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Full-Text Articles in Art and Design

Relationships Between Dress And Gender Identity: Lgbtqia+, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson, Rafi Sahanoor, Arsha Attique Dec 2021

Relationships Between Dress And Gender Identity: Lgbtqia+, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson, Rafi Sahanoor, Arsha Attique

Publications and Research

No abstract provided.


Relationships Between Dress And Gender In A Context Of Cultural Change, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson Jan 2020

Relationships Between Dress And Gender In A Context Of Cultural Change, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson

Publications and Research

No abstract provided.


Graphic Activism: Lesbian Archival Library Display, Shawn(Ta) Smith-Cruz Nov 2017

Graphic Activism: Lesbian Archival Library Display, Shawn(Ta) Smith-Cruz

Publications and Research

This chapter outlines the implementation of Graphic Activism, an exhibition of archival material from the Lesbian Herstory Archives, the oldest and largest lesbian archive in the world, located inside the display cases of the Graduate Center library of the City University of New York. The two-semester-long display stems from an institutional need to showcase material inside of the main library display cases, and the interest of including visual representations of Women's Studies material from the collection as well as those which represent the collection. The chapter discusses collaborative relationships outside of the academic institution, pointing to select challenges when …


Performing Ourselves At The Center, Shawn(Ta) Smith-Cruz Jul 2016

Performing Ourselves At The Center, Shawn(Ta) Smith-Cruz

Publications and Research

This interview sits alongside an extended version edited for Amanda Curreri’s solo exhibition, The Calmest of Us Would be lunatics, which took place from January 21–May 8, 2016, at Rochester Art Center, in Rochester, Minnesota. Curreri dug through the archival collection of the Daughters of Bilitis, the first lesbian organization in the country, and their journal, The ladder, at the Tretter Collection in LGBT Studies at the University of Minnesota. The exhibition is titled after a line in Emily Dickinson’s 1877 letter to Elizabeth Holland which reads, “Had we the first intimation of the Definition of Life, the calmest of …


Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser Jan 2016

Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser

Publications and Research

This essay analyzes the controversy surrounding artist Kara Walker’s 2014 installation, A Subtlety, or the Marvelous Sugar Baby, to unpack the pleasures and dangers that subtend discussions of black female sexuality. What Walker announced as a tribute to the labor of brown and black bodies produced myriad conversations about pleasure, danger, and black female sexuality. Most art critics argued that the piece reclaimed black female agency; many visitors criticized the work (and the public response to it) as disrespectful and problematic. In the essay, I argue that both of these responses highlight the difficulty of talking about black female …


Performing Que(E)Ries: Nina Arsenault With J. Paul Halferty, Benjamin Gillespie Apr 2013

Performing Que(E)Ries: Nina Arsenault With J. Paul Halferty, Benjamin Gillespie

Center for LGBTQ Studies (CLAGS)

This exciting conversation and performance demo with one of Canada’s leading queer performance artists took place on October 26th, 2012 in the Segal Theatre at the CUNY Graduate Center. The event featured two short films made by Arsenault and filmmaker Jordan Tannehill, Plane of Immanence and Guadalajara, as well as an extended monologue by Arsenault retelling an autobiographical story on her quest for feminine beauty entitled The Ecstasy of Nina Arsenault: a surgical pilgrimage through a waking facelift.


Study Guide For United In Anger: A History Of Act Up, Matt Brim Jan 2012

Study Guide For United In Anger: A History Of Act Up, Matt Brim

Open Educational Resources

The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.


The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre Oct 2010

The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre

Center for LGBTQ Studies (CLAGS)

This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.


Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz Apr 2009

Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz

Center for LGBTQ Studies (CLAGS)

In his 1997 book, Particular Voices: Portraits of Gay and Lesbian Writers, Robert Giard captures nearly 200 photographs of his contemporaries. Giard's compilation of these portraits of lesbian and gay writers, carefully accompanied with textual excerpts, led this coffee-table monograph to stand as a supreme example of what Giard himself describes as "the autobiography of one gay reader."


"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow Jan 2003

"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow

Center for LGBTQ Studies (CLAGS)

The farther back we go from modern into early modern history, the harder it gets to document those facets of an artist's personal life that might provide an anchor for claims to discern forms of homosexual authorial intention—without the probability of which, gay/lesbian studies might indeed collapse into the baldest claim of its detractors, that it is naught but meaningless psychospeculation.


Standing Against Censorship—Again, Alisa Solomon Jul 2001

Standing Against Censorship—Again, Alisa Solomon

Center for LGBTQ Studies (CLAGS)

Good afternoon. I'm Alisa Solomon, the executive director of the Center for Lesbian and Cay Studies (CLAGS) at the City University of New York, and I'm glad to be here on behalf of CLAGS to voice our strong objection to Mayor Giuliani's so-called Cultural Affairs Advisory Commission. We at CLAGS are not fooled by the Mayor's disingenuous assertions that this committee is merely a group of concerned citizens exercising their free speech in offering him their advice, for we recognize many of the members as long-time activists in the effort to squelch dissident viewpoints and legislate their own narrow morality. …


Academics, Advocacy, And Activism, Jill Dolan Jul 1998

Academics, Advocacy, And Activism, Jill Dolan

Center for LGBTQ Studies (CLAGS)

One of the ways in which CLAGS distinguishes itself from other academically based research centers is through our firm commitment to bridging the academic and activist spheres within the larger lesbian and gay social and political communities. This Spring, we sponsored a roundtable discussion addressing arts censorship that included twenty-five academics and activists concerned about the ways in which the decrease in public arts funding on national and local levels around the country is meant to further disenfranchise lesbians, gay men, and people of color (whether or not they're lesbian or gay).