Art and Design Commons^™

Remembering Wenonah: Colonialism And The Power Of Representation, Adam Gaffey, Monica De Grazia, Iyekiyapiwiƞ Darlene St. Clair, Jill Ahlberg Yohe

CLASP Lecture Series

This panel explores how the lover’s leap narrative and its representation of Native American figures has been used to forge distinctive visions of public memory both in and beyond Winona, Minnesota. For most, details of the lover’s leap are reduced to Wenonah’s fatal action, specifically how she protested her family’s rigid customs of arranged marriage by jumping to her death from a bluff atop the Mississippi River. The goal of this panel is to offer a fuller account of the purposes this story has served in popular memory and the implications of its persistence for different audiences, past and present. …

The Disappearance Of The Anti-Aesthetic; The Death Of Fashion, Scrap Evans

Capstone Showcase

In this essay, Scrap explores the connection between famous nihilist and postmodernist theorists, Dadaism, the concept of the anti-aesthetic, and today's high fashion. They provide a history of nihilism and follow its influence through time upon other social, political, and artistic movements. They then make direct connections between famous theorists' prose and famous fashion designers' collections. Finally, they analyze the current state of the fashion world and discuss their plan of action.

Exhibitions As Artworks - Research Output, Kaitlyn German

Undergraduate Student Research Internships Conference

Slide 1: Hello, my name is Kaitlyn German and I was the USRI Intern of Professor John Hatch this summer.

Slide 2: The goal of my USRI internship under Professor Hatch was to conduct research and find academic articles for Professor Hatch to aid in the design of a university undergraduate course. As such, there was a steady amount of research that was required in order to properly find information on the topics that Professor Hatch requested. To further my researching skills, I attended various Professional Development sessions including: Intro to Literature Searches and Information Evaluation, wherein I learned about …

Not Exceptions: Historic Views Of Women In Art And The Impact On Contemporary Women Artists, Abby Leal

Scholars Day Conference

The misconception that artists of centuries past were almost exclusively men is no accident. It is a direct result of institutional inequity that kept women artists, though they lacked neither the talent nor the initiative of their counterparts, in a less advantageous position. They were denied the same opportunities for education and employment as men, and many women artists, even those with successful careers, have been lost to history. With this essay, I hope to give women artists the credit they deserve for their diversity. Not all women experienced their position in the art world the same way. Some sought …

S E L F: A Visual Study Of Dissociation, Bear Cooper, Sheila Goloborotko

Showcase of Osprey Advancements in Research and Scholarship (SOARS)

Experiencing prolonged sexual abuse can lead to a shift in the sense of self as the mind tries to protect itself. Depression, low self-esteem, guilt –– these are all symptoms we frequently hear associated with the aftermath of trauma. They are mentioned enough that we consider ourselves familiar with them. However, symptoms like depersonalization and alexithymia are symptoms not commonly understood. This visual study examines these dissociatve symptoms by looking at the separation of the body and mind that occurs after sexual trauma. S e l f is an etching-based creative research to understand these psychological aspects of processing sexual …

Saving Software And Using Emulation To Reproduce Computationally Dependent Research Results, Euan Cochrane, Limor Peer, Ethan Gates, Seth Anderson

Yale Day of Data

Using digital data necessarily involves software. How do institutions think about software in the context of the long-term usability of their data assets? How do they address usability challenges uniquely posed by software such as, license restrictions, legacy software, code rot, and dependencies? These questions are germane to the agenda set forth by the FAIR principles. At Yale University, a team in the Library is looking into the application of a novel approach to emulation as a potential solution. In this presentation, we will outline the work of the Emulation as a Service Infrastructure (EaaSI) program, discuss our plans for …

Futurism In Fashion: What Does That Mean?, Jonathan Orozco

UNO Student Research and Creative Activity Fair

In fashion, the term ‘futuristic’ is often used to describe avant-garde clothing designs. It could refer to several things, such as the clothing’s method of production, the materials used, or the garment’s design. Futurism can even refer to the 20^th century Italian art movement, and indeed, this movement addressed the problem of designing fashion for the 20^th century. We would learn much by examining Futurist fashions in order to understand its legacy in relation to contemporary fashion designers viewed as futuristic today. This paper will review this legacy by looking at five specific examples—Italian Futurists and their contribution …

One Root, Many Trees: Reviving Collections Practices, Kevin Farley, Emily Davis Winthrop, Ibironke Lawal, Patricia Sobczak

Charleston Library Conference

Collections are undergoing intense change and pressure from technology, budgetary uncertainties, and emerging perspectives on future approaches. Our case study—drawn from our experiences as collections librarians—examines these complex issues facing academic collections, large or small, across the profession. Through the development of “collections of distinction” within the local collection, collaborations and scholarly partnerships with colleagues and faculty, and advocacy for the importance of dedicated oversight to ensure that collections investments fulfill the academic mission, we explore possible solutions to the complicated issues defining contemporary collections practices.

Forming Community Partnerships, Lori Foley

CHAR

In the event of a disaster, regardless of the type or scope, the first response is always local. For the institutions and organizations charged with safeguarding the nation’s cultural and historic resources – museums, historical societies, libraries, and municipal offices, to name just a few – building relationships with local first responders and emergency managers before disaster strikes is key to ensuring the safety of staff and collections. State emergency management agencies are also collaborating with their state cultural agencies to protect these valuable and vulnerable resources. The resulting emergency networks better position the local community and the state to …

Lessons Learned From Culture In Crisis; Or Protecting The Past To Save The Future, Laurie Rush

CHAR

At the midpoint of the second decade of the 21^st century, the world is experiencing deliberate destruction of cultural property at a scale not seen since the Second World War. Future protection and preservation of cultural heritage depends on learning from tragedy and applying these lessons as pro-actively as possible. First, we are discovering that no matter the threat, there are people who risk their lives to save artifacts and features of their culture, and the motives for this courage are retrospectively clear. For a community to survive a conflict or disaster as a corporate entity, elements of shared …

Keynote Address - When Violent Nonstate Actors Target Cultural Heritage Sites, Victor Asal

CHAR

Why would organizations attack or kill people at cultural heritage sites or destroy such sites? Using data from the Big Allied and Dangerous insurgent dataset that has data on 140 insurgent organizations from 1998-2012, and data from the Global Terrorism Database, this presentation examines the factors that make insurgent groups more likely to attack such sites or kill people at such sites. We look at the impact of organizational ideology, organizational structure and power as well as country level factors.

Mitigation, Response And Recovery, Richard Lord

CHAR

Abstract: Hurricane Harvey ravaged Texas and Louisiana nearly five years after Superstorm Sandy devastated the East Coast and caused 53 deaths, destroyed or severely damaged 100,000 Long Island homes, and left an estimated $42 billion in damages across New York State.

This session will provide an overview of the disaster relief and assistance programs available under the Stafford Act, when they are triggered, and how private non-profit and cultural institutions can plan for natural hazards and take full advantage of available aid. There will also be discussion of the NYS Hazard Mitigation Plan, the Community Risk and Resiliency Act, and …

Informing Responders Using Gis And Gps, Deidre Mccarthy

CHAR

Hurricane Katrina devastated the Gulf Coast in August 2005 and created the single largest disaster for cultural resources that the United States has witnessed since the inception of the National Historic Preservation Act (NHPA) in 1966. Notably, the NHPA created the National Register of Historic Places, our nation’s catalog of important cultural resources. The NHPA also stipulates that any federal undertaking which may adversely affect National Register eligible resources be mitigated. For the Federal Emergency Management Agency (FEMA), Katrina created the largest compliance project ever under Section 106 of the NHPA.

Although causing a great deal of damage, Katrina also …

Keynote Address: Climate Change: From Global To New York Scale, Christopher D. Thorncroft

CHAR

This talk is concerned with the science and impacts of climate change from global to New York scales. It will provide an assessment of how the climate has changed over the past Century based on a purely observational perspective. The scientific basis for anthroprogenic climate change will be explained and discussed including a description of the “greenhouse effect” and why it is important for life on this planet. We will briefly discuss global and local consequences of a warmer climate and what we need to be prepared for going forward in the coming decades.

Opening Keynote Address: Using Data To Understand Cultural Destruction, Brian I. Daniels

CHAR

Brian I. Daniels, Ph.D, Penn Cultural Heritage Center, University of Pennsylvania Museum.

Why is cultural heritage targeted in conflict? Under what circumstances? By whom? Today, due in part to the recent notorious instances of cultural destruction in the Middle East and North Africa, there is perhaps more attention among the broader scientific community than ever before about the phenomenon of cultural loss. At the same time, there are many significant data and analytical gaps. Little social science literature about cultural destruction exists and many critical questions—and avenues of research—are, as of yet, unstudied. A primary reason for this lack …

Bad Curation: Exhibiting "Degenerate Art", Hannah Colletti

Undergraduate Research Conference

In a time of censorship and social control under the ideology of the Nazi regime, Hitler and his counterparts produced an exhibition to discredit artistic developments deemed inappropriate and counterproductive for society. This project analyzed the ''Degenerate Art'' exhibition within the context of Nazi Germany, giving particular attention to the curatorial methods used to display the works, in order to understand the purpose of this exhibition and evaluate its impact.

Typology And Analysis Of Ceramic Vessels And Pottery Shards Found At The Long Swamp Site: Lamar And Mary Folwer Holcomb Collection, Maxwell Mackenzie

Georgia State Undergraduate Research Conference

No abstract provided.

Displays Of Power In English Tudor Painting (1485-1603), Laura Meisner

Student Scholar Showcase

English painting between 1485 and 1603 shaped and was shaped by a myriad of cultural influences. Art historians generally agree that because England did not produce much of its own art until the 18^th century, it had a relatively slight impact on the development of Western art. A cursory history lesson of this time frame likely omits English art apart from the appearance of Hans Holbein the Younger as court painter under Henry VIII and Nicholas Hilliard during Elizabeth I’s reign. However, a study of English paintings throughout the entire Tudor period reflects its importance not only to England’s …

Migration In Slavic Village, The History Behind The Cleveland Central Catholic Ironmen., Mary C. Brondfield Mrs., Matt Aber Mr.

Migration in Global Context Symposium

This presentation is a collaborative effort by two educators from the disciplines of art and history. The PowerPoint presentation documents the the cross curricular migration themed event that explored migration in Slavic Village, Ohio. Historical speakers and visits to historical sites engaged students throughout the event. Through oral history and the visual arts students engaged in project based learning.

The Medieval Screen: A Work In Progress, Julie Carmen

Symposium Of University Research and Creative Expression (SOURCE)

The purpose is to design a medieval screen to answer the question: "Will people be inspired to study history and fiber art when presented with colorful embroidered patches displayed on a screen?" The screen project is a work in progress I am creating to display images from a thirteenth century manuscript in a different art medium to induce inspiration and curiosity about this period of time. The poster will describe the work in progress, the different materials used to create a medieval screen, and how the screen has developed over fifteen years. It will discuss the importance of the codices, …

Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins

The Mid-America Print Council Conference

This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.

Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities …

The Artist And The Rebel: The Art Of Graffiti And Its Impact On Memory Architecture, Stephen A. Setman

Celebration

The lasting presence of graffiti in major cities like Berlin raises the question, what kind of perspective does such an art form have on memory? Given that graffiti are written or painted on structures and buildings, which are already their own kind of monument, and that the content of graffiti tends towards the politically and socially critical, how are we to understand the relationship of these works to places of memory creation? Why, for example, do we sometimes give monumental protection (Denkmanlschutz) to works of graffiti, and why so often not? My research investigates the roll of graffiti in cultural …

A History Of Nexus: How An Arist Co-Op Transformed Atlanta, Alexandra Troxell

Georgia State Undergraduate Research Conference

No abstract provided.

Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman

Creative Activity and Research Day - CARD

Using Norman Rockwell’s The Problem We All Live With (1964) a Civil Rights-era depiction of the integration of black and white students in 1960, I argue that Rockwell chose to portray Civil Rights themes in order to make an altruistic plea for equality. To demonstrate my claim, I have researched academic sources, journal articles that explore Rockwell’s views and painterly approach to race, and documents of important political events of the Civil Rights Movement. Through this research, I use textual evidence to conclude that Norman Rockwell was genuinely committed to promoting Civil Rights in his work.

Seeing And Seen: Acts Of The Voyeur In The Paintings Of Francis Bacon, John G. Hatch

Research Day (Arts & Humanities, FIMS, and Education)

There are a number of characters in Bacon's paintings who seem strangely out of place, peeking in on intimate moments and sometimes turning their attention to us, the spectator of the works. These figures are the more literal representatives of a theme that runs throughout Bacon's work, namely that of the voyeur. My research looks at the numerous perspectives of the voyeur presented by Bacon in an attempt to better understand its rationale in his artistic production.

Convergences Between Art And Physics, John G. Hatch

Research Day (Arts & Humanities, FIMS, and Education)

No abstract provided.

Jewish Display Silver After The Age Of Exploration, Vivian Mann

Early Modern Workshop: Resources in Jewish History

Although there is literature on the impact of the discovery of the Americas on the European silver supply and the production works in silver, no one has examined its impact on the commissioning of silver by hevrot, particularly the Hevrah Kaddisha, both for their own use and as donations to the synagogue. This paper will examine in what ways Jewish patronage was similar to those of guilds and Christian confraternities and it what ways they differed.

This presentation is for the following object(s):

• Beaker of the Burial Society of Worms. Johann Conrad Weiss (active 1699-1751), Jewish Museum in New York, …