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Articles 1 - 18 of 18
Full-Text Articles in Art and Design
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.
The Sacred Art Of Labyrinth Design: Optimization Of A Liminal Aesthetic, Yadina Z. Clark
The Sacred Art Of Labyrinth Design: Optimization Of A Liminal Aesthetic, Yadina Z. Clark
Electronic Theses and Dissertations
This paper provides an overview of both practical and esoteric elements that inform the labyrinth design process and touches on the physiological and psychological effects of meditative walking. In addition to new installations, some other outcomes that have resulted from this research include an interactive online map of over 200 labyrinths in New England and two simple formulas for accurately calculating the path length of both 3- and 7-circuit Classical labyrinths.
Labyrinths, in their true, non-maze forms, have existed for thousands of years in numerous places around the world and there are similarities in the designs and uses of these …
A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe
A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe
Master's Theses
David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …
Imagining New Possibilities Through Social Practice, Sarah O. Hull
Imagining New Possibilities Through Social Practice, Sarah O. Hull
Undergraduate Theses—Unrestricted
In my practice, I have significantly questioned the role of the arts in social change. I have explored various forms of social practice, especially political art,public art and community art. Social practice lives in-between the world of art and social action and can add an important voice to both. Still, social practice, (like all forms of art) is limited and cannot be the sole source of social change. It is by working with others already organizing for social change, but bringing in the unique skills and perspectives of an artist that social practice is most effective. In this thesis, I …
The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond
The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond
Masters Theses, 2010-2019
The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …
Situating Urban Moving Images: Illuminating Place, Annie Dell'aria
Situating Urban Moving Images: Illuminating Place, Annie Dell'aria
Graduate Student Publications and Research
No abstract provided.
Presence-At-Hand, Eric Lyle Schultz
Presence-At-Hand, Eric Lyle Schultz
Graduate School of Art Theses
Abstract
The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …
Ecotones, Chas Schroeder
Ecotones, Chas Schroeder
CGU MFA Theses
My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.
Distilled: The Narrative Transformed (Exhibition Catalogue), Sam Yates, Pinkney Herbert, Joseph Mella, Kim Levin, Tim Rollins, T. Michael Martin
Distilled: The Narrative Transformed (Exhibition Catalogue), Sam Yates, Pinkney Herbert, Joseph Mella, Kim Levin, Tim Rollins, T. Michael Martin
Ewing Gallery of Art & Architecture
Inspired by place and process, Pinkney Herbert's work is a spirited exploration in color and line derived from the sights, sounds, and energies of the two principal cities – Memphis and New York – in which this body of work was created. Graffiti-like gestures scrawl atop digital prints, which are collaged and integrated into his paintings. In this 30-year survey, we follow Pinkney Herbert on his transformative journey from the narrative into abstraction.
Cntrl+P: Printmaking In The 21st Century By University Of Tennessee Alumni (Exhibition Catalogue), Beauvais Lyons, Sarah Suzuki
Cntrl+P: Printmaking In The 21st Century By University Of Tennessee Alumni (Exhibition Catalogue), Beauvais Lyons, Sarah Suzuki
Ewing Gallery of Art & Architecture
Curated by Sarah Suzuki Associate Curator, Department of Drawings and Prints, Museum of Modern Art, New York, NY
This exhibition presenting prints by twenty-one University of Tennessee alumni was organized in conjunction with the 2015 SCG International Conference. Artists selected for the exhibition completed graduate and undergraduate degrees from the University of Tennessee between 1994 and 2014 and include Bryan Baker, Tim Dooley, Wade Guyton, Mark Hosford, Liz Klimek, Shaurya Kumar, Lauren Kussro, Eun Lee, Emily Minnie, Josh Minnie, Katie Ries, Clifton Riley, Hannah Skoonberg, Josh Smith, Veronica Siehl, Meredyth Sparks, Jessie Van der Laan, Crystal Wagner, Ericka Walker, Kelley …
Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center
Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2015 Kentucky Folk Art Center exhibition catalog of artist Minnie Adkins.
Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman
Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman
Graduate Research Posters
Voz Alta is a participatory, voice-activated public light installation designed by Rafael Lozano-Hemmer as a memorial for the Tlatelolco massacre, which occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, Mexico. In the Plaza, Lozano-Hemmer has synchronized a megaphone with a 10 kW Xenon robotic searchlight. As each participant speaks into the megaphone, the searchlight shines to the uppermost floor of the towering Centro Cultural Tlatelolco (CCT) building where three additional searchlights instantaneously strobe, dim, and brighten, illuminating the nocturnal landscape in horizontally fixed, tangential beams. Although the aesthetic, social, historical, and political aspects of …
The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko
The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko
Pomona Faculty Books
“The Fragile Bee” was exhibited at the Museum of Art and History in Lancaster, CA and is an outcry to the plight of the bees in relationship to the environment. This accompanying catalog critically examines the work in the exhibition beginning with a foreword by Andi Campognone, museum manager and curator at MOAH. Artist Nancy Macko established a garden for native bee-attracting plants in order to document them throughout the year. The resulting series of photographs, "Botanical Portraits", are the subject of the essay by museum director Kathleen Stewart Howe. Contemporary art writer and curator Carole Ann Klonarides writes in …
Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono
Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono
Art Faculty Articles and Research
"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically …
Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields
Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields
Theses and Dissertations--English
As a (former) vandal-punk in the academy, I often fear succumbing to Ivory Tower Stockholm syndrome. The identities I perform, vandal-punk and scholar, ideologically clash to the point that they often feel irreconcilable. By codemeshing the high-low discourses associated with these adopted cultures, I attempt to disrupt any hierarchal privileging of either, instead searching for a way to live with and harness both.
Beauty Is Born Of The Rain: Walter Inglis Anderson's Art And Isolation, Chloe Evelyn Huff
Beauty Is Born Of The Rain: Walter Inglis Anderson's Art And Isolation, Chloe Evelyn Huff
Honors Theses
Walter “Bob” Inglis Anderson: naturist, painter, and ceramicist. Some say he was mad, while others were inclined to say that he was merely passionate regarding nature and his watercolors. However, he is highly regarded as one of the most talented artists east of the Mississippi. In the following pages, his life, art, and battles with a mental illness will be spread out and investigated closely with the primary goal of observing whether his bouts of illness affected his art. To investigate this relationship, it is necessary to examine Walter Anderson’s early life and art, along with his progression into mental …
Ejecta, Anthony Cervino, Shannon Egan
Ejecta, Anthony Cervino, Shannon Egan
Gettysburg College Faculty Books
Co-authored with artist Anthony Cervino, this book was produced on the occasion of the exhibition of the same name at CulturalDC's Flashpoint Gallery in Washington, DC. The book is comprised of several curatorial essays as well as fictional and personal reflections, and an in-depth interview to examine issues of parenthood, professional successes, personal tragedies, and larger art-historical contexts.
Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor
Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor
Theses and Dissertations
The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …