avian does this by subverting visual and aesthetic tropes that construct labels like human, monster, and animal. Subversion acts as the main design influence that illustrates how the display how othered bodies can be used to highlight the constructed nature of how we construct humanity. This paper posits that by acknowledging an expansion in visual categorization, in addition to further pushing opportunities …
On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry
On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry
Bachelor of Fine Arts Senior Papers
Personal agency is the feeling of control over one’s actions. Capitalism is deeply etched into the fabric of America and the world at large. In this paper, I propose that late stage capitalism has forever altered the means by which personal agency manifests, that it has left no room for alternatives on account of its far-reaching scope. My work, through its subject matter and medium, refers to the lack of autonomy under escape or embrace. Failure and futility are both key ideas, as complacency is intrinsic to our current moment, which is evocative of the ongoing metamodern art movement.
Existentialism And Creative Practice, Catherine Hudgens
Existentialism And Creative Practice, Catherine Hudgens
School of Art Undergraduate Honors Theses
The creative process mimics the existentialist philosophy of human freedom and the responsibility to create one’s own meaning in life through an emphasis on invention, experimentation, and ceaseless becoming. Through my body of work, I examine the meaning-giving capacities of the viewer and creator as agents involved in a work of art. The sculptures, as well as found objects, have the power to illuminate the human circumstances they emerged from, while the process of making is also the process of learning, where objects can be used to understand ourselves and the world. Philosophical concepts can be accessed through art in …
Bound By Matter, Carlie Antes
Bound By Matter, Carlie Antes
School of Art, Art History, and Design: Theses and Student Creative Work
I view most aspects of life as being made up of tiny particles of matter that come together and synthesize to shape both our individual and collective human existence. Delicate threads are intricately woven together forming textiles and fabric. Tiny cellular particles shape all living species. Devices of human invention are mapped and constructed to aid in making sense of situations and surroundings. An accumulation of day-to-day moments coalesce to form complex memories and emotions. Each of these compositions are comprised of physical and/or emotional matter. This body of work utilizes the physical matter of my own lived experiences to …
Why Sweep The Cinders…, Gretchen Larsen
Why Sweep The Cinders…, Gretchen Larsen
School of Art, Art History, and Design: Theses and Student Creative Work
In my creative practice I climb down the ladder, put the glass slipper on my own foot, and build the ball for myself (and everyone I know, of course). What I mean is, instead of waiting for the prince and his kingdom to come, I have learned to pursue my own dreams. I do this by dreaming up and building objects using a mixture of traditional and new media. I work with wood, acrylic, LEDs, microcontrollers, lamp parts, and other materials including fabric and projectors. I create, live with, and create again, objects of my own design. The objects I …
Creativity, Craftsmanship, And Connection: Large-Format Sculpture Design, Jacqueline L. Puga, Gordon Hoople
Creativity, Craftsmanship, And Connection: Large-Format Sculpture Design, Jacqueline L. Puga, Gordon Hoople
The STEAM Journal
Artistry is a concept that is not usually explored in engineering yet is an invaluable skill that touches everything from product design to systems thinking. This past summer I developed conceptual designs for a large format sculpture that required connecting engineering knowledge with artistic vision. The initial phase required constant inspiration and creativity. The first step was to look at previous sculptures showcased throughout the world, such as at venues like “Burning Man,” to understand the possibilities or limitations of the space provided. Sketching varied and numerous ideas was essential in our design process. Next, we took our favorite ideas …
Bloody Show, Leonie Weber
Bloody Show, Leonie Weber
Theses and Dissertations
Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.
Subject To Change, Shauna Steinbach
Subject To Change, Shauna Steinbach
Theses and Dissertations
Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific models that make up their sculpture and installation practice. Steinbach’s work explores philosophical thoughts and inquiries surrounding imprints, impermanence, and interdependence. The deaths are small until they are big.
Sammi Digman: Senior Art Exhibition Portfolio, Sammi Digman
Sammi Digman: Senior Art Exhibition Portfolio, Sammi Digman
Senior Art Portfolios
This is Sammi Digman's senior art exhibition portfolio created in 2023.
Realm Of Remembrance, Brandon Vanbach
Realm Of Remembrance, Brandon Vanbach
Senior Projects Spring 2023
Senior Project submitted to The Division of Arts of Bard College.
In September of 2021, I turned 21 years old. During that time I also discovered a 8mm video tape in my childhood home. Unbeknownst to me, this tape, which hadn’t seen the light of day since its conception, would end up consuming my life.
The tape was a home movie filmed by my mother and her partner at the time during an outing to Vietnam in 2005. The footage consisted mostly of landscapes and claustrophobic close-ups of distant relatives. Rarely would I enter the frame. But I wasn't interested …
Mettle, Chelsey Augustine
Mettle, Chelsey Augustine
Master's Theses
While many see Graphic Design as a separation from art, for me, it has always been a happy blend between my fine art and technological skills. In both areas, I think about what I want the audience to think of feel when the pieces in question. Form, color, anatomy, and concept are all part of my creative process, regardless of whether I am creating digitally with a Wacom or building a wax form in the foundry.
During my graduate studies, I started to get into a flow of building narratives to hone in on conceptual branding ideas. Being able to …
Everything Changes, Nothing Dies., Olivia S. Stinson
Everything Changes, Nothing Dies., Olivia S. Stinson
Master's Theses
My recent work directly responds to my current state of being. The past three years have °been the peak of the exploration within myself, learning the capacity of my mind. I’ve spent my time in the heat of trauma, filled with anger and resentment. I’ve spent time in a steady state of confusion, wondering who exactly I am and who I want to be. I am in a constant state of change, thinking deeply about my actions and how I can improve on processing the correlating emotions. Creating a body of work during times when listening to conversations within the …
Vesptures, Nyasha T. Chigama Ms
Vesptures, Nyasha T. Chigama Ms
Theses and Dissertations
Abstract
This is an invitation into the delicate space of living between two worlds, of having feelings of happiness and sadness at the same time. Delicate emotions and situations which are not easy to share but are paramount in my research of what it takes to want more out of being just a parent, come from a certain country than the one I am living in, and navigate between two cultures. This is a journey around some of the experiences I have faced when I found myself in a different space other than the one I grew up in. The …
Found And Fabricated, Molly S. Davis
Found And Fabricated, Molly S. Davis
Graduate Theses, Dissertations, and Problem Reports
My MFA written thesis addresses work completed and shown in a thesis exhibition at West Virginia University as well as significant influences to my studio process. While my stated focus is sculpture, the work presented in the exhibition consisted of three sculptural pieces and two sets of prints. This thesis, along with the supporting exhibition, addresses my investigations into the physical properties and tendencies of materials and how that information can guide and inform a work of art. Physical characteristics of the materials such as color, texture, shape, and weight are emphasized and guide the creation of the works in …
To All That Will Ever Be, Has Been, And Is., William Silverstein
To All That Will Ever Be, Has Been, And Is., William Silverstein
Senior Projects Fall 2023
Artist Statement:
Broadly, this exhibition celebrates steel and the transfer of force, both figuratively and literally, from one object to another. Metal is a medium that resists your inputs yet uniquely captures the labor required to shape it. In my work, I have blended historical and modern metalworking techniques to create my interpretations of natural and manmade objects.
Degradation, deformation, and pushing material to its limits have all been key elements of my process. How much weight can a weld hold before it fails? How thin can a surface be sanded before collapsing?
In recent years, I have been very …
Warmth Of The Sun, Drake M. Gerber
Warmth Of The Sun, Drake M. Gerber
Graduate Student Theses, Dissertations, & Professional Papers
Warmth of the Sun, is a reflection on personal experiences I’ve had in the landscape while living in the Northwest. This curated experience is an attempt to capture my sincerity towards a place and hold onto that feeling. I intend to share faded memories of personal experiences through enigmatic sculptures to make the viewer look a bit closer at these objects and see the landscape in a new way. This paper explores thoughts on the idea of place, material, process, contemporary influences, and the experiences that inspired this body of work.
Above And Below, Kristen Brown
Above And Below, Kristen Brown
All Graduate Theses, Dissertations, and Other Capstone Projects
My recent graduate artwork uses abstraction of form to describe the intersection between humans and the environment while relating the landscape of our skin to the ever-changing qualities of the natural landscape surrounding us. The photographic material is stressed into three dimensional shapes, producing creasing and tears as it is being contorted by human impact. At the same time that I am creating something new, I am manipulating artifactual evidence of something that already exists in everyday life. This is akin to how our bodies are distorted by outer influence, as well as our own autonomy. Above and below the …
Endure, James C. Toomey
Endure, James C. Toomey
Senior Projects Spring 2023
The work is tubular: fistulous, circulatory.
It starts out as a body and obscures into something sprawling and replicating, perhaps cancerous.
Some parts are handmade paper. I begin with a pulp and strip it in water, then pour it into thin sheets— it dries practically weightless. It shrivels and shrinks and clings to itself, tenderly. It leaves caverns inside.
The work withers how I might expect skin to act when it is no longer living. I was sixteen when I held my father while he died. When I peel away my paper sheets, it is how I imagine it might …
Chromaticity, Whitney Anne Hagen
Chromaticity, Whitney Anne Hagen
Senior Projects Spring 2023
Chromaticity is an objective specification of the quality of a color regardless of its luminance consisting of two independent parameters. These are often specified as hue and colorfulness, where the latter is alternatively called saturation, chroma, intensity, or excitation purity. These parameters follow how the human eye perceives color, giving us visual cues when navigating the world. In abstract art, where form is not bound by the constraints of representation, color becomes the primary tool for communication. Creating harmony, tension, emotion, and balance, the color relationships in this collection of work communicates to the viewer in a visual language that …