Art and Design Commons^™

R. Luke Dubois: Portraits & Landscapes, Richard Rinehart

Other Faculty Research and Publications

R. Luke DuBois handles data like origami, transforming a mundane instrumental base material into something unexpected, even beautiful. A More Perfect Uniontransforms the language from 19 million online dating profiles into an atlas of American love, and Hindsight is Always 20/20 turns each presidential State of the Union address into a linguistic eye chart.

DuBois similarly folds time into new shapes. Academycompresses 75 years of Oscar winning films into 1-minute vignettes. Vertical Music stretches 4.5 minutes of musical performance into 45 minutes of cinema, and SSBpresents a version of the Star Spangled Banner that takes 4 years …

Situating Urban Moving Images: Illuminating Place, Annie Dell'aria

Graduate Student Publications and Research

No abstract provided.

Pollataggle: An Exhibition And Photo Book, Kaitrin R. Acuna

University Scholar Projects

Pollataggle is a series of photographs by Kaitrin Acuna that explores childlike imagination and the unreal. The imagery may be viewed at KaitrinAcuna.com and the following is a reflection on the process and outcome of creating the series. This paper reflects on the process of photographing each component of the final images, the inspiration, the process in Photoshop, and the exhibition of the work.

Between Historical Truth And Story-Telling: The Twentieth-Century Fabrication Of “Artemisia”, Britiany Daugherty

School of Art, Art History, and Design: Theses and Student Creative Work

This research focuses on the twentieth century rediscovery of the seventeenth-century Italian painter Artemisia Gentileschi by scholars, novelists, playwrights, filmmakers, and artists. I argue that the various authors who told her story constructed two distinct “Artemisias,” what I identify as the “Academic Artemisia” and the “Celebrity Artemisia.” The “Academic Artemisia” results from writings by scholars focused on her 1610 Susanna and the Elders, who used approaches from formalism and connoisseurship, to feminism and iconography. The “Celebrity Artemisia” stems from popular fictions that refashioned the life and art of Artemisia according to pop culture tastes. Studying what has been said about …

Littlefield Gallery Visiting Artist Series - Andreas Von Huene: Figurative Sculpture, The University Of Maine

Cultural Affairs Distinguished Lecture Series

Andreas Von Huene will give a lecture on interpretive figural sculpture and the next day he will give figurative sculpture demonstrations in the sculpture studios.

Littlefield Gallery Visiting Artist Series - Mark Herrington: Sculpting In The Moment, University Of Maine College Of Liberal Arts And Sciences

Cultural Affairs Distinguished Lecture Series

Maine Sculptor Mark Herrington will be our Visiting Artist in Residence April 27-May 1, 2015. Herrington will provide daily demonstrations and art talks in and around the Sculpture Studio, free and open to the public and campus community. Herrington will be working with various carving techniques in stone, culminating that week in a finished sculpture that will eventually be placed in a garden on campus designed by Elaine Elliot. This work will also be scanned and we will produce a smaller scale version from a 3D printer on campus.

Why Censor An Artist's Creativity?, Darrin Smith

Nebraska College Preparatory Academy: Senior Capstone Projects

Art is more than pain-ngs and figures, it’s a form of communica-on and a way to express one’s self. The censorship of ar-s-c crea-vity is the oppression of a group of people. In visual art, performance art, literature, comedy and in media are only a few examples where ar-sts have had their voice censored.

Volume 07, Rachel C. Lombardi, Ben Osterhout, Lindsay Graybill, Rebecca E. Dey, Skyler T. Carpenter, Emma Beckett, Jason Ware, Mollie Andrews, James Bates, Landon Cooper, Tiffani Jeffries, Maria Wheaton, Dallas Price, Laura Kahler, Sarah Charlton, Anna Bultrowicz, Emily Spittle, Erin Godwin, Eamon Brokenbrough

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Spatial Analysis of Potential Risk Factors Associated with Addition of Atlantic Coast Pipeline Through Virginia by Rachel C. Lombardi

"Delicate Matters with No Speaking," "Hope and Nothing," "Mono Duality" by Ben Osterhout

"Connect" Graphic Design Senior Project by Lindsay Graybill

Phenolic Acids in Brassicaceae Plants: Ovipositional Stimulants or Deterrents for Cabbage White Butterfly, Pieris Rapae? by Rebecca E. Dey And Skyler T. Carpenter

"Abecedarian Cards" by Emma Beckett, Jason Ware, And Mollie Andrews

Helvetica: A Type Specimen Book by James Bates, Landon Cooper, Tiffani Jeffries, And Maria Wheaton

“Things Left Behind” by Dallas …

Mark Garry: A New Quiet, Mark Garry, Georgina Jackson, Caroline Hancock, Declan Long, Brian Cass, Joanne Laws, Cristin Leach Hughes

Books/Book Chapters

A survey of ten years practice.

Preserving Born Digital Art : Lessons From Artists' Practice, Conor Mcgarrigle

Articles

This paper looks at the complex nature of developing effective and appropriate strategies for the preservation of born digital art, in particular networked art. These issues are approached from the perspective of artist practitioners, focusing on a case study of the preservation of a net art project by the author. It is suggested that any preservation strategy begins with artists and the conservation practices that are inculcated into the very act of creation. The paper proposes that for institutional digital art conservation initiatives to be successful they must originate from a pre-existing culture of preservation within digital art communities

And Or Not – The System, The Body And Time, Brian Fay

Articles

This catalogue text discusses artists and artworks featured in the exhibition BOOLEAN EXPRESSIONS: Contemporary Art and Mathematical Data, presented at The Lewis Glucksman Gallery, University College Cork, Ireland, 23 July – 8 November 2015. For an overview of the exhibition see the link https://vimeo.com/137620854

Distilled: The Narrative Transformed (Exhibition Catalogue), Sam Yates, Pinkney Herbert, Joseph Mella, Kim Levin, Tim Rollins, T. Michael Martin

Ewing Gallery of Art & Architecture

Inspired by place and process, Pinkney Herbert's work is a spirited exploration in color and line derived from the sights, sounds, and energies of the two principal cities – Memphis and New York – in which this body of work was created. Graffiti-like gestures scrawl atop digital prints, which are collaged and integrated into his paintings. In this 30-year survey, we follow Pinkney Herbert on his transformative journey from the narrative into abstraction.

Cntrl+P: Printmaking In The 21st Century By University Of Tennessee Alumni (Exhibition Catalogue), Beauvais Lyons, Sarah Suzuki

Ewing Gallery of Art & Architecture

Curated by Sarah Suzuki Associate Curator, Department of Drawings and Prints, Museum of Modern Art, New York, NY

This exhibition presenting prints by twenty-one University of Tennessee alumni was organized in conjunction with the 2015 SCG International Conference. Artists selected for the exhibition completed graduate and undergraduate degrees from the University of Tennessee between 1994 and 2014 and include Bryan Baker, Tim Dooley, Wade Guyton, Mark Hosford, Liz Klimek, Shaurya Kumar, Lauren Kussro, Eun Lee, Emily Minnie, Josh Minnie, Katie Ries, Clifton Riley, Hannah Skoonberg, Josh Smith, Veronica Siehl, Meredyth Sparks, Jessie Van der Laan, Crystal Wagner, Ericka Walker, Kelley …

Compound Lens (Exhibition Catalogue), Sam Yates

Ewing Gallery of Art & Architecture

Compound Lens is an amalgam of photographic work of nineteen former students of Baldwin Lee. Lee retired from teaching photography at the School of Art in 2014.

Exhibiting artists were: Jonathan Bagby, Phillip Carpenter, Tuni Chatterji, Cip Contreras, Matt Ducklo, Rebecca Finley, Banner Gwin, Neely Crihfield Hyde, Erin Leland, Sarah Martin, Wardell Milan, Christopher Miner, Shelly O'Barr, Hei Park, Jack Parker, Marlo Pascual, Denny Renshaw, Bradly Dever Treadaway, and Constance Thalken.

Finding Aid To The Collection Of Waldo Peirce Materials., Waldo Peirce, Colby College Special Collections

Finding Aids

The collection comprises letters, scrapbooks, and manuscript items by Waldo Peirce, an American painter, bohemian, and expatriate born in Bangor, Maine. Waldo Peirce (1884-1970) was born in Bangor, Maine, and educated at Phillips Academy in Andover and Harvard University. He later studied at the Art Students League in New York City and at the Julian Academy in Paris. As an expatriate American, he drove ambulances for the French Army in World War I and led a bohemian life with notable companions such as Ernest Hemingway and John Reed. His later life was spent in Searsport, Maine, and Newburyport, Massachusetts, where …

Catalogue Essay For Kiera O'Toole Solo Exhibtion, Brian Fay

Exhibition Catalogues

A catalogue essay discussing elements of O'Toole's practice as it responds to recent contemporary drawing practices and the specifics of the history and architecture of the Wicklw site.

Kiera O'Toole - A Fragile Intensity, Brian Fay

Catalogues

This catalogue essay discusses the Irish artist Kiera O'Toole's practice in relation to serial drawing practices of the 1960's and Alain Badiou's observations on drawing.

Locative Media As Remix, Conor Mcgarrigle

Books/Book Chapters

While data-driven art is not new, recent developments in technical, artistic, and social spheres have coalesced to produce new opportunities for artists and activists who remix data with space and place to form locationally specific political critiques of great power and flexibility.