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Place-Conscious Vs. Place-Bound, Julie Avetisyan Jan 2024

Place-Conscious Vs. Place-Bound, Julie Avetisyan

Theses and Dissertations

Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.


Simply Butter (One Pat At A Time), Maddie Mcsweeney Jan 2024

Simply Butter (One Pat At A Time), Maddie Mcsweeney

Williams Honors College, Honors Research Projects

Simply Butter (one pat at a time) is an investigation of food and intimacy through sculpture, installation, performance, printmaking, and recordkeeping. In this series of Happenings, I explore themes of love, loss, and empathy while dealing with emotions related to grief and mental health issues. I look to cultural phenomena and art history figures who are concerned with similar sentiments to make conceptual connections and inform my choices when creating this project. Drawn to silliness and the absurd, I use the rudimentary yet familiar form of a stick of butter to act as a monolithic stand-in for the emotionally, mentally, …


Objects And Apparitions: A Portable Museum, Yesuk Seo Jun 2023

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …


Recipes For Building Relationships, Adriana Lintz May 2023

Recipes For Building Relationships, Adriana Lintz

Masters Theses

This thesis explores the history of women's access to education and the issues of gender disparity in education. I focus on single-gendered schools as I write from personal experience to describe the benefits for individuals in single-gender educational systems. I cite conflicting research on how men and women learn regarding biological, cognitive, and developmental differences. I illuminate some of the benefits of single-gendered education through research, experience, and personal communications. I write about the controversies and disparities regarding education and single-gender schools. I document research on the issues women face in education and the politics of women’s bodies and minds …


Tied Together, Eiko Nishida May 2023

Tied Together, Eiko Nishida

Theses and Dissertations

The paper is about a site-specific installation that questions a viewer’s norms and perspectives, through the use of multilingual newspapers as a sculptural material.


Skin Echoes, Andreia Santana May 2023

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.


Sending Gratitude, Amanda Kukunis Apr 2023

Sending Gratitude, Amanda Kukunis

Honors Projects

Mindfulness practices involving gratitude have been shown to improve mental and physical health. Making short lists of people, things, and experiences that one is grateful for is a helpful habit for decreasing anxiety. Sending Gratitudeis an expansion of these lists guided by the research question:

In what ways does reflecting on past experiences where I was grateful that someone decreased my past anxiety help reduce current anxieties?

How can these experiences be shared with others in a way that will encourage them to practice gratitude?

The final installation imitated a greeting card wall and encouraged viewers to take a …


Future Trash, Xinan Ran Jan 2023

Future Trash, Xinan Ran

Theses and Dissertations

Xinan Ran explores the politically different, yet similar cultural habits that China and the US share under the influence of late-stage capitalism. Through her handmade, speculative products inspired by novelty gadgets, or “Unitaskers,” she examines the heightened prevalence of the contemporary wellness market. The project “Future Trash” encompasses soft sculptures, printed materials, performance, and installation.


Bloody Show, Leonie Weber Jan 2023

Bloody Show, Leonie Weber

Theses and Dissertations

Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.


Subject To Change, Shauna Steinbach Jan 2023

Subject To Change, Shauna Steinbach

Theses and Dissertations

Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific models that make up their sculpture and installation practice. Steinbach’s work explores philosophical thoughts and inquiries surrounding imprints, impermanence, and interdependence. The deaths are small until they are big.


Waiting To Exhale, Abigail H. Ogle Jan 2023

Waiting To Exhale, Abigail H. Ogle

Theses and Dissertations

We breathe as a measure of time, it keeps us alive, and fabricates the pattern of our lives. We are punctuated by “snarls,” “glitches,” or moments of irregularity – of trying to catch one's breath, having it taken away, or gasping for it. It is the punctuation of sighs, huffs, sniffs, scoffs, screams, and deep intakes that appear as glitches in the breathing system.

In our daily rhythm of breathing, the presence of the glitch, defined as potentiality, can create space for something unexpected or new to arise. Using the wind from fans and approximately 1,260 square feet of silk, …


Endure, James C. Toomey Jan 2023

Endure, James C. Toomey

Senior Projects Spring 2023

The work is tubular: fistulous, circulatory.

It starts out as a body and obscures into something sprawling and replicating, perhaps cancerous.

Some parts are handmade paper. I begin with a pulp and strip it in water, then pour it into thin sheets— it dries practically weightless. It shrivels and shrinks and clings to itself, tenderly. It leaves caverns inside.

The work withers how I might expect skin to act when it is no longer living. I was sixteen when I held my father while he died. When I peel away my paper sheets, it is how I imagine it might …


Here And Now, Samaira 2023, Samaira G. Wilson Jan 2023

Here And Now, Samaira 2023, Samaira G. Wilson

Senior Projects Spring 2023

Consider my work as a thread weaving through time. Illustrations of grappling with the present and its illusive constant nature. Questioning permanence. The temporary. This show, these walls, not forever, not for lease. Just a point in time. Can we hold time? Keep it? Is it ours? No. Time is something that is eaten, driven through, falling, perpetual, casual, necessary, fought against, spent, and healing.

Here and Now plays with what time feels like and is contrasted by an active voyage to another world.


This Side Of Silver, Bennett Wood Jan 2023

This Side Of Silver, Bennett Wood

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.


Ok I'M Perfect, Dania Skye Leibowitz Jan 2023

Ok I'M Perfect, Dania Skye Leibowitz

Senior Projects Fall 2023

okay i’m perfect

I make art as a way to externalize my anger in a way that won’t hurt anyone. I’ve been making art about my anxieties, my exhaustion, my fear. Some of my drawings scare me to look at, and to think of other people looking at. So then I make other things to protect myself from them, and from you.

Most of the time when I get into my studio, I don’t know what to do. I draw myself, and I make rectangles from fabric and I stuff them. The repetition of drawing and sewing grounds me until …


Half Of Two Hungers, Aida A. Lizalde Rios Jan 2023

Half Of Two Hungers, Aida A. Lizalde Rios

Theses and Dissertations

Abstract

half of two hungers is an extension of my sculptural practice; a weaving of the ambiguous borders of memory, trauma, disease, identity, assimilation, survival, spirituality, love, erotics, and desire. It is a psychological and sensorial landscape, where I travel consciously and subconsciously to pull shapes and material experiences out into the world of bodies and objects.


Living Things, Luca Nicholas Mccarthy Jan 2023

Living Things, Luca Nicholas Mccarthy

Senior Projects Spring 2023

Living Things is a multi-part, multi-media installation which explores the mutual and cyclical impacts between us, objects, and environment. The work is separated into two parts, or “ecophases,” which form a narrative for the life cycle of the things we are surrounded by.

Ecophase 1, exhibited in the artist’s studio. Home. Mutual dependence: Our role breathing life into our belongings through use and care. Their role as points of reference for the way we live. Making sense of what surrounds us; perception of objects altered by association, memory, engagement.

Ecophase 2, a site-specific installation taking place outside the building. Outliving …


Dear Everything That Feels,, Oga Li (Oga L) Jan 2023

Dear Everything That Feels,, Oga Li (Oga L)

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.


Symbols In Sketchbooks, Diana Rice Jan 2023

Symbols In Sketchbooks, Diana Rice

Williams Honors College, Honors Research Projects

My installation is an expression of the sketchbook in the sense that it is an object bound by time. Specifically, it is the assemblage of time, cognition, and the materiality of the sketchbook. The installation consists of various sized papers interlinked by tied thread. On the papers are drawings and sketches arranged in proximity to other sketches that are the inspiration or iteration of one another. Thus, a web of evolution is created. This project is an exploration of how images are created and evolved, such as symbols, and how the material construction and physical presentation of the installation affects …


A Part From You, Kenneth Rick Briggenhorst Jr. Jan 2023

A Part From You, Kenneth Rick Briggenhorst Jr.

MSU Graduate Theses

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …


Winding Down River Road, Gillian Harper Jul 2022

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …


Half In Dream: The Tangle In The Grid, Abbey L. Paccia Jun 2022

Half In Dream: The Tangle In The Grid, Abbey L. Paccia

Masters Theses

Half in Dream: The Tangle in the Grid discusses the form and content of a physical art installation by the same name. The site-specific installation is a large three-dimensional collage of natural ephemera collected from the area around Amherst, Massachusetts, which interacts with natural lighting conditions to illuminate a gallery-facing image of ever-moving light and shadow. The written work elaborates some of the many details within the structure of the artwork, and reveals the philosophies, embodied practices, and methodologies that informed the visual work's creation. Woven throughout are reflections on phenomenology, walking practice, General Systems Theory, collective making, narrative arts, …


Military, Art & The Inbetween, Andrew Storck Jun 2022

Military, Art & The Inbetween, Andrew Storck

Masters Theses

I find myself navigating life from the perspective of both a civilian and military service member. Everyday, I am between domestic, civilian spaces and military memories as my military service has impacted every aspect of my adult life. Serving in the United States Air Force allowed me to travel the globe while working alongside people from every class and race, on missions focused on tasks greater than ourselves.

My artistic practice explores how my time in the military has affected my transition back into civilian life by using sculpture and installation to express a variety of emotions. I hope my …


Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff Jun 2022

Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff

Masters Theses

My skin is natural. My skin is political. My hair is natural. My hair is political. My speech is natural. My speech is political. There’s no such thing as apolitical.

My current interdisciplinary practice in painting and performance focuses on how Black diasporic identities hold, create, and process subsistence narratives. For this research, I am asking the questions: What role does pace play in resistance strategies and how can it be communicated through tempo? How are unspoken histories conveyed through movement, silence, the glance of an eye, fat crackling in a cast iron, pushing play on a walkman, and seeds …


My Sitayana: Sewing Seeds Of Empowerment, Dhea Kothari Jun 2022

My Sitayana: Sewing Seeds Of Empowerment, Dhea Kothari

Honors Theses

This thesis is an exploration of sculpture and installation. My project depicts a narrative of generational emancipation of women. The narrative was inspired by Chitra Banerjee Divakaruni’s novel, ‘Forest of Enchantments,’ in which she rewrites the ‘Ramayana’ with Sita, the female character, as the protagonist instead. The Ramayana is a popular Hindu mythological story that revolves around Prince Rama’s quest to rescue his wife Sita from the perils of the villain Raavana. This story encapsulates the undertones of the patriarchal culture in India. This My thesis installation stands as a symbol of generational transformation of love and what it means …


Source Of All Hair, Wearer Of All Socks, Samantha Modder May 2022

Source Of All Hair, Wearer Of All Socks, Samantha Modder

MFA in Visual Art

I work figuratively in pen, collage, and digital media to portray larger-than-life Black, female characters taking up space in real and imagined worlds. In a series of mural installations, I present a subjective Black woman’s fairytale to process interlocking structures of oppression. Centered in the speculative practice of the Black imaginary that creates spaces of both comfort and confrontation, I tell the story of a Black woman who escapes into an alternate reality made up of only herself, her hair, and the clothes she wears. This text is centered on a chapter of this ongoing narrative, Source of All Hair, …


Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont May 2022

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …


Crying At Nothing But Colors, Maryalice Carroll May 2022

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …


The Heart Of The Problem: An Art Gallery Installation To Foster Dialogue On Heart Disease And The Privilege Of Prevention, Olivia Eileen Heinecke May 2022

The Heart Of The Problem: An Art Gallery Installation To Foster Dialogue On Heart Disease And The Privilege Of Prevention, Olivia Eileen Heinecke

Undergraduate Honors Thesis Collection

We are cautioned constantly about various harmful diseases. However, the deadliest disease tends to be overlooked. Heart disease takes the lives of more than half a million people in the United States every year, yet there is a lack of discussion to address the epidemic at hand (Hill). This is largely due to the “blame the victim” stigma surrounding the generally preventable range of complications. While 80% of cardiovascular disease is avoidable, not every individual has the means of achieving a lifestyle necessary in averting the conditions and their symptoms. For this creative art project, I want to encourage education …


A Wound, A Residue, Nicole Dolores Schemansky Jan 2022

A Wound, A Residue, Nicole Dolores Schemansky

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College