Art and Design Commons^™

Utley, Mary (Fa 1366), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1366. Student folk studies project titled “Quilt Making” which includes information about traditional quilting practices in Henderson County, Kentucky. All of the information comes from an interview with Utley’s great grandmother, Mary Mathilda Bonnell. Project includes a narrative paper about the experience and survey sheets that may include a traditional belief, the informant’s name, location, birth month and year, and text classification. Other sheets include a photo, brief description of a quiltmaking process and/or a photo of a quilt or piece of quilt with the pattern’s name.

Sikorski, Carolyn (Fa 1347), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 1347. Folklife project titled "Folk Art of Whittling" written by Carolyn Sikorski for a folk studies class at Western Kentucky University. Paper explains the whittling process as described by Herbert Burkes of Mud Lick, Monroe County, Kentucky and Virginia Perry of Warren County, Kentucky.

Pennsylvania Folklife Vol. 21, No. 3, Wasyl O. Luciw, George Wynnysky, Donald M. Hines, Lester Breininger, Louis Winkler, Mac E. Barrick, C. Lee Hopple, Friedrich Krebs

Pennsylvania Folklife Magazine

• The Ukrainian Pysanka and Other Decorated Easter Eggs in Pennsylvania
• The Development of Folklife Research in the United Kingdom
• Just a Bone
• Pennsylvania German Astronomy and Astrology: Almanacs
• Central Pennsylvania Fishing Spears
• Spatial Development of the Southeastern Pennsylvania Plain Dutch Community to 1970: Part II
• 18th-Century Emigrants from the Palatinate, Lower Alsace, and Rheinhessen
• Tobacco and Tobacco Culture: Folk-Cultural Questionnaire No. 23

Inscape April 1972, Morehead State University

Inscape: Art & Literary Magazine Archive

The April 1972 edition of the Inscape: Literary and Art Magazine.

Acrylic Polymer Transparencies, Inez Allen Kendrick

Dissertations and Theses

Brief mentions by three writers on synthetic painting media first intrigued my interest in a' new technique of making transparent acrylic paintings on glass or plexiglas supports, some of which were said to I I simulate stained-glass windows. In writing this paper on acrylic polymer transparencies my problem was three-told: first. to determine whether any major recognized works of art have been produced by this, method; second, to experiment with the technique and materials in order to explore their possibilities for my own work; and third, to determine whether both materials and methods would be suitable for use in a …

The Lantern Vol. 38, No. 2, Spring 1972, Cheryl Hiltebeitel, Judy Freelin, Mary Spink, Kevin Akey, Sidney Houck, John Abernethy, Terry Tucker, John Kenneth Park, J. Buckwalter, Debbie Henning, Nancy Frye, Judith Grumet, Bob Houle, Michael Coyle, Roger N. Baldwin, Rob Hanlon, Cynthia Fitzgerald, Doug Stewart, Arthur G. Severance, Kate Swanson

The Lantern Literary Magazines, 1933 to Present

• Summer II
• For a True Romantic
• The Lyre Neglected
• Hands
• To a Friend
• Sleep
• The Wind's Confusing Sounds
• The Garden
• The Child Has Come Among Us
• The River and the Sea
• The Ice
• La Lamentation de la Fleur
• Nous Sommes
• Upon Becoming
• See!
• Feeling November
• Transience
• Clear
• Isotopes of Reality
• Just Yesterday
• Emergence
• Push
• The Way Love Starts
• Poetic Prosy
• An Agreement
• Spring 1930
• The Summers of '59, '60, '61
• Ode to …

Risd Rag March 23, 1972, Students Of Risd, Risd Archives

All Student Newspapers

The RISD Rag was a student publication released in the spring of 1972, first on a monthly basis and later on a bi-weekly basis. The issue of March 23, 1972 included an article with photographs about RISD students who traveled to Mexico for Wintersession. Also there was a reply from Dean Donald Lay about RISD improvements to a letter from a RISD student. A small article about organic food stores in Providence was also included. Poems, letter to the editor including one about renovating Carr Haus and events for RISD students also were included.

Risd Rag March 9, 1972, Students Of Risd, Risd Archives

All Student Newspapers

The RISD Rag was a student publication released in the spring of 1972, first on a monthly basis and later on a bi-weekly basis. The issue of March 9, 1972 included a letter to the editor about a RISD student who decided to leave because of the structure of courses at RISD. Photos, letters to the editor and articles about student activism were also included.

Risd Rag February 1972, Students Of Risd, Risd Archives

All Student Newspapers

The RISD Rag was a student publication released in the spring of 1972, first on a monthly basis and later on a bi-weekly basis. The issue of February 1972 featured an article about proposals and challenges of a summer mobile art show. Also included was an article about open student government at RISD. State-wide recycling information, Take-a-Break festival schedule, photos, drawings and a review of shows at the Woods-Gerry gallery were also mentioned.

Aib Yearbook, 1972, Art Institute Of Boston

Art Institute of Boston (AIB) - Yearbooks

1972 AIB Yearbook published by the Art Institute of Boston. Original volume available for browsing in the Lesley University Archives.

Risd Rag January 1972, Students Of Risd, Risd Archives

All Student Newspapers

The RISD Rag was a student publication released in the spring of 1972, first on a monthly basis and later on a bi-weekly basis. The issue of January 1972 included an article about the local food co-ops, and the lack of diversity in the RISD faculty and at the RISD Museum. Support was wanted for farm workers and there was an appeal for a sick child. Voter registration information was listed for each state and parking ticket information for Providence was provided. Recipes, an art exhibit review, the Franklin Mint Bicentennial Medal Design contest and comics were also in this …

Pennsylvania Folklife Vol. 21, No. 2, Don Yoder, C. Lee Hopple, Friedrich Krebs, Rufus A. Grider, Gabriel Hartmann

Pennsylvania Folklife Magazine

• The Pennsylvania Germans: A Preliminary Reading List
• Spatial Development of the Southeastern Pennsylvania Plain Dutch Community to 1970: Part I
• Palatine Emigrants of the 18th Century
• Winter Album
• Emigrants from Dossenheim (Baden) in the 18th Century
• Farm Layouts and Building Plans: Folk-Cultural Questionnaire No. 22

Inscape January 1972, Morehead State University

Inscape: Art & Literary Magazine Archive

The January 1972 edition of the Inscape: Literary and Art Magazine.

Portrait Of Adron Doran, Ogden

Morehead State University Art Collection

A 1972 portrait of Adron Doran by an artist named Ogden.

Johnson Camden Library, Douglas Adams

Morehead State University Art Collection

A 1972 colored print of the Johnson Camden Library by Douglas Adams.

Morehead State University - Button Auditorium, Douglas Adams

Morehead State University Art Collection

A 1972 color print of Button Hall on the campus of Morehead State University by Douglas Adams.

Morehead State University - Doran Student Building (Aduc), Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Doran Student Building (ADUC) on the campus of Morehead State University by Douglas Adams.

Morehead State University - Mignon Complex & University Breckinridge School, Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Mignon Complex and University Breckinridge School on the campus of Morehead State University by Douglas Adams.

Perched Bald Eagle, James Fenwick Lansdowne

Morehead State University Art Collection

A 1972 color print of a perched bald eagle by J. F. Lansdowne.

John Lewis, Unknown

Morehead State University Art Collection

A 1972 bust of John Lewis created from coal.

1972 Stanley A. Bauman Photograph Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 1972. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

Betty Wiseman's Scrapbook Vii, 1972-1973, Betty Wiseman

Scrapbooks

Betty Wiseman graduated from Belmont College and began teaching health and physical education in 1966. She was the founder and coach of the Belmont women’s basketball team, the Rebelettes (now Bruins), in 1968. At the time, it was one of the first women’s collegiate teams in the southeast. She was inducted into the Belmont Athletics Hall of Fame in 1981. She was also inducted into the Tennessee Sports Hall of Fame in 2004. Wiseman coached the women’s team for 16 years (1968-1984) before moving into athletic administration at Belmont. She served as Assistant Athletics Director until her retirement in 2013. …

Feelgood Funnies (No. 1), Frank Stack, Special Collections, Fleet Library

Underground Comix

volumes : illustrations. By Foolbert Sturgeon [i.e. Frank Stack]. First issue published without numbering. Library has nos. 1-2 (1972, 1984). The Adler Archive of Underground Comix, Gift of Bill Adler.

Portfolio, 1972, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Subvert Comics, No. 2, Spain Rodriguez, Special Collections, Fleet Library

Underground Comix

3 volumes : chiefly illustrations. Frequency: Irregular. Publication Dates: No. 1, 1970, Ceased with: No. 3, copyright 1976. Cf. The official underground and newave comix price guide / by Jay Kennedy. Title from cover. "For adult intellectuals only." By Spain Rodriguez. Cf. The official underground and newave comix price guide / by Jay Kennedy. Imprint varies: 1971-1972, San Francisco, Calif., Rip Off Press--1976, San Francisco, Calif., Keith Green Industrial Reality. Cf. The official underground and newave comix price guide / by Jay Kennedy. Color cover illustrations, b&w interior. Loibrary has no.'s 1-3. The Adler Archive of Underground Comix, Gift of …

Some Observations On Drawing Facial Expression, Pamela Fae Slater Uptmor

Masters Theses

No abstract provided.

Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken

All Master's Theses

Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.

Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.

The Nebraska Art Association, Fred N. Wells

Sheldon Museum of Art: Catalogs and Publications

In this history of the Nebraska Art Association emphasis has been placed on the development of policies which governed the formation of the collections, the close relationship between the Association and the University, and especially the family interests which have made possible many generous gifts.

It all began with Sarah Wool Moore, as dedicated a disciple of the visual arts as ever wielded a crayon or a camel's hair brush. Miss Moore had come to Nebraska University in 1884 as a teacher of drawing and painting. She had been a pupil of August Eisenmenger, rector of the Vienna Academy of …

Many Strange Visual Effects Can Be Obtained By Overlapping Several Objects Containing Both Raised And Incised Shapes And Varying The Textures Of These Forms, Ruth F. Bravetti

All Master's Theses

This study deals with the printmaking technique of embossing to create visual effects with "non-associative" forms. The prints presented deal with the realm of space and an atmosphere unrelated to our present environment or concepts of gravity. Several visual conflicts were achieved by overlapping objects, creating textured surfaces, and varying thickness, size, location, and shape of forms. Serigraphy, spray paint, flocking, and reflective beads were introduced in some of the prints presented in order to enhance the effect of embossing.

For the viewer to become involved with transparent "non-associative" objects was the main objective. The technique was limited to embossing …