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Full-Text Articles in Art and Design

Remember Me When I Am Gone - Exhibition (Fa 530), Manuscripts & Folklife Archives Oct 2010

Remember Me When I Am Gone - Exhibition (Fa 530), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 530. Materials related to the quilt exhibition, "Remember Me When I Gone," held at the Kentucky Museum, Western Kentucky University in 1995. Includes interviews with quiltmakers about their friendship and memory quilts.


Lani Montreal Interview, Thi Navi Thach Feb 2010

Lani Montreal Interview, Thi Navi Thach

Asian American Art Oral History Project

2010 interview with Filipina teacher, writer, performer Lani T. Montreal by Thi Navi Thach


Ann Poochareon Interview, Christina Yang Feb 2010

Ann Poochareon Interview, Christina Yang

Asian American Art Oral History Project

2010 interview with new media artist Ann Poochareon by Christina Yang


Tatsu Aoki Interview, Brian Callahan Feb 2010

Tatsu Aoki Interview, Brian Callahan

Asian American Art Oral History Project

2010 interview with musician Tatsu Aoki


Tina Ramirez Interview, Karina Lopez Feb 2010

Tina Ramirez Interview, Karina Lopez

Asian American Art Oral History Project

2010 interview with poet Tina Ramirez


Dahuang Zhou Interview, Julia Lin Feb 2010

Dahuang Zhou Interview, Julia Lin

Asian American Art Oral History Project

2010 interview with multimedia artist and entrepreneur DaHuang Zhou


Chi Jang Yin Interview, Anna Huang Feb 2010

Chi Jang Yin Interview, Anna Huang

Asian American Art Oral History Project

2010 interview with experimental documentary filmmaker Chi Jang Yin by Anna Huang


Von Kommanivanh Interview, John Pluciennik Feb 2010

Von Kommanivanh Interview, John Pluciennik

Asian American Art Oral History Project

2010 interview with Loatian born/Chicago based painter Von Kommanivahn by John Pluciennik


Sam Del Rosario Interview, Nancy Shaba Feb 2010

Sam Del Rosario Interview, Nancy Shaba

Asian American Art Oral History Project

2010 interview with writer and the former ED of the Asian American Artists Collective- Chicago Sam del Rosario by Nancy Shaba.


Rominna Villasenor Interview, Jamelle Apolinar Feb 2010

Rominna Villasenor Interview, Jamelle Apolinar

Asian American Art Oral History Project

2010 interview with writer, performer, visual artist Rominna Villasenor by Jamelle Apolinar


Michiko Itatani Interview, Liza Rush Feb 2010

Michiko Itatani Interview, Liza Rush

Asian American Art Oral History Project

2010 interview with painter and School of the Art Institute of Chicago professor Michiko itatani by Liza Rush


Mike Park Interview, Ben Rogers Feb 2010

Mike Park Interview, Ben Rogers

Asian American Art Oral History Project

2010 interview with Mike Park from Asian Man Records by Ben Rogers


Powell, Janet Sharli (Fa 17), Manuscripts & Folklife Archives Feb 2010

Powell, Janet Sharli (Fa 17), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 17. Collection consists of interviews with Bonnie G. (Cole) Willis and Johnnie Mae (Elkins) White, Bowling Green, Kentucky, conducted by Janet Sharli Powell about quilting. Includes sample Mexican Star quilt block. Project was completed for a folk studies class at Western Kentucky University.


Ann Marie Chua Lee Interview, Jasmin M. Ortiz Feb 2010

Ann Marie Chua Lee Interview, Jasmin M. Ortiz

Asian American Art Oral History Project

2010 Interview with cosplay costume designer Anne Marie Chua Lee by Jasmin M. Ortiz


Designing, Producing And Enacting Nationalisms: Contemporary Amerindian Fashion In Canada, Cory Willmott Jan 2010

Designing, Producing And Enacting Nationalisms: Contemporary Amerindian Fashion In Canada, Cory Willmott

Cory A. Willmott

Today, generations after the adoption of European styles, Amerindian peoples’ everyday clothing is almost indistinguishable from that of other residents of North America. Until recently their culturally distinct clothing has been mainly reserved for ceremonial occasions such as powwows and religious rituals. This bifurcation of clothing styles and contexts parallels the dichotomy between ‘traditional’ and ‘assimilated’ Native identity that has been imposed by the dominant society. The dichotomy is a double bind: adopting ‘traditional’ identities, Native peoples are cast into a static ahistorical frame, while appearing ‘assimilated’ erases cultural distinctiveness. In both cases, Native peoples cannot effectively stake claims to …