Art and Design Commons^™

M.S. Island Venture, Italian Dinner Menu, Thursday, November 2, 1972, Flagship Cruises Inc.

The Brown University Alumnus Travel Menu Collection

Flagship Cruises, M.S. Island Venture. Italian Dinner menu, Thursday, November 2, 1972.

The Written Word, Susan Ward, Margot Mcilwain Nishimura

Journals

Exhibition Notes, Number 20, Fall 2002. The Written Word brings together pages from medieval manuscripts and early printed works, giving a sample of the various types of books created between 1100 and 1550. Individual pages were a popular way, especially in the earlier part of the 20th century, for museums and libraries to acquire representative collections, and many of The RISD Museum’s manuscript leaves were acquired as such a group in 1943.

Conserving And Preserving Your Books, Peter D. Verheyen

Peter D Verheyen

An introduction to book preservation ad conservation topics and problems for library school students an collectors. Includes paper, leather, repair, and a resource list.

Enterprise Ireland: Student Creativity Day Design Competition, Peter Dee

Other resources

Peter Dee - Strategic Design & Marketing Consultant, was responsible for the design and development of the brand identity for the Enterprise Ireland Student Creativity Day which was used on business cards, letterhead, appliction forms, information literature, large format posters, t-shirts and website. Competing in multi-disciplinary teams, students provided an innovative & creative solution to an exacting design brief. The design brief reflected the following themes: interface, learning, science, media, communications and fashion. The design jury included representatives of Irish business and IDI members.

Urban Noise : Inner Voice, Shelly Hays, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

A Book About Sushi, Christopher Visit, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class.

Sunrise 1, Jill Timm, Special Collections, Fleet Library

Artists' Books

accordion variation with three cascading panels, housed in silk covered slipcase; box cover; cover; interior spreads. Tinted sky and mountains, printed on three unfolding panels reveal a peaceful sunrise landscape.

Where Do We Start?, Wilber Chip Schilling, Special Collections, Fleet Library

Artists' Books

maze book accordion variation with fold-out flaps, enclosed in a cloth covered portfolio with sleeves for CD's and housed in a cloth covered slipcase with foil stamped title; cover; title page; interior spreads . With drawings, photos and anecdotes, 2 men describe how they obtained an education despite the pitfalls of the educational institutions of their youth. Full stories are recorded on acompanying CD's.

Power Pop, Ug, Special Collections, Fleet Library

Artists' Books

1 volume, 10 unnumbered pages. Cover title. Publisher name, copyright date, and edition number from page [4] of cover. Edition of 100. First and last pages are pastedowns. Five double-pages pop-ups, silkscreen-printed in pixilated style of the 8-bit video and arcade games of the 1980s. Illustrations depict cityscapes and robots.

Warped Words, Bonnie Stahlecker, Special Collections, Fleet Library

Artists' Books

[1] folded sheet ([6] leaves) : color ill.. Title from cover. "Bonnie Stahlecker started this book in 1998 while she was visiting artist at Arizona State University. Using Bembo Roman and Lydian Bold Italic from their great type collection, she printed ten copies on Somerset book cover, with intaglio and paste paint providing additional layers. After four years on the shelf, it was finally finished in 2002 at the artist's Indiana studio (no lie)."--Colophon. Numbered, signed and dated in pencil by the artist. Six page accordion fold with three reversed pop-ups. Pop-up structure prevents fully extending sheet. Folded sheet mounted …

All The Aldas, Daniel Kane, Special Collections, Fleet Library

Artists' Books

pamphlet stitch, some fold-out pages; cover; cover page; interior spreads and pages. Poems revealing the author's obsession with actor Alan Alda.

Black Ice And Rain: Psalms 6.6, Barbara Tetenbaum, Special Collections, Fleet Library

Artists' Books

pamphlet stitch with hard cover and silk covered boards; cover; title page; interior pages; colophon. Michael Donaghy recounts a true story of love and loss, illustrated by Tetenbaum's use of very tactile dyed and collaged handmade paper.

Florida Family Portrait, Judy Gelles, Special Collections, Fleet Library

Artists' Books

Sewn signatures with soft cover; cover; interior spread; interior page details. Black and white photographs of family taken with grandparents in Florida, 1982-2002, with notes highlighting each year.

Mutually Exclusive, Emily Martin, Special Collections, Fleet Library

Artists' Books

5 magic wallets (Jacob's ladder module), enclosed in an Asian-style cloth covered portfolio with bone clasps; portfolio cover; magic wallets open and closed. Each booklet features conflicting text from media reports following the Sept. 11th terrorist attacks. Opinions and beliefs, formed from the same information, are often opposing.

Public / Private Peace: Selections From The Swarthmore College Peace Collection, Buzz Spector, Special Collections, Fleet Library

Artists' Books

saddle stitch with plastic translucent cover and cloth covered spine; interior pages. Catalog featuring several installations of work based on photographs in the Swarthmore Peace Collection.

Saturday Afternoons, Susan Angebranndt, Harold Williams, Special Collections, Fleet Library

Artists' Books

accordion with pop-ups; cover wrap; book cover; page spreads. Edition of 25 copies. Cover title. In slipcase with mounted color illustration. "Photos: Susan Angebranndt, Harold Williams ; Illustration, story & construction: Susan Angebranndt ; Ink jet printed"--Colophon. Accordion fold book with pop-up illustrations. Library has copy 7.

View video of Saturday Afternoons.">

Look Back, Lynn Marshall-Linnemeier, Special Collections, Fleet Library

Artists' Books

32 unnumbered pages : illustrations (some color), facsimiles, map, portraits. Cover title. Collaborative response in an artists' book format to the letters of Anna Matilda Page King to her family (written between 1817 - 1859) from "Retreat", her St. Simons Island, Georgia plantation. Includes bibliographical references. Stapled. Gift of Jan Baker.

In A Foreign City I Remember Everything I Forgot, Hadassa Goldvicht, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class Printed Books.

Plant Deconstructions, Louise Kohrman, Fleet Library, Special Collections, Jan Baker

Nature

This book was completed for Jan Baker's artists' book class.

Amputations: The Civil War Wounded, Kimberly Walker, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class.

The Evolution Of Money, Jessica Rosenkranz, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Big Man On The Dot, Ken Leslie, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : color illustrations. Doughnut-shaped leaf folded to a fan shape (24 cm, folded to 7 cm), text and illustrations on both sides ; issued in a paper slipcase. Text titled "Big man" appears on one side and "Our Dot" on the verso. Cover title. Contemplates our place in the physical and metaphysical universe. Opens to reveal verso size comparison of "Our Dot" Earth, the Sun, Saturn, and Jupiter. "Brad Freeman, Director, Nexus Press"--back of slipcase. Conical accordion fold in printed paper slipcase. Gift of Jan Baker.

The Veil, Julie Chen, Special Collections, Fleet Library

Artists' Books

1 volume, 5 pages. In box (33 x 22 cm) Title from box. "'The Veil' was written and designed by Julie Chen in the fall of 2002. It was letterpress printed using a combination of photopolymer plates and collagraphic blocks on Wyndstone Marble papers, and cut using a Universal Systems Lasercutter. The binding was done by Julie Chen and Anna Sacramento at the studios of Flying Fish Press.."--Box lining paper. Produced in an edition of 100 copies, signed & numbered by the artist. "This book can be displayed as a standing sculpture by curving the concertina into a circle, with …