Art and Design Commons^™

Wonder, Walking, And Water, Rachel Mayeri

The STEAM Journal

Art and Science is a seminar and studio course on science-inspired art practices. We will survey and discuss cutting-edge art-science theory, practice, and institutions in seminar. In studio, we examine art-science topics in hands-on experiments, and guided activities leading to art projects.

Material Forms: What Is Really Going On? Shaping Who We Are And What We Do, Vicky J. Grube

The Qualitative Report

Using visual and ethnographic methods the author forms a connection between materiality and the memories of childhood. The researcher begins by asking the question, “Can a studio environment create encounters between a researcher and preschool children that deepen understanding of culture?” To this end, the researcher engaged in sensory research practices through ethnographic methods in a preschool art studio. Through free choice art making, children were found expressing their emotions and demonstrating an awareness of adult culture. In particular, the researcher’s encounter with four-year old George was enriched through sensory participation and triggered embodied and empathetic knowing. As it happens, …

The Art Of Reflection, Amy L. Ruopp, Mae Debruyn

Artizein: Arts and Teaching Journal

This writing shares a course designed to reconnect middle school students to the natural world. In reconnecting to nature while IN nature students are afforded the opportunity for deep reflection, and the space to wonder and realize the inter-connectivity between things. We highlight transformational thinking and feeling awareness as students’ connection with nature is expressed though art and writing while deeply immersed in the natural environment.

Embroidered Meteorology, Bettina L. Matzkuhn

Artizein: Arts and Teaching Journal

Weathering is a series of embroidered works that explore the symbolic and cartographic language of meteorology. Through research, mentorship and the physical work, my understanding and anxiety around weather has grown. Making art is a learning process for me: the haptic is a means for understanding. From embroidered world maps to animation to painted laundry, I conflate the intricacy of textiles with the complicated nature of the atmosphere.

When Art Is Rooted In Place: Strawtown Studio's Environmental Education And Water Advocacy, Laurie Seeman, Joanna Dickey

Artizein: Arts and Teaching Journal

When art is rooted in place, it gives voice to the place. To create art from the earth and to advocate for the natural places we know and love is our work as Strawtown artists and educators. We develop place-based arts programs that connect people with their natural surroundings and show them new ways of seeing and being.

Art-Based Perceptual Ecology: An Alternative Monitoring Method In The Assessment Of Rainfall And Vegetation In A Ciénaga Community, Lee Ann Woolery

Artizein: Arts and Teaching Journal

As an artist, educator, researcher, and scholar, with a focus on divergent ways of knowing, I use art-making as a way to connect with the natural world. In the following article, I explore the making of an image with my hands when practicing Art-Based Perceptual Ecology (ABPE) as a way of extending my understanding and ecological knowing of the natural world, or what will also be referred to as the landscape. ABPE methodologies may offer the means by which humans reconnect to a pre-discursive (mimetic) language, a sentient language our ancestors used to communicate with the animate world. In …

Art & Ecology In The West Of Ireland: Finding, Understanding, & Creating Relationships Between Artistic Practice And The Burren, Eileen C. Hutton

Artizein: Arts and Teaching Journal

In this essay I describe how my engagement with the Burren in the west of Ireland became the foundation for my doctoral research and subsequently the development of an Art & Ecology Masters in Fine Art. I present a brief overview of the unique ecology of the Burren, including its geological, archaeological and agricultural history, so as to provide a context for both my artistic inquiry and the Burren College of Art students’ immersive experience. I then discuss my collaborative practice with small birds and honeybees as a means for exploring and expanding the traditional notion of ecology through artistic …

An Exotic Journey Into The Commonplace, Linda Weintraub

Artizein: Arts and Teaching Journal

Standardized mass-produced commodities, reliance upon electronic data-gathering, and sanitized material manipulations are so pervasive in contemporary industrialized societies that today, ‘exotic’ experiences activate sensory interactions with the substances and conditions of planet Earth. ‘Plugging in’ to the international flow of goods and information commonly results in ‘tuning out’ connections with the immediate surroundings. This essay highlights the capacity of the un-aided mind and body to explore the wondrous complexity of planet Earth. The first part presents four artists who, by engaging geological, biological, and meteorological components of their surroundings, exchange dematerialized surfing activities offered by the World Wide Web, for …

The World Breathing Me. Introduction To Artizein, Jan Van Boeckel

Artizein: Arts and Teaching Journal

This introductory article argues why it is both relevant and timely to reflect on ways in which art and ecology can be brought together in educational practices – the theme of this edition of Artizein. It also provides an overview of all written contributions.

Front Matter, Jodi A. Patterson

Artizein: Arts and Teaching Journal

This file contains cover for Volume II, Issue II, Editorial Board, Acknowledgements.

Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017., Jacinta Yanders

Studies in 20th & 21st Century Literature

Review of Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017.

Live. Tell. Resist., Angel Vazquez, Kyle Liang, Anthony Zelaya-Umanzor, Rosie Mejia, Patricia Gutierrez, Kayla Hampton, Mariacarolina Gomez, Melissa Martinez-Sanchez, Harman Brah, Victoria Arevalo, Tyra Cecilio, Dion Dang, Camila De Pierola, Noemi Fernandez Luna, Isabelle Marin, Mackenzie Mead, Jason Munoz, Daniel Penuela, Andrei Pineda, Patrick Pozon, Larissa Ramirez, Jasmine Segovia, Julien Stone Zachary, Aira Wada, Jiaxing Yu, Ariana Siordia, Jazmin Quezada

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This edition of First-Gen Voices features the stories and work of 24 first-generation college students at multiple higher education institutions. The aim is to disseminate a story about us, for us, and consequently, the dominant cultures that have yet to learn from our power.

Dignidad, Poder, Resistencia // Dignity, Power, Resistance, Michael Munoz, Alanis Gonzalez, Tallie Spencer, Isabelle Marin, Lesly Juarez, Christopher Reynoso, Antonia Garcia, Abigail Goad, Athena Martinez, Ruth Gomez, Angel Vazquez, Jazmin Quezada, Jasmine Segovia, Jordyn Wedell, Yulisa Gonzalez, Laura Mena Hernandez, Keiri Fernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

First To Go Abroad" is a partnership between the Loyola Marymount University First To Go Program, LMU Study Abroad, and the Council on International Educational Exchange (CIEE), which seeks to increase study abroad opportunities for first-generation college students. In May 2017, fifteen first-gen students and two first-gen faculty mentors traveled together to Santiago, Dominican Republic, where they spent ten days exploring the country and learning about the local cultures, customs, and histories of the people who call the DR home.

Travel is a privilege not all students have the same access to; for some students, this trip was the first …

Images, Speech Balloons, And Artful Representation: Comics As Visual Narratives Of Early Career Teachers, Julian Lawrence, Ching-Chiu Lin, Rita Irwin

SANE journal: Sequential Art Narrative in Education

The ways in which teachers adjust to challenges in the process of becoming professionals are complicated. Teacher mentorship, however, is an important step to creating and sustaining a strong professional career. This article discusses new understandings from a Canadian research project: Pedagogical Assemblage: Building and Sustaining Teacher Capacity through Mentoring Programs in British Columbia. Through our use of an a/r/tography informed methodology in teacher mentorship, we have come to understand how the use of comics permits an unfolding of visual narratives as a unique way of contextualizing the complex stories of teaching and learning. Our motivation in employing comics as …

Teaching Critical Looking: Pedagogical Approaches To Using Comics As Queer Theory, Ashley Manchester

SANE journal: Sequential Art Narrative in Education

Given the challenging depth of queer theoretical concepts, this article argues that one of the most effective ways to teach the complexities of queer theory is by utilizing comics in the classroom. I focus on how college-level instructors can use the content, form, and history of comics to teach students how to enact and do queer theory. By reading and making comics, students learn concrete and theoretical tools for combatting oppressive discourses and modes of meaning making. Teaching comics as queer theory promotes both innovative critical thinking and critical looking skills by centralizing both the rich history of queer comics …

Review Of Captain Marvel And The Art Of Nostalgia, By Brian Cremins, Sean Kleefeld

SANE journal: Sequential Art Narrative in Education

No abstract provided.

The Reciprocal Relationship Between Art And Occupational Therapy Practice, Jennifer Fortuna

The Open Journal of Occupational Therapy

Susan Burwash, Ph.D., OTR/L, an occupational therapy professor and artist based in Washington State, provided the cover art for the Winter 2017 issue of the Open Journal of Occupational Therapy (OJOT). The featured piece contains Professor Burwash’s signature fauxpals, lampwork glass beads made from molten glass and pure silver foil. Art creates balance between traditional medicine and personal medicine, those meaningful activities that give life purpose. Professor Burwash’s personal medicine is making beautiful things that can be given away.

On The Cover: Artist's Statement For Portrait Of Mental Illness, Kristin Donato

The Graduate Review

This body of artwork uses 3D forms to visualize the impact of mental illness. Altered forms of cast heads and personal stories depicted through artist books examines how mental illness affects those suffering from an illness, as well as those acting as support systems.

A Portrait Of Mental Illness: Artist Notebook I, Kristin Donato

The Graduate Review

This body of artwork uses 3D forms to visualize the impact of mental illness. Altered forms of cast heads and personal stories depicted through artist books examines how mental illness affects those suffering from an illness, as well as those acting as support systems.

Animal Studies Journal 2017 6 (2): Cover Page, Table Of Contents, Editorial And Notes On Contributors, Melissa Boyde

Animal Studies Journal

Animal Studies Journal 2017 6 (1): Cover Page, Table of Contents, Editorial and Notes on Contributors.

[Performance Review] Species Blindness: Is There A Role For A Quoll?, Peta Tait

Animal Studies Journal

There is an anomaly in responses to some live performance that features animal identities and the human effort to provide sanctuary and protect endangered species. The animals might be central to its purpose and yet receive a perfunctory acknowledgement in reviews or not be mentioned. Reviews reflect audience responses and I first noticed this effect in reviews of Jenny Kemp’s Kitten in 2010 which was strongly concerned with issues of animal survival. I have been noting examples since. One recent example is provided by Hannie Rayson’s Extinction, whereby the tiger quoll seems to be dismissed as a plot device rather …

[Review] Annie Potts (Ed). Meat Culture, Carol Gigliotti

Animal Studies Journal

Annie Potts has curated a particularly strong and essential group of perspectives on ‘meat culture,’ described here as a coherent framework within which exist ‘a wide range of domains of production and consumption of animals.’ Meat Culture distinguishes itself in its clearheaded focus on the centrality of the misery and slaughter of animals without which the culture of eating meat would not exist.

Duties To Socialise With Domesticated Animals: Farmed Animal Sanctuaries As Frontiers Of Friendship, Guy Scotton

Animal Studies Journal

I argue that humans have a duty to socialise with domesticated animals, especially members of farmed animal species: to make efforts to include them in our social lives in circumstances that make friendships possible. Put another way, domesticated animals have a claim to opportunities to befriend humans, in addition to (and constrained by) a basic welfare-related right to socialise with members of their own and other species. This is because i) domesticated animals are in a currently unjust scheme of social cooperation with, and dependence upon, humans; and ii) ongoing human moral attention and ‘social capital’, of which personal friendships …

Condors In A Cage, Camila Cossío

Animal Studies Journal

Annie was carried away by a 13,000-lb. elephant during a Circo Hermanos Salamanca performance in Mexico City. Anabella La Bella was a Namibian-born orphaned elephant who had been auctioned off, transported from Southern Africa to the Mexican Valley as special, oversized cargo, and forced to perform among the dirt and the lights and the ¡Órale! of Mexico City. During the Circo Hermanos Salamanca performance, Annie and her sister tried, with exceeding effort, to seem calm as the trapeze artists swung themselves in the air, floating above them with no apparent sense of mortality. Annie remembered the scene in Batman Forever …

Captive Wildlife Sanctuaries: Definition, Ethical Considerations And Public Perception, Catherine Doyle

Animal Studies Journal

In its truest form, the modern captive wildlife sanctuary offers a lifelong home in a more natural environment for wild animals living in captivity. Tigers, lions, elephants, bears, chimpanzees and other animals are provided relative freedom and autonomy after years spent in zoos, circuses, laboratories, or private menageries. These sanctuaries provide specialized habitats in which wild animals can express more species-specific behaviors and experience a higher quality of life. Though they share some practical issues of caretaking with other forms of captivity – as well as many ethical problems – important distinctions separate them. Research suggests that public attitudes are …

Settler Sanctuaries And The Stoat-Free State, Anna Boswell

Animal Studies Journal

Aotearoa/New Zealand has forged a contemporary international identity as a leader in the establishment and management of animal sanctuaries. This article treats Aotearoa/New Zealand as a ‘typically exceptional’ or ‘exceptionally typical’ example, seeking to unravel the deeper settler colonial investment in sanctuary as concept and practice. It is especially interested in what animal sanctuaries in Aotearoa/New Zealand might look like from the perspective of the stoat (Mustela erminea), and why such a perspective might matter. Acclimatised by Europeans from the 1880s onwards to help secure agronomic settlement, and more recently named as a so-called ‘animal pest’ to be targeted by …

What Is An Animal Sanctuary? Evidence From Applied Linguistics, Sabrina Fusari

Animal Studies Journal

This paper addresses the meaning of the word ‘sanctuary’ from the point of view of its usage in English, as it emerges from dictionary and corpus sources, in contexts related to nonhuman animals. Specific attention is paid to the semantic prosody (Louw; Stewart) and semantic preference (Sinclair ‘The Search’) of this word, as well as to the relationship between ‘sanctuaries’ and other semantically related lexical items that identify places where nonhuman animals are confined and/or protected (e.g. nature reserves, national parks, animal shelters, zoos). Firstly, the paper provides a general overview of the main theoretical issues behind the nature and …

Introduction: Interrogating Captive Freedom: The Possibilities And Limits Of Animal Sanctuaries, Elan Abrell

Animal Studies Journal

In the last few decades, animal sanctuaries have proliferated around the world as advocates for animals have sought to save them from a wide array of contexts in which they are exploited, harmed, or killed by human actions. Sanctuaries take different forms and employ different approaches to animal care, varying in accordance to the kinds of species they save and the arenas of human animal-use they challenge. A non-exhaustive list of kinds of animal sanctuaries includes sanctuaries for farmed animal (rescued from agricultural contexts), ‘exotic’ animals (such as elephants or big cats, often rescued from being kept as pets or …

Money For Monkeys, And More: Ensuring Sanctuary Retirement Of Nonhuman Primates, Erika Fleury

Animal Studies Journal

Reputable animal sanctuaries have existed for decades, yet it is only in more recent years that their work has been validated by the oversight of accreditation bodies and sanctuary coalitions. Through these relationships, sanctuaries are able to differentiate themselves from roadside zoos and private owners. Sanctuaries exist solely to provide enriched lifetime care to animals retired or rescued from exploitation or mistreatment, and thus their missions and facility management differ greatly from those of zoos, farms, circuses and other for-profit, entertainment, research and educational institutions. Primate sanctuaries specifically are more in demand than ever before due to the mass exodus …

A Guide For Modern Sanctuaries With Examples From A Captive Chimpanzee Sanctuary, Amy Fultz

Animal Studies Journal

As the need for animal sanctuaries continues to grow, and the numbers of species being housed increases, there is a desire from both current and future sanctuaries for guidance. Guidance from those with experience in the sanctuary, ethics, and animal welfare communities is important and helpful to the founders of new sanctuaries as well as current sanctuaries that may struggle with their identity. I will discuss some of the many definitions of sanctuary, and encourage organizations to consider which definition is the best fit for them. The ethos and philosophy a sanctuary embraces are likely to guide best practices, and …