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Articles 1 - 6 of 6

Full-Text Articles in Art and Design

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen Jan 1998

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Dore Bowen

No abstract provided.


Kentucky Quilts: Roots & Wings, Adrain Swain, Shelly Zegart Jan 1998

Kentucky Quilts: Roots & Wings, Adrain Swain, Shelly Zegart

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog depicting Kentucky quilts.


African-American Folk Art In Kentucky, Amalia K. Amaki, Maude Southwell Wahlman, O'Leary Bacon, Joan Dance, Helen Lafrance, Mark Anthony Mulligan, Marvin Finn, Willie Massey, Willie Rascoe, Charles Williams, Lavon Van Williams, Zephra May-Miller Jan 1998

African-American Folk Art In Kentucky, Amalia K. Amaki, Maude Southwell Wahlman, O'Leary Bacon, Joan Dance, Helen Lafrance, Mark Anthony Mulligan, Marvin Finn, Willie Massey, Willie Rascoe, Charles Williams, Lavon Van Williams, Zephra May-Miller

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog of African-American folk art from Kentucky.


Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen Jan 1998

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Faculty Publications

No abstract provided.


Art Of The Scholar-Poets: Traditional Chinese Painting And Calligraphy, University Of Richmond Museums Jan 1998

Art Of The Scholar-Poets: Traditional Chinese Painting And Calligraphy, University Of Richmond Museums

Exhibition Brochures

Art of the Scholar-Poets: Traditional Chinese Painting and Calligraphy

April 01 to May 09, 1998

Marsh Art Gallery, University of Richmond Museums

Introduction

Chinese culture developed one of the world's most enduring artistic traditions, literati painting, based upon a unique idea about the purposes of art. The art of the scholar-poets is centered in calligraphy and poetry, which the literati learned at an early age as part of their basic education. Painting was done with the same tools as poetry and calligraphy - brush, ink, and paper - and it was an easy step to express poetic sensibilities in visual …


The New Plastic In Sculpture, Timothy M. Gallant Jan 1998

The New Plastic In Sculpture, Timothy M. Gallant

Honors Theses, 1963-2015

In his "new plastic" paintings, Piet Mondrian (1872-1944) created an aesthetic of universal dimensions through the unification of simplified visual elements. Through an intuitive process of trial and error, Mondrian achieved the unity required for his universal aesthetic by creating a delicate tension between simplified elements in simulated three dimensional space. Mondrian's "new plastic" (neoplastic) aesthetic in painting, however, is physically bound to the two dimensional surface of his canvas and allowed only the appearance of three dimensions. In my thesis, I outline the translation of Mondrian's aesthetic into a physically three dimensional context, creating a universal aesthetic in sculpture …