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Articles 31 - 60 of 122
Full-Text Articles in Art and Design
Entire Issue, Kyra E. Blair, Rachel Sedgwick
Entire Issue, Kyra E. Blair, Rachel Sedgwick
TYGR: Student Art and Literary Magazine 2018-present
No abstract provided.
Coffee Break, Reeya Gandhi
Coffee Break, Reeya Gandhi
Diamond Line Undergraduate Literary Magazine
Reeya Gandhi is a freshman at the University of Arkansas double majoring in social work and English (Creative Writing).
Permeable Figure, Justice Henderson
Permeable Figure, Justice Henderson
Diamond Line Undergraduate Literary Magazine
Justice Henderson is a senior at the University of Aranksas recieving a BFA in painting, a BA in journalism and a minor in art history. Engaging with the abstraction of perception, Henderson uses painting and drawing techniques to investigate the concept of ephemerality and reconfigures shapes and colors to create a visual experience based on the illusion of three-dimensional space. Henderson lives on her homewtown of Morrilton, AR, where she continues to create paintings, drawings and installations.
Nicaraguan Homeowner Showing Gratitude For Concrete Flooring As Part Of A Public Health Mission Trip, Breonna Kinnison
Nicaraguan Homeowner Showing Gratitude For Concrete Flooring As Part Of A Public Health Mission Trip, Breonna Kinnison
HCA Healthcare Journal of Medicine
I’m Bree Kinnison, a fourth-year medical student and aspiring psychiatrist. When I’m not studying, I enjoy painting using acrylics. This painting depicts a very fond memory of mine. After completing the medical portion of our mission trip in Nicaragua, we began our public health portion. Along with fellow students, I laid concrete flooring in this woman’s house. For all 76 years of her life, she had never experienced anything other than a dirt floor in her home. Traditional dirt flooring in Nicaraguan homes is responsible for many preventable illnesses. When shown the final product, she reached out and hugged the …
Charting A New Course Through Meaningful Occupation, Jennifer K. Fortuna
Charting A New Course Through Meaningful Occupation, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Rory Odom, an artist and United States Marine Corps Veteran based in Florida, provided the cover art for the Spring 2020 issue of The Open Journal of Occupational Therapy (OJOT). “Turtles All the Way Down” is an 8”x10” oil painting on canvas. After a tragic accident changed the course of Rory’s life, painting gave him hope. During rehabilitation, Rory sought opportunities to challenge himself and build technical skill as a painter. His bold use of color and signature impressionist style convey emotion and movement. In the face of adversity, meaningful occupation helped Rory chart a new course in life.
Flowers In A Wasteland 2, Elizabeth V. Netcher
Flowers In A Wasteland 2, Elizabeth V. Netcher
The Hilltop Review
This piece represents abstracted flowers thriving in a wasteland. Though the flowers are difficult to make out, the viewer can still distinguish each flower through the hazy blur of a landscape.
Tu Amoris Ignem, Casey Murano
Facilitating The Creative Process Through Collaboration, Jennifer K. Fortuna
Facilitating The Creative Process Through Collaboration, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Miles Parker Scharfenberg, an artist based in Richland, Michigan, provided the cover art for the Fall 2019 edition of The Open Journal of Occupational Therapy (OJOT). “Late Night Fireworks” is a 30” x 40” painting made from acrylic on canvas. Born 15 weeks premature, Miles’ multiple health impairments have made it difficult to engage in meaningful occupations, such as painting. With support from his mother, Carol; occupational therapy students; and members of the community; Miles creates colorful abstract expressionist paintings. Collaboration is part of his creative process. In this fifth anniversary issue of OJOT, Occupation and the Artist is following …
Cempasuchitl, Jennifer Lopez
Painted Ladies Of Rome: The Role Of Beauty In Defining Female Excellence, Casandra Ball, Michael Pope
Painted Ladies Of Rome: The Role Of Beauty In Defining Female Excellence, Casandra Ball, Michael Pope
Journal of Undergraduate Research
Ancient Rome was a culture obsessed with excellence, and much scholarly ink has been spent identifying and elucidating the intricate matrix of ideal Roman masculinity. Meanwhile, relatively little scholarly attention has been paid to the concept of feminine excellence, or the means by which Roman women attained social or personal value. The purpose of this project was to examine the position of Roman women within greater Roman society, and to identify the standards used to typify ideal Roman womanhood. I posited that adherence to rigid beauty standards was a significant means by which Roman women could contribute symbolic and tangible …
Winter Birches At York Redoubt, Irene Oore
Winter Birches At York Redoubt, Irene Oore
The Goose
This painting of Winter Birches at York Redoubt in Halifax, Nova Scotia reflects the grandeur and beauty of the historic site on which it sits and evacuates the fortification from it. York Redoubt, now a National Historic Park, was constructed in 1793 (just as war broke out between Britain and France) on a bluff at the narrowest point on the outer harbour. It overlooks the entrance to Halifax Harbour at Ferguson's Cove, Nova Scotia, Canada.
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
The STEAM Journal
One might wonder how intuitive art can connect to neuroscience and how this could be accomplished. In this descriptive article, research connecting art therapy and neuroscience has been collected and a workshop on Intuitive Painting has been described in detail. The connection was made by the author based on an article by Barker (2017), ‘4 Rituals to be more Happy,’ who writes a popular science blog. The rituals: gratefulness, expressing negative emotions, decision making and human touch were combined with Dr. Pinkie Feinstein’s method of Intuitive Painting in a small group setting. Although subjective, it would seem that at least …
441 East 1st Street, Matt Drissell
108 4th Avenue Southwest, Matt Drissell
445 And 449 East First Street, Matt Drissell
About Logan Weihe And Beloved Microcosm, Logan M. Weihe
About Logan Weihe And Beloved Microcosm, Logan M. Weihe
Steeplechase: An ORCA Student Journal
No abstract provided.
Fall 2016, Vantage Point
In Arcadia, Madeline Rupard
Silver Lining, Abigail Remington
Loiza Pa', Milan Bird-Riacoko
Painting With Horses Towards Interspecies Response-Ability: Non-Human Charisma As Material Affect, Madeleine Boyd
Painting With Horses Towards Interspecies Response-Ability: Non-Human Charisma As Material Affect, Madeleine Boyd
Animal Studies Journal
Leading up to the 2014 Melbourne Cup three communication modes were employed by unrelated horse welfare activists to raise awareness of cruelty in the racing industry. The intention to increase empathy with horses ties together these efforts, which are characterised as written, visual and immersive. This paper uses the lens of Jamie Lorimer’s three types of non-human charisma to consider the potential for each communication mode to achieve the goal of change towards interspecies response-ability. Charisma is considered in this paper to be a form of material-affect within new materialism that offers a more complex tool for analysis than the …
Blue Tree, Jake Van Wyk
Oak Grove Drawing, Jake Van Wyk
Blast Of Fun, Matt Drissell
Jaguar Sun, Anya Nadal
Jaguar Sun, Anya Nadal
The STEAM Journal
Cymatics, is derived from a Greek word, meaning "wave", is a subset of modal vibrational phenomena. The term was coined by Hans Jenny, a Swiss follower of the philosophical school known as anthroposophy. This is a visual representation of the frequency field. I created this piece from acrylic on canvas based on the subtle energies I can see and feel.
Private Matter
SIGNED: The Magazine of The Hong Kong Design Institute
The artist Christopher Le Brun came to HKDI in September to share his idea that art is quintessentially private, rooted in emotion and that artists must have the courage to keep their work alive even if the world does not yet appreciate their vision.
Painting With Scissors
SIGNED: The Magazine of The Hong Kong Design Institute
During the summer months a seven foot tall calligraphy brush drew the eyes of visitors to the HKDI campus and led them to work by Wu GuanZhong (吳冠中, 1919-2010), a Chinese painter who is suddenly back in vogue as a new generation of artists appraise his contribution to contemporary art.
The Future Is Fire, Ariel Berry
Mimicry And Mimesis: Matrix Insect, Madeleine Kelly
Mimicry And Mimesis: Matrix Insect, Madeleine Kelly
Animal Studies Journal
Paintings and insects might seem like odd companions. In this paper I describe how a series of paintings I made depicting insects creates associations between mimesis and mimicry in order to flag a sort of protective self-referentiality – one where painting resists its proverbial ‘end’ and insects are presented as vital new orders. Drawing upon art historical references, such as Surrealism and the modernist grid, I argue that playing on these references and the compositional effects of camouflage enlivens our regard for the sensuous worlds of both insects and painting. I conclude by exploring how paintings of insects are powerful …
Biotopes And Ecotones: Slippery Images On The Edge Of The French Atlantic, Maura Coughlin
Biotopes And Ecotones: Slippery Images On The Edge Of The French Atlantic, Maura Coughlin
Landscapes: the Journal of the International Centre for Landscape and Language
Looking outside canonical late nineteenth- and early twentieth-century modernist images of the French Atlantic coast, this essay examines usually discrete fields of landscape painting, botanical visual culture and nascent intertidal natural history to articulate an ecological realism of the ecotone. In a survey of peasant gleaning practices, popular natural science of the shore as well as amateur marine botany, the ecological visual literacy of viewers of this era is speculatively assembled. Works by artists such as Elodie La Villete, Charles Cottet, André Dauchez and Mathurin Méheut who lived long term on the coast are put into dialogue with the pressed …