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Abstract Expressionist Ceramics: Peter Voulkos, Kenneth Price, John Mason, James J. Maher

Masters Theses

No abstract provided.

The Photograph And Photo-Realism In Painting, Nancy G. Odom

Masters Theses

This thesis is an attempt to substantiate the legitimacy of the photograph as a source and aid to painters.

Chapter 1. reviews various artists and major art movements of the Nineteenth and Twentieth centuries influenced by the photograph. Since the invention of photography in 1839, artists such as Manet, Delacroix, Corot, Degas, Picasso, and Dali have used photographs as a source of inspiration and help in achieving the qualities they desired in their paintings. Most major art movements since the middle 1800's were influenced in some way by the various developments of the camera and photography.

Photo-Realism, a style of …

An Exploration Of Intaglio Processes Influenced By The Woodblock Style Of Utamaro, Lenore Branchaw

Masters Theses

An exploration of the intaglio processes as influenced by the woodblock style of Kitagawa Utamaro is examined in this paper.

A brief introductory section is devoted to the history of European and Japanese printmaking. The Japanese, for the most part, used woodblock prints while the European artists more frequently made intaglio prints. The European intaglio prints were the work of one man while the more complicated woodblock prints were developed by the collective efforts of Japanese craftsmen.

The intaglio technique allows the artist to work with one plate, but many blocks of wood may be needed for effective linear design …

Homosexuality In Art, Julian P. Wade-Salisbury

Masters Theses

Homosexuality in art is nothing new. It has existed for centuries. This paper traces, via relative examples, homosexual themes in art from the ancient Greek vases to the twentieth century. The paper is divided into four sections: Greek Homosexuality, Christian Traditions, 19th and 20th Century Art, and My Work and that of other Artists. Examples from these chapters have been taken and are discussed, with special reference to the titles.

In chapter one there is an emphasis on homosexual imagery found on ancient Greek pots, and the almost relaxed way in which the Greeks portrayed and lived with homosexuality. They …

Eva Hesse: Art, Life And Absurdity, Stella Tripp

Masters Theses

No abstract provided.

Female Figure Study, Jason F. Rockhold

Masters Theses

This graduate thesis deals with my feelings and interpretation of the nude female figure in my drawings, paintings, and sculpture pieces; as well as the representations of other artists. The unique aspect about this special object is the broad range of interest it has created through the years. Since the female figure has such great versatility it can be viewed from a realistic portrayal as well as from a complete abstraction, and still be creatively effective.

My intentions in this paper are to discuss other artists and my own work in relation to the female figure. The main portion of …

Painting From Photographs, Judith A. Poynter

Masters Theses

Based on the premise that all paintings should be derived from what can be visually observed at length, this paper explores the use of photographs as a painting aid to the artist. The paper has three main sections. The first section contains historical data, the second contains advantages in using photographic assists, and the third contains personal experiments by the author.

The paper incorporates a brief survey of twenty-five major artists who have worked from photographs with the benefits they obtained from this approach. The artists surveyed were from the seventeenth through the twentieth century.

The second section of the …

The Influence Of Structural Painters On My Work, Susan Crotchett

Masters Theses

The purpose of this thesis is to analyze influence exerted on my painting by Charles Sheeler and Edward Hopper, and to pursue the development of my work.

In the first two sections of the thesis brief overviews of the work of Sheeler and Hopper are presented. Sheeler, classified as a Precisionist, was drawn to paint in a precise, sharp-edged, hard surfaced style that was itself machine-like in character. Edward Hopper, painting at the same time as Sheeler, was not classified as a Precisionist, but his art contains many of the same elements. Though he did not paint in a sharp-edged, …