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Full-Text Articles in Art and Design

Above And Below, Kristen Brown Jan 2023

Above And Below, Kristen Brown

All Graduate Theses, Dissertations, and Other Capstone Projects

My recent graduate artwork uses abstraction of form to describe the intersection between humans and the environment while relating the landscape of our skin to the ever-changing qualities of the natural landscape surrounding us. The photographic material is stressed into three dimensional shapes, producing creasing and tears as it is being contorted by human impact. At the same time that I am creating something new, I am manipulating artifactual evidence of something that already exists in everyday life. This is akin to how our bodies are distorted by outer influence, as well as our own autonomy. Above and below the …


Winding Down River Road, Gillian Harper Jul 2022

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …


Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit Jul 2021

Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit

Masters Theses

As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …


In-Between Spaces, Trinity Kai May 2021

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.


Constraint And Control, Patricia Ayres Feb 2019

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.


2018 Forces, Scott Yarbrough Mar 2018

2018 Forces, Scott Yarbrough

Forces

No abstract provided.


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …


2017 Forces, R. Scott Yarbrough May 2017

2017 Forces, R. Scott Yarbrough

Forces

No abstract provided.


Stories Of Otherness, Lee Ann Harrison May 2016

Stories Of Otherness, Lee Ann Harrison

Graduate Theses

The thesis exhibition Stories of Otherness is an interactive installation created using dance, music, photography, video, ceramic figurative sculptures, and armatures of found objects to create a voyeuristic and physically participatory experience of situational art. Many artists from various art and literary genres influence my research and art, including Petah Coyne, Mona Hatoum, Pina Bausch, Mia Michaels, and Jeanette Winterson. The multi-faceted combination of art mediums and artists inspires me to create a mixed media, multi-dimensional installation for an immersive participant’s experience as a source for awareness, empathy, reflection, and ultimately as a “call to action” evoking change.

This thesis …


2016 Forces, Scott Yarbrough May 2016

2016 Forces, Scott Yarbrough

Forces

No abstract provided.


So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.


Incompleteness, Christopher Andrew Freund Jan 2016

Incompleteness, Christopher Andrew Freund

Senior Projects Spring 2016

“Incompleteness” is a series of photographs of sculptural tableaux constructed for the camera and lit with a flashlight for long exposures. I use largely cheap materials and intend for their rough particularities be made evident. I have found that this lighting technique allows me the greatest control possible over how light renders the constructed objects.


Light Sensitive, Andrew Thompson Jun 2015

Light Sensitive, Andrew Thompson

Electronic Theses, Projects, and Dissertations

I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …


2015 Forces, Scott Yarbrough May 2015

2015 Forces, Scott Yarbrough

Forces

No abstract provided.


2014 Forces, Scott Yarbrough May 2014

2014 Forces, Scott Yarbrough

Forces

No abstract provided.


Projected Surfaces, Jason Flynn Jan 2014

Projected Surfaces, Jason Flynn

Electronic Theses and Dissertations

In this paper I will address the philosophies of Susan Sontag, Roland Barthes and Thomas Ruff by considering the object, materials and processes of photography as my primary motivator to create art. I will examine the contrast between photographic imagery, as an illusion of the past, and sculpture, as a physical manifestation of the present, when creating works that ask, "What else can photography be?"


Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean Dec 2013

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …


2013 Forces, Scott Yarbrough May 2013

2013 Forces, Scott Yarbrough

Forces

No abstract provided.


2012 Forces, Scott Yarbrough May 2012

2012 Forces, Scott Yarbrough

Forces

No abstract provided.


2011 Forces, Scott Yarbrough May 2011

2011 Forces, Scott Yarbrough

Forces

No abstract provided.


2010 Forces, Scott Yarbrough May 2010

2010 Forces, Scott Yarbrough

Forces

No abstract provided.


2009 Forces, Scott Yarbrough May 2009

2009 Forces, Scott Yarbrough

Forces

No abstract provided.


2008 Forces, Scott Yarbrough May 2008

2008 Forces, Scott Yarbrough

Forces

No abstract provided.


2007 Forces, R. Scott Yarbrough May 2007

2007 Forces, R. Scott Yarbrough

Forces

No abstract provided.


2006 Forces, Scott Yarbrough May 2006

2006 Forces, Scott Yarbrough

Forces

No abstract provided.


2005 Forces, Scott Yarbrough May 2005

2005 Forces, Scott Yarbrough

Forces

No abstract provided.


2004 Forces, Scott Yarbrough May 2004

2004 Forces, Scott Yarbrough

Forces

No abstract provided.


2003 Forces, Scott Yarbrough May 2003

2003 Forces, Scott Yarbrough

Forces

No abstract provided.


2002 Forces, Scott Yarbrough May 2002

2002 Forces, Scott Yarbrough

Forces

No abstract provided.


2001 Forces, Scott Yarbrough May 2001

2001 Forces, Scott Yarbrough

Forces

No abstract provided.