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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre
The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre
Center for LGBTQ Studies (CLAGS)
This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.
Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad
Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad
Publications and Research
Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.
Breathe... Keep Breathing., Shaun C. Kiel
Breathe... Keep Breathing., Shaun C. Kiel
School of Art, Art History, and Design: Theses and Student Creative Work
I work with short-duration seamless video loops. My work simultaneously depicts and emulates the material composition of time, specifically how action composes time and how time can compose or construct objects.
My work is self-reflexive. Self-reflexive means that a product actively considers or examines its own production. In video this means breaking either the illusion of depicted time as real time or the illusion of the depicted image as real space. Video loops are self-reflexive by function. Their periodic recurrence points out the artifact of the medium.
The periodic recurrence of video loops also changes the narrative quality of the …
Correspondences And Complementarity In Visual Music, Bill Alves
Correspondences And Complementarity In Visual Music, Bill Alves
All HMC Faculty Publications and Research
Visual music is an art form that implies intermodal connections between the senses but which has historically often failed to identify aesthetically satisfying correspondences. Artistic success does not automatically emerge in one medium when its elemental characteristics are mapped to those of an existing work from another medium. I offer examples from my own abstract animations with music, which draw upon John Whitney's concept of complementarity, a more intuitive correspondence at a higher level of aesthetic qualities, that of stasis and dynamism or tension and resolution.