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Articles 1 - 17 of 17

Full-Text Articles in Art and Design

Devorah, Jackson Siegal Jan 2018

Devorah, Jackson Siegal

Senior Projects Spring 2018

In Devorah, I sought to deliver an image to a text I could only engage with through removal. Unable to read the original Yiddish memoir written by my great grandmother, Devorah Schneider, I relied on a translation. Upon realizing that a photograph of the world couldn’t properly illustrate the experiences I was reading, I decided to expose photographic paper beneath an empty enlarger, one with no negative. As the blank projections bled, grew, shrunk and glowed in my darkroom, I began to build an abstract language in dialogue with Devorah’s words.

The project began when I decided to engage with …


The Estate, Henry Hardcastle Smythe Jan 2018

The Estate, Henry Hardcastle Smythe

Senior Projects Spring 2018

Senior Project submitted to The Division of Languages and Literature of Bard College.


129 Home Ave., Ella Whittemore Hill Jan 2018

129 Home Ave., Ella Whittemore Hill

Senior Projects Spring 2018

Walking through my childhood home late at night, half asleep with my eyes barely open, I was always able to navigate myself around every corner, down every hallway, and past every creak in the floor. The muscle memory of this house, which I left behind long ago, continues to live within my body. Memory becomes faint over time; it changes and evolves, but it never disappears. Rather, it matures from the physical specificity of being in a house to being the stories of that house. When my mother moved out a few years ago (a move which I was unable …


As You Were Sleeping, Nora Yamazaki Heineman Jan 2018

As You Were Sleeping, Nora Yamazaki Heineman

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.


A Womb With A View, Briauna Marie Falk Jan 2018

A Womb With A View, Briauna Marie Falk

Senior Projects Spring 2018

I found my mother’s pregnancy diary when I was 12. The diary presents not only the story of my origin, but also the story of how my biological father left my mother. The diary gave me insight into what unfolded while I was growing inside her, and yet, many questions still remain unanswered. I have heard that trauma experienced by the mother is felt in utero alongside her – I worry one of the first feelings I felt was true sadness. Ideally the diary could answer my unresolved questions, but instead I am left to my imagination. The diary cannot …


Place Accumulation: Kingston/Ulster, Callan F. Fish Jan 2018

Place Accumulation: Kingston/Ulster, Callan F. Fish

Senior Projects Spring 2018

Since February 2018, I’ve been listening and recording around Kingston and the town of Ulster; synthesizing interviews, bird song, passing cars, protests, conflict, unique perspectives and oral histories, meetings, optimisms, water, as part of a project called, Place Accumulation: Kingston/Ulster. Using the Dynamic Listening Instrument, an interactive sound sculpture which uses a venn-diagram of electromagnetic fields to allow sounds to be handled as a tactile entity and bended dynamically, sounds are arranged and dispersed back into different locations and events in Kingston. Using a sounding bucket, people in Kingston can listen in, re-arrange, explore, and play with sounds from their …


"Poetry Is Not A Luxury:" Dis-Ing Self, Dis-Ing Archive, Ehm West Jan 2018

"Poetry Is Not A Luxury:" Dis-Ing Self, Dis-Ing Archive, Ehm West

Senior Projects Spring 2018

‘Poetry Is Not a Luxury:’ Dis-ing Self, Dis-sing Archive,” is divided into three separate interrogations of such rts institutions, archives, and constructions of identity. Each chapter explores how these related categories are challenged by curators, artists and artists’ respective styles or forms. My central focus investigates the use of paraficition and disidentification in Cheryl Dunye's work. In both her early video works and first feature-length film The Watermelon Woman, Cheryl Dunye investigates the complexity of her own Black lesbian identity and the constructedness of identity as a whole. She begins her practice as a moving image artist during a …


Signor Mio Carissimo: A Theatrical Analysis And Translation Of Michelangelo’S Love Letters To Tommaso Dei Cavalieri, Miles Edmonds Messinger Jan 2018

Signor Mio Carissimo: A Theatrical Analysis And Translation Of Michelangelo’S Love Letters To Tommaso Dei Cavalieri, Miles Edmonds Messinger

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts and The Division of Languages and Literature of Bard College.


She Has Good Jeans: A History Of Denim As Womenswear, Marisa S. Bach Jan 2018

She Has Good Jeans: A History Of Denim As Womenswear, Marisa S. Bach

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.


Play Thing, James Edwin Herbert Jan 2018

Play Thing, James Edwin Herbert

Senior Projects Spring 2018

Play Thing is a musical installation made both to entertain and to challenge a viewer. Every nook of the structure pushes viewers to find their place within it, whether by tempting them to pay a quarter to smash an explosive phallus, or else by daring them to try out an untrustworthy tricycle. A constant flow of risk and reward permeates the space while moments of painstaking craftsmanship, coupled with the chaos of a playful viewer, up the stakes of interaction.

I came to Bard College a luthier having never taken a class in studio art. Until quite recently I …


Discovering Wonders And Tragedies, Mackenzie Sayre Josephine Wardell Jan 2018

Discovering Wonders And Tragedies, Mackenzie Sayre Josephine Wardell

Senior Projects Spring 2018

Discovering wonders of the weather and the ever changing plant life in the Northeast, and tragedies about how disrespectful and selfish humans are towards the environment;My senior project is showing my viewers how exciting and diverse the natural world is and how necessary it is to recognize the destructiveness of plastic and our single-use culture.

During this past year, I’ve spent my time collecting from, observing, and recreating the natural world. I’ve experimented with new mediums such as cyanotype printing, which is brought to life by exposure to sunlight, and I’ve delved into my curiosities about the world of trash …


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …


I Love You Three-Fifths, Brittany B. Tucker Jan 2018

I Love You Three-Fifths, Brittany B. Tucker

Senior Projects Spring 2018

Disparities in representation are gaps that can be filled. They’re also abundances that can be destroyed or dispersed. Misrepresentation is another useful tactic. In “I Love You Three-Fifths” I’m choosing to misrepresent the white body by caricaturing and simplifying it in order to address the relationship between American blackness and whiteness through portraiture. This “dis-representation” allows me to paint intimacy and interaction without committing to the Western ritual of rendering white bodies. Instantly, by rendering myself realistically, I become the primary subject. I am real while the white man is the joke of the painting. It’s a reversal of the …


I Promise I'M Not Racist, Yashar Hashemi Jan 2018

I Promise I'M Not Racist, Yashar Hashemi

Senior Projects Spring 2018

An attempt to complexify race relations in the United States by an Iranian American boy.


American Idyll: A Place To Call Home, Bowen Walsh Fernie Jan 2018

American Idyll: A Place To Call Home, Bowen Walsh Fernie

Senior Projects Spring 2018

I was raised in Italy from the age of five and when I returned to the United States at eighteen, I was surprised by the way I was affected by the landscape I had never known or explored. I found myself drawn to American culture as it is stereotypically represented in movies and TV - the quaint houses, the schools with cheerleaders and locker rooms, the drive-in movie theaters – and began to examine how those stereotypes are reflected in the real world. From this initial interest I began exploring the American space that I envisioned myself inhabiting throughout my …


The Illustrated Masterpiece: Teaching The Artist Biography To Elementary School Children Using The Illustrations In Picture Books, Sophie M. Mueller Jan 2018

The Illustrated Masterpiece: Teaching The Artist Biography To Elementary School Children Using The Illustrations In Picture Books, Sophie M. Mueller

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

Arts programs, particularly ones that focus on education, are constantly losing their funding. Even as Michelle Obama, the former First Lady of the United States, stated that “Arts education is not a luxury, it’s a necessity. It’s really the air many of these kids breathe[1]”, programs that benefit these kids are seeing their budgets slashed, and classroom educators are unable to get the training that they need to provide fulfilling educational experiences.

In an ideal world, museums would be free to everyone who wants to learn about …


"Can You Shut The Door Behind You?", Nate Millstein Jan 2018

"Can You Shut The Door Behind You?", Nate Millstein

Senior Projects Spring 2018

"Can you shut the door behind you?" creates a parallel between the basement and the subconscious. These settings (one mental and one physical) serve as storage units. In creating these spaces, I became fascinated with the container as a sculptural form; objects whose purpose is to carry and cradle other objects. Pipes cycling water throughout the home, crates and boxes holding family memorabilia, washing machines continuously cycling dirty laundry. My work captures how these containers, abandoned in this forgotten space, grow and decay. The entire space is in and of itself a constructed container a viewer may enter. Casting is …