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Full-Text Articles in Art and Design
Emilio Peral Vega. Pierrot/Lorca: White Carnival Of Black Desire. London: Tamesis, 2015., Enrique Álvarez
Emilio Peral Vega. Pierrot/Lorca: White Carnival Of Black Desire. London: Tamesis, 2015., Enrique Álvarez
Studies in 20th & 21st Century Literature
Review of Emilio Peral Vega. Pierrot/Lorca. White Carnival of Black Desire. London: Tamesis, 2015.
"Like Oil And Water": Adaptation As Textuality, Intertextuality, And Metatextuality In Lady Snowblood (Fujita, 1973), Matthew Bolton
"Like Oil And Water": Adaptation As Textuality, Intertextuality, And Metatextuality In Lady Snowblood (Fujita, 1973), Matthew Bolton
Studies in 20th & 21st Century Literature
Toshiya Fujita’s 1973 film adaptation of Kazuo Koike and Kazue Kamimura’s manga series Lady Snowblood is a case study in the challenges inherent in adapting a complex graphic narrative to film. A sprawling episodic story of assassination and revenge, the original manga text offers challenges to any adapter in terms of content, form, narrative construction, and media affordances, challenges that Fujita and his screenwriter Norio Osada gamely take up in their film. In their attempts to adapt their source material, Fujita and Osada rely on three adaptation strategies—textuality, intertextuality, and metatextuality—that reveal both their nimble thinking about adaptation as an …
Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017., Jacinta Yanders
Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017., Jacinta Yanders
Studies in 20th & 21st Century Literature
Review of Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017.
The Knights Of The Front: Medieval History’S Influence On Great War Propaganda, Haley E. Claxton
The Knights Of The Front: Medieval History’S Influence On Great War Propaganda, Haley E. Claxton
Crossing Borders: A Multidisciplinary Journal of Undergraduate Scholarship
Spanning a number of academic areas, “Knights of the Front: Medieval History’s Influence on Great War Propaganda” focuses on the emergence of medieval imagery in the First World War propaganda. Examining several specific uses of medieval symbolism in propaganda posters from both Central and Allied powers, the article provides insight into the narrative of war, both politically and culturally constructed. The paper begins with an overview of the psychology behind visual persuasion and the history behind Europe’s cultural affinity for “chivalry,” then continues into specific case studies of period propaganda posters that hold not only themes of military glory and …