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Ua37/26 Faculty Personal Papers Ivan Wilson, Wku Archives

WKU Archives Collection Inventories

Personal and university records created by Ivan Wilson.

Odd Man Out: Two Self-Portraits Of Henri De Toulouse-Lautrec, Ava Pandiani

Art & Art History Student Scholarship

No abstract provided.

Glorious Constructions: The Struggle To Preserve Salvation-Themed Visionary Art Environments, Molly Elaine Sheehan

Master's Theses

Salvation-themed art environments are a roadside rarity, built out of a strong visionary dedication to God, but the sites are disappearing simply because the work is misunderstood. The historiography on the subject is sparse, trending more toward coffee table books with big glossy pictures than real scholarly endeavors, but the consensus among all has been clear. The sites are a valuable part of the recent American cultural landscape, crossing several scholarly fields - art, architecture, and history - and uniting them into a cohesive preservation movement. On a series of trips to visit, see, and experience five of these sites, …

With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito

Art & Art History Student Scholarship

No abstract provided.

The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone

Art & Art History Student Scholarship

No abstract provided.

Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson

Art & Art History Student Scholarship

No abstract provided.

“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli

Art & Art History Student Scholarship

No abstract provided.

Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo

Art & Art History Student Scholarship

No abstract provided.

Tension And Critical Thinking In Art, Marnie A. Jain

Critical and Creative Thinking Capstones Collection

This paper is a discussion about the existence, purpose, and use of tension in works of art. It does not take the form of standard papers, but is written as an interview where I am both the interviewer and interviewee. As the interviewee I am an artist and researcher of this topic. As the interviewer, I challenge myself to support my assertions with examples, and I try and catch myself in contradictions, and ask for clarifications. Similar to conversations we have in the classrooms of the Critical and Creative Thinking Graduate Program, the discussion in this paper does not cease …

Lost Channels, Joshua P. Johnson

School of Art, Art History, and Design: Theses and Student Creative Work

LOST CHANNELS Josh Johnson, M.F.A University of Nebraska, 2010 Adviser: Mo Neal My current body of work derives from notions of an inward nature. Things that are difficult to put your finger on for very long are my focus. Sensations as obscure as the lump in the pit of your stomach or the itch in the back of your mind that turns sleep into a game, conditions that both stifle and propel an individual. These hazy passengers churn within, coating themselves with the residue of memories, concerns, desires and other intangible features of the body; waiting to be released from …

The Feminine Ideal, Rosalena L. Miller

Scripps Senior Theses

While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.

Untitled: A Life In Art, Marissa Molina

Art & Art History

No abstract provided.

2010 Forces, Scott Yarbrough

Forces

No abstract provided.

Visualizing The Nation: Constructing A Czech National Art In The Prague Biennale, Carrie Dedon

Pomona Senior Theses

No abstract provided.

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Archives Records

Exhibition catalog showcasing senior art students work in a variety of mediums.

Taking In: The Best Of Aib Photography 2010, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography, 2010. The book in your hand is the end result of a collective effort by those in the class.

Ties That Bind, Jessica Marie Orlowski

Art and Design Theses

I am fascinated by the inner thoughts, the memories, and the cumulative experience that make us each a complex physiological puzzle. From birth, sociological building blocks are constructed forming emotional walls and unexpected doorways, boundaries and comfortable passageways through the architecture of our personalities. My thesis work, which is comprised of ceramic figures and interactive toys, offers playful memory triggers and evocative spaces in which viewers can deconstruct the building blocks of their social persona.

Place, Space, And Form Captured Through Photographic Meditation, Sarah Stead

Electronic Theses and Dissertations

Inspired by Buddhist philosophy, the photographic series Architectural Zen attempts to beautify banal and pragmatic architecture through limiting and preexisting artificial light conditions. The selective illumination of artificial light eliminates the non-essential details and enhances the pure forms and saturated color presented by the camera lens. This encourages the photographer and the viewer to enter a state of meditation. The resulting process is similar to a Zen approach to image making. The ancient Zen artist's compositions are strengthened by a meditation on form and subsequent elimination of the non-essential elements of the subject. Through embracing this Zen mentality and mindfulness,aspects …

New Material World: Rethreading Technology, Concurrent Exhibitions, The Sheldon Museum Of Art

Textile Society of America Symposium Proceedings

Sheldon Museum of Art
www.sheldonartgallery.org
12th & R St.
(402) 472-2461

New Material World: Rethreading Technology
October 8, 2010 - January 2, 2011

From manipulating old techniques in new ways to coupling new tools and digital
processes with traditional methods, this work explores what it means to be an
artist integrating such approaches in the 21st century.

Participating artists: Lyn Carter, Kyoung Ae Cho (1997 Lillian Elliott Awardee),
Sonya Clark (2000 LEA), Ishida Tomoko Hashimoto (1998 LEA), Kyoko Kumai,
Cat Mazza, Janice Lessman-Moss, Geraldine Ondrizek, Jessica Smith, and
Grethe Sørensen.

Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010, Dublin Institute Of Technology

DIT Publications

Exhibition committee staff Kieran Corcoran Peter Jones Paul White Robert Tully Neville Knott John Short Brenda Dermody Clare Bell Brenda Duggan Annette Buckley Pat Muldowny Joe Hanly Exhibition commitee student representatives Lucy Clarke Margaret Flynn Kate Geoghegan Gavin Gogarty Fiona O'Keeffe Cian McKenna Becky O'Hara Catalogue concept and design Paul Woods - www.paultheillustrator.com Maeve Keane - www.andstudio.ie Photography by Gillian Buckley. Typeset in DIN 9pt and 24pt. Printed on 140gsm Revive 50/50 by Future Print, Dublin. DIT Graduate Exhibition 2010

Parnassus 2010

Parnassus

The 2010 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

The Only Way Out Is Through, Lia Halloran

Art Faculty Creative Works – Exhibitions

"DCKT Contemporary is pleased to present LIA HALLORAN’s third New York solo exhibition. The exhibition includes new paintings of crystal caves and personified icebergs, along with ink on vellum works. HALLORAN uses science and the natural world to map out physical and psychological spaces in her painting and addresses time in ways that stretch our notions of perception."

This exhibition can also be viewed on DCKT's website.

John Sonsini: Portraits From Los Angeles, Michael Duncan

Exhibit Catalogues

Los Angeles portrait painter John Sonsini's gorgeous bakgrounds are lyrical, atmospheric abstrations that add a surprising tenderness to the portraits of Hispanic men whose half-formed shadows correspond to their near invisibility to most LA passersby.

Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2010. Content includes Foreword / Buzz Spector -- Thinking as making / Robert Gero -- A new set of conversations / Patricia Olynyk -- MFA 2010 graduates. Clyde Ashby / Aaron Bos-Wahl / Andrew Cozzens / John Early / Ryan James Fabel / Joel Fullerton / Mary Beth Hassan / Wenting Hsu / John Nicholas Hutchings/ Dani Kantrowitz / Larry Keaty / Mamie Korpela / Paola Laterza / Mad Mohre / Emily Moorhead / Jonathan Muehlke / Jessa Richardson / Nicolette Ross / Carlie Trosclair …

Exhibition Catalogue Essay And Artwork - "Half Yella: Embracing Ethno-Racial Ambiguity", Laura Kina

Laura Kina

"Half Yella: Embracing Ethno-racial Ambiguity" essay and artwork featured in Embracing Ambiguities: Faces of the Future (exhibition catalogue). Cal State Fullerton University, Fullerton Main Art Gallery, 2010.

“Embracing Ambiguity: Faces of the Future,” features artwork by 10 multicultural artists living and working in the United States who are searching for new ways to define identity. Through painting, sculpture, video and mixed media, these artists attempt to answer the question, “What are you?”

The artists are:

Nzuji De Magalhaes, who combines African and American art forms to depict issues of stereotype, myth, ethnicity and politics.

Kip Fulbeck, artist, photographer, filmmaker and …