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Articles 1 - 30 of 36
Full-Text Articles in Art and Design
Children's Character Education Through Bondhan Payung Dance, Ari Prasetiyo
Children's Character Education Through Bondhan Payung Dance, Ari Prasetiyo
International Review of Humanities Studies
Education, especially children's character education, is very important. Education can be carried out in formal and non-formal educational institutions. One of the learning media that can be used is through traditional cultural arts.The traditional Javanese cultural art that is the object of this research is the Bondhan Payung dance, which is taught at Sanggar Ayodya Pala Cibinong and PPKB FIB UI. The selection of Bondhan Payung dance as the object of research with the consideration that in Bondhan Payung dance contained teaching values that are important for teaching children's character.This research uses a qualitative approach by applying the concept of …
The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta
Pepperdine Journal of Communication Research
Art is powerful, as it symbolizes the history and identity of the country that claims it. However, through timely transitions, such as trade and wars, the ownership of meaningful artworks blurs, with museums fighting to claim their heritage to put on honorable display for their people. Mediation can be a peaceful means to resolve art ownership disputes, as it accounts for respecting the individual cultures of the countries represented in the dispute. Using the key medication traits described within this essay, a prepared mediator involved in such a cross-cultural conflict should be able to help resolve the issue at hand. …
Stop Telling Women To Smile: Stories Of Street Harassment And How We’Re Taking Back Our Power, Mio Yoshizaki
Stop Telling Women To Smile: Stories Of Street Harassment And How We’Re Taking Back Our Power, Mio Yoshizaki
Feminist Pedagogy
This book review addresses the author, Fazlalizadeh's approach to art as social justice, overarching definitions of gender-based street harassment, and intersectionality. This review also offers suggestions for how feminist educators may utilize Stop telling women to smile in classrooms.
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Gettysburg Social Sciences Review
For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …
Art As Atrocity Prevention: The Auschwitz Institute, Artivism, And The 2019 Venice Biennale, Kaitlin Murphy
Art As Atrocity Prevention: The Auschwitz Institute, Artivism, And The 2019 Venice Biennale, Kaitlin Murphy
Genocide Studies and Prevention: An International Journal
Although largely overlooked in genocide and atrocity prevention scholarship, the arts have a critical role to play in mitigating risk factors associated with genocide and atrocity. Grounded in analysis of "Artivism: The Atrocity Prevention Pavilion,” the Auschwitz Institute for the Prevention of Genocide and Mass Atrocities’ 2019 Venice Biennale exhibition and drawing from fieldwork, interviews, and secondary research, this article explores why one of the leading NGOs working to prevent future violent conflict would choose to curate an art exhibit at the Venice Biennale and what might be accomplished through such an exhibit. Ultimately, the Artivism exhibit, in its collection …
Sugimoto’S Middle Brow And The Collective Horizon, Aaron Francis Ward
Sugimoto’S Middle Brow And The Collective Horizon, Aaron Francis Ward
Japanese Society and Culture
Is art for everyone? Although attendance at art galleries has risen rapidly at the start of the 21st century, so too has the price of art, and the perception that art is an object of conspicuous consumption. The current paper presents a discussion of the possibilities that the photography of Hiroshi Sugimoto offers an artistic oeuvre that countenances the current state of the art market and is open to the aesthetic appreciation of a broader audience. As middlebrow mode of cultural production (Bourdieu 1996), photography is an artistic form that most people are familiar with, rendering it a medium that …
Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams
Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams
Animal Studies Journal
While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …
Nature In The Dark - Public Space For More-Than-Human Encounters, Jan Brueggemeier
Nature In The Dark - Public Space For More-Than-Human Encounters, Jan Brueggemeier
Animal Studies Journal
Drawing on the continuing work of the Nature in the Dark (NITD) project, an art collaboration and publicity campaign between the Centre for Creative Arts (La Trobe University) and the Victorian National Parks Association (VNPA), this paper aims to explore some of the disciplinary crossovers between art, science and philosophy as encountered by this project and to think about their implications for an environmental ethics more generally. Showcasing animal life from Victoria, Australia, the NITD video series I and II invited international artists to create video works inspired by ecological habitat surveys from the Victorian National Parks land and water. …
Seventeen Pieces: Displacement, Misplacement, And Conservation, Yasmin Merali, Kevork Mourad, Manas Ghanem
Seventeen Pieces: Displacement, Misplacement, And Conservation, Yasmin Merali, Kevork Mourad, Manas Ghanem
New England Journal of Public Policy
This article explores the systemic importance of art in the conservation of images, historical reference, and cultural meaning as displaced victims of humanitarian crises make the transition from the land of their birth to a new country with a different history and cultural landscape. In presenting the work of Kevork Mourad, an artist of Armenian descent displaced from Syria, we show the essential, layered interplay of visceral, lived individual experiences and the historic collective memory of real and imagined pasts that survive the destruction of physical artifacts.
When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler
When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler
Dignity: A Journal of Analysis of Exploitation and Violence
In 1967 Valerie Solanas published the Society for Cutting Up Men (the SCUM) Manifesto. She shot artist Andy Warhol in 1968. Her Manifesto raises issues about whether a revolution can be fought or won without using violence. “Nice” girls were of no use to her Radical feminists, especially Ti-Grace Atkinson and Flo Kennedy, saw Solanas as a symbol of a feminist fighting back and rushed to her side. They found a smart, very paranoid woman who was a decided loner. Ultimately, Solanas would not work with Atkinson and Kennedy; she refused to allow them to help her or explain …
Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill
Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill
The STEAM Journal
This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.
Metaphorical Cities, Elana Melissa Hill
Metaphorical Cities, Elana Melissa Hill
The STEAM Journal
This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.
Stories Untold: Art From Syria, Manas Ghanem
Stories Untold: Art From Syria, Manas Ghanem
New England Journal of Public Policy
In Damascus, a group of artists created paintings of startling intensity, rich in texture and bold to the eye, suffused with light and reflecting alternate realities: the resilience of a highly cultured people with a civilization of seven thousand years and a history of survival and reinvention. While the machines of war produced death, amid the blood and terror, the devastation and savagery, these artists produced images of hope and beauty that were brought together in an exhibition held in Athens and other parts of Greece. The paintings that accompany Ghanem’s article, “Stories Untold: Art from Syria,” also the name …
Aesthetics And Imagining The Octopus’S Mind, André Krebber, Maike Riedinger, Yvette Watt
Aesthetics And Imagining The Octopus’S Mind, André Krebber, Maike Riedinger, Yvette Watt
Animal Sentience
Several commentators on Mather’s target article discuss the challenges of finding adequate cognitive methods and concepts for accessing the mind and experience of octopuses. Building on Godfrey-Smith’s commentary, we propose aesthetics as a way. The arts provide means to perform what Godfrey-Smith calls an “imaginative leap” to access the experience of octopuses, especially mimesis. We are trying to do this in our current project Okto-Lab. Laboratory for Octopus Aesthetics.
Remembering The Huia: Extinction And Nostalgia In A Bird World, Cameron Boyle
Remembering The Huia: Extinction And Nostalgia In A Bird World, Cameron Boyle
Animal Studies Journal
This paper examines the role of nostalgia in practices of remembering the Huia, an extinct bird endemic to Aotearoa New Zealand. It suggests that nostalgia for the Huia specifically, and New Zealand's indigenous birds more generally, has occurred as both restorative nostalgia and reflective nostalgia. It argues that the former problematically looks to recreate a past world in which birds flourished. In contrast, the paintings of Bill Hammond and the sound art of Sally Ann McIntyre are drawn on to explore the potential of reflective nostalgia for remembering the Huia, and New Zealand's extinct indigenous birds more generally, in a …
Sourcing Enchantment: From Elemental Appropriation To Imaginal Symbolics, Schwartz, Michael
Sourcing Enchantment: From Elemental Appropriation To Imaginal Symbolics, Schwartz, Michael
CONSCIOUSNESS: Ideas and Research for the Twenty-First Century
Critical theorists and social commentators agree that modernity and postmodernity suffer from historical pathologies of world disenchantment. What might be done? Drawing on John Sallis’ phenomenology of the elemental and Tibetan Buddhist teachings on elemental practices, this paper investigates the imagination in its doubling as imaginal in generating a symbolics of the self, world, and other that is always already enchanted; an aesthetics of existence where the world itself shows forth like a work of art replete with exorbitant logics.
Bloodlines – Mammalian Motherhood, Biotechnologies And Other Entanglements, Lynn Mowson
Bloodlines – Mammalian Motherhood, Biotechnologies And Other Entanglements, Lynn Mowson
Animal Studies Journal
This paper outlines my current sculptural research project bloodlines focusing on the ways in which dairy cows are entangled with multiple biotechnologies and the wider environment. bloodlines brings extant works such as fleshlumps, boobscape and slink, together with new works, to represent the dairy industry, the environmental impacts of animal agriculture and the biotech innovations of in-vitro meat and bio-fabricated leather. These works are linked together by a web of interconnected fluids: excreta, milk and blood. In this new work, I hope to make the links between the dairy industry and these extended concerns both visceral and visible.
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
The STEAM Journal
One might wonder how intuitive art can connect to neuroscience and how this could be accomplished. In this descriptive article, research connecting art therapy and neuroscience has been collected and a workshop on Intuitive Painting has been described in detail. The connection was made by the author based on an article by Barker (2017), ‘4 Rituals to be more Happy,’ who writes a popular science blog. The rituals: gratefulness, expressing negative emotions, decision making and human touch were combined with Dr. Pinkie Feinstein’s method of Intuitive Painting in a small group setting. Although subjective, it would seem that at least …
Perspectives On Video Games As Art, Jeroen Bourgonjon, Geert Vandermeersche, Kris Rutten, Niels Quinten
Perspectives On Video Games As Art, Jeroen Bourgonjon, Geert Vandermeersche, Kris Rutten, Niels Quinten
CLCWeb: Comparative Literature and Culture
In their article "Perspectives on Video Games as Art" Jeroen Bourgonjon, Geert Vndermeersche, Kris Rutten and Niels Quinten engage in discussing whether or not video games can be considered a form of art. Although this question has already been discussed elaborately, the debate is guided by many different and often conflicting positions. The aim of this article is to revisit this debate by mapping out a range of perspectives on video games as art. The authors explore the relation between games and different definitions and functions of art, different motives of artists, and the potential impact of the arts. The …
Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel
Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel
The Goose
Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.
Gauguin's Savage Document Work: Understanding As Function, Tim Gorichanaz
Gauguin's Savage Document Work: Understanding As Function, Tim Gorichanaz
Proceedings from the Document Academy
We tend to think of documents as things that provide answers, but documents can also provoke questions. This can be seen clearly in the study of art-making as document work, since the power of art is not in how it can represent reality, but how it can pose questions to reality. In this paper, I examine the work of 19th-century artist Paul Gauguin, which proceeded through iterative abstraction and productive reproduction. Gauguin's document work was a mode of questioning with the epistemic and communicative aim of understanding.
Inner Self
SIGNED: The Magazine of The Hong Kong Design Institute
Hong Kong artist Pak Sheung Chuen is burnishing his already impressive reputation by creating work that seeks to understand the part of the self that is inaccessible through reasoning.
Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley
Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley
The Quiet Corner Interdisciplinary Journal
This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …
The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen
The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen
Oglethorpe Journal of Undergraduate Research
In this article, the question of whether or not video games could be considered art is explored, as well as what this means for video games as cultural products. Using an interdisciplinary approach, I suggest that there are some games we can consider “art”, and that these games are not only different aesthetically speaking, but are also different from a media-effects standpoint. The article consists of three main sections, an aesthetic review, a content analysis, and a pilot study. In the aesthetic review, I employ different perspectives from aesthetic philosophy in order to come up with criteria for what an …
The Art / Crime Archive: An Anti-Boredom Space, Paul Kaplan, Brian Goeltzenleuchter, Dan Salmonson
The Art / Crime Archive: An Anti-Boredom Space, Paul Kaplan, Brian Goeltzenleuchter, Dan Salmonson
The STEAM Journal
This paper reports on an ongoing web-based project devoted to the study of deviant art and creative crime called the Art / Crime Archive: www.artcrimearchive.org. The Art / Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of this space. The ACA is organized by an artist, a criminologist, and a computer engineer. The working process of the ACA involves locating, archiving, and discussing visual, audio, and text artifacts that support this shadow space. The work product is a dynamic archive which can be configured for a multiplicity of contexts—art exhibitions, academic …
The Quantified Self, Behind The Cover Art, Leslie Love Stone
The Quantified Self, Behind The Cover Art, Leslie Love Stone
The STEAM Journal
We lead quantified lives. The information we send and receive through our computers, CD players, and smart phones is coded in ones and zeroes. We exist as numerical accounts, license numbers, and login IDs. Anyone who has ever waited on hold for a live customer service representative understands the desire to be treated like a person, not a number. We each want acceptance for our inherent peculiarities and consideration for our circumstance—conditions we believe extrinsic to numbers.
Representation And Appropriation In Guamán Poma De Ayala, Julio Ortega, Philip Debenshire
Representation And Appropriation In Guamán Poma De Ayala, Julio Ortega, Philip Debenshire
Journal of Global Initiatives: Policy, Pedagogy, Perspective
By discussing the cultural role of iconography, this article explores the likely source of representations in Felipe Guaman Pomade Ayala's The First New Chronicle and Good Government. His process of appropriation serves as a model of the new Andean cultural production by showcasing how emblematic allegories have been used in Latin America to illustrate Colonial manuscripts as well as national emblems and public art.
The Retablos Of Edilberto Jiménez, Victor Vich, Danielle Geary
The Retablos Of Edilberto Jiménez, Victor Vich, Danielle Geary
Journal of Global Initiatives: Policy, Pedagogy, Perspective
The Ayacucho retablo has changed dramatically as a result of life events and experiences. Its most prominent architects were not strangers to the period of violence, as they experienced it firsthand. I want to comment on a set of Edilberto Jimenez retablos in what we might call an "ethics of testimony," or an act by which authors take responsibility for that which they represent, believing that their goal is to reveal the truth and to discover a new range of possible truths by doing so. It is my belief that these retablos are worth contemplation, for they represent something forbidden …
Art Meets Science! Get Over It . . ., Stephen Nowlin
Art Meets Science! Get Over It . . ., Stephen Nowlin
The STEAM Journal
The news headline, when such projects garner attention, usually goes like this – Art Meets Science! Or perhaps Art Merges with Science! or maybe they combine, or art collides with science, or they fuse, join, bond, or unite. And ‘art’ in the phrase usually precedes ‘science’, perhaps because their integration is more typically initiated from the art side of the equation. But whatever the order of the two terms, and whatever verb is used to link them, the tenor of the declaration is typically the same – this is a story worth reporting on, it announces, because …
A Reflection: Art And Science In A Museum Gallery, Kaileena Flores-Emnace
A Reflection: Art And Science In A Museum Gallery, Kaileena Flores-Emnace
The STEAM Journal
Art education in a public space can be a venue for the blending of art and science. As a Contemporary Art Start educator for the Museum of Contemporary Art (MOCA), Los Angeles, I have experienced the many ways in which transdisciplinary education creates deeper student understanding and engagement. At MOCA we use Visual Thinking Strategies for student tours, a research-based teaching method that invites students to direct gallery discussions. We visit a few artworks for ten to fifteen minutes each to foster critical thinking and encourage students to bring personal knowledge and experience to the conversation.