Art and Design Commons^™

Cat Metamorfosis: Becoming Animal And The Freedom Of Non-Identity, Hannah Becker

Bachelor of Fine Arts Senior Papers

A large number of modern and contemporary female artists have employed the state of becoming to either free themselves of or challenge the social norms that come with being a woman. Kara Walker frees the Mammy of her expectation by combining her with a sphinx in her monumental sugar sculpture, A Subtlety. The Guerilla Girls have an impenetrable and unidentifiable voice when they speak from behind gorilla masks. Lucy Gunning’s The Horse Impressionists depicts women mimicking the behavior of horses to lose their human consciousness, and more specifically, female identity. Looking beyond the art world and into recent consumerist …

The Lost Voices Of Women In Poverty And Feminist Discorse, Anna Maria Tucker

Graduate School of Art Theses

Abstract

My statement is that women in poverty are now, as in the past, in circumstances of exclusion within the feminist struggle. This exclusion is mirrored in various cultural movements and milieus. I see my performance work as a vehicle to express the emotions of women in class struggle. This has taken center stage with the return of the political (Trump, etc.). My work gives emotion and lived experience primacy to assert the unique subjectivity of working-class and poor women. This pays homage to the women who were relegated to the backdrop of modernist art.

I will compare my lived …

Distraction And Community: The Magic Of Playtime, Heather Alfaro

Graduate School of Art Theses

Experiencing awkward encounters due to an anxious disposition, I create work that fulfills my own needs to fulfill the needs of others. By manipulating environments and providing props and crafted items, I take control of the situation to function within. Using craft, gift-giving and play, I encourage the audience to participate within my work—fostering community by providing an opportunity to play. Being ever fleeting, the encounters with the work and with the other participants distracts to allow the audience to lose themselves. When the work is gone, the memory lives on to comfort, and to inspire.

Contemplation Of A Place, Slow And Constant, Colton R. Carter

Graduate School of Art Theses

This thesis focuses on the complex nature of experience and the ability to capture its essence through forms of representation. I start with a narrative to give the reader my personal his- tory and context that drive my work. I then go on to examine the moment in which an experience exceeds the mundane and becomes significant. I also examine the object by focusing on its ability to act as a remnant of an experience, and therefore, it becomes a means of self-reflection. I use the work Box with the Sound of its own making by Robert Morris and Inhabited …

Satan's Beach Surf Them Webs 666, Shawn Burkard

Graduate School of Art Theses

It is crucial in today’s world to embrace technology, which is an essential component of our daily lives. It makes communication in our lives easier. Technology serves a variety of functions that help in the development of education, business, communication, and scientific research. The freedom it offers through social media platforms allows for personal connections at a global level to become feasible. Although the Internet provides ease of communication at a large scale, it is bound to have issues that pollute the intended connections. Virus, spam mail and cyberbullies are some of the items that contribute to it becoming a …

"Collaborating With Chance", Alyse Gellis

Bachelor of Fine Arts Senior Papers

Have you ever felt a desire to get lost on a journey much larger than yourself or experience the thrill of the unknown? Think about a time you intentionally swam further out in a lake or the sea than you have before, or drove down a road without knowing where it would take you, or wandered around a new city without a map. Think about how you made the decision to push those boundaries. Remember how taking that risk in pursuit of an unknown made you feel, because it is that thrill that drives my artistic practice. Through my thesis …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

Prosaic (Dis)Appearance, Waller H. Austin

Graduate School of Art Theses

This thesis focuses on issues uncovered in my pursuit of acceptance as a visual artist. Through consolidating beliefs and ideals of art and juxtaposing historic themes and current trends with personal life experiences, I resolve to construct artworks as dizzying, thought-provoking environments. Recollections of memory are largely anachronistic and profound memories are typically associated with trauma or paradigm change within an abrogated system of faith or other conviction. I question the framework of conditioned vocabularies that inform judgment about any explicit perception.

Considering processes of thinking and the experiential re-engineering mechanisms that establish long-term memory, I endeavor to create works …

A Hazy Bliss, Anna Joo

Bachelor of Fine Arts Senior Papers

There were tangerines and apples stained with strawberry pink. Some yellow pears, smooth as silk, some white grapes covered with a silver bloom and a big cluster of purple ones. These last she had bought to tone in with the new dining-room carpet. Yes, that did sound rather far-fetched and absurd, but it was really why she had bought them. She had thought in the shop: "I must have some purple ones to bring the carpet up to the table." And it had seemed quite sense at the time.

When she had finished with them and had made two pyramids …

The Significance That Cause And Effect Might Have, Sara Fleenor

Graduate School of Art Theses

Growing up in Dayton, Ohio in the 90’s, I witnessed the withdrawal of manufacturing giant, General Motors, and was witness to the cascading evisceration of manufacturing in the Midwest. This creation of the rust belt not only littered the landscape with the ruins of empty manufacturing facilities, but the collapsed economy also created a dearth of aspiration that gave traction to a rising heroin epidemic.

In my work, I depict middle America not with the bucolic sunlight of a mythical heartland, but with the illumination of industrial collapse.

On Remembrance, Ashley Lee

Bachelor of Fine Arts Senior Papers

My works are inspired by autobiographical memories — especially those that are traumatic. However, the works rather discuss the nature of how memories are recalled, stored forgotten, remembered, manipulated, constructed, reconstructed, and destructed. Memory is a pseudo reality, that grounds on past events but is different from the objective truth. Memory is one’s own creation, which is formed by the body and mind through time, space, and experience. Then it is stored in the mind, within the infinite void of dimensional space. In my writing, I’ll explore John Sutton’s Philosophy and Memory Traces, Roland Barthe’s Camera Lucida, Cathy Caruth’s Unclaimed …

Adaptive Strategies In A Slow-Motion Apocalypse, Allana Ross

Graduate School of Art Theses

Nature is a construct inherited from Enlightenment thought. Our culture of nature—the way we construct, teach, communicate and perpetuate our concept of nature—has furthered the false dichotomy of an untamed nature versus a resource-consuming culture. This dualistic thinking has facilitated the current environmental crisis. We thus need a new culture of nature and a system of re-education that enables a symbiotic relationship between ourselves and our environment. A re-negotiation of this relationship is imperative to our continued survival on this planet; thus a reformation of the culture of nature can be viewed as an adaptive strategy. Systems-focused ecological art practice …

The Record In Question, Kari Varner

Graduate School of Art Theses

This thesis is an archive composed of text and image that catalogs the perpetual distance between the photograph and its subject. In my practice the fluidity of representation is examined through the frame of the photographic archive, while the notion of what constitutes a photographic archive is redefined. While seeking to describe the mutability of encounters with landscapes and past memories the materiality of the photograph is emphasized, the image and its substrate destabilized, and both experience and photograph are fleeting. In many cases water acts as the alchemical substance for transformation, leading the photographs closer to a state of …

Meaning In Perception: Metaphor In Figurative Sculpture, Tommy Riefe

Graduate School of Art Theses

The body is the intermediary between the immaterial and material world and allows for the expression of one’s psychological and physical identity. The perception of the body and mind within space and time provides opportunities for change. Representation through figurative sculpture is a common thread over historical time. Works from Greek Classicism, like Kritios Boy, exemplify how a body’s physical condition is directly contingent on an individual’s psychological state. Alberto Giacometti and Antony Gormley further expand upon this as they present the body as a channel between the mind and the surrounding enviroment. Each artist creates alterations in scale, …

Interspace Suit, Moriah Okun

Bachelor of Fine Arts Senior Papers

My thesis work investigates the transformative possibility of mediating the space between ourselves and others, the tension between solitude and loneliness, and the disconnects between mind and body, personal and shared experience, and artist and viewer. The basis of my process is stitching and coiling — a practical and symbolic act of joining together material that serves as structure and surface. I am inspired by work that explores this middle space, like that of Archigram, Lucy Orta, Lygia Clark, and Ernesto Neto. These artists first showed me what it was possible to create when the viewer’s body becomes the site …

Maya Lin In Conversation, Sam Fox School Of Design & Visual Arts, Maya Ying Lin

Books and Monographs

Record of a conversation held in Umrath Hall at Washington University in St. Louis on November 17, 2016 between Maya Lin and Sam Fox School faculty and students. The event was co-hosted by Women in Architecture + Design. Contents Introduction / Natasha Tabachnikoff -- Submissions / Sam Fox Students & Faculty -- In conversation / Maya Lin ; transcribed by Jenny Li. Question 1 / Francisco Coch ; Question 2 / Mingxi Li ; Question 3 / Jenna Schnitzler ; Question 4 / Jared Crane ; Question 5 / Natasha Tabachnikoff ; Question 6 / Rita Wang ; Question 7 …

Art And Science: Blurring The Poetic And The Analytical, Caitlin M. David

Bachelor of Fine Arts Senior Papers

Abstract: Despite a modern conception of art and science as being fundamentally opposed, both have at their core a desire to explain the inexplicable. Their investigations and the communication of the results of these investigations can be blurred at both poetic and analytical junctions. Vivified abstract thought, or the poetic, can be thought of as instigating the ubiquitous desire to explain the inexplicable. Fruitful analysis of resulting data and representation of that data must consider the idiom of both art and science if it is to successfully cross between them, and special emphasis must be placed on the diagram as …

The Void Between Us, Hannah D. Blumer

Bachelor of Fine Arts Senior Papers

My interactive thesis installation, The Void Between Us, addresses the topic of human connection in relationship to the body. The human body marks a physical barrier between one’s self and others. While we exist in the same physical sphere as one another, our minds are isolated in our own self-centered versions of reality. Our bodies allow us to perceive others and be perceived—including having verbal communications—and, therefore, could be seen as helpful or restrictive in the social world. However, our bodies also allow us to engage in physical interactions with others, such as sex, which is a means to …

Drifting / Mooring: On Home, Travel, And Identity, Nicole Fry

Graduate School of Art Theses

Travel acts as a disruptor of routine, encouraging meditation and self-reflection. This activity is especially important in my studio practice because I come from an intensely region- bound family. My personal identity is influenced by my geographical and cultural location. In my studio practice I utilize a combination of writing and visual media to explore these fundamental facets of my life. I use Joseph Campbell’s monomyth structure of narrative storytelling as a baseline for constructing my written narratives. The narratives make heavy use of a feminine voice and examines what it is to be a woman in contemporary America. The …

Thrills, Spills, And Unacknowledgments, Caitlin Aasen

Graduate School of Art Theses

Through the use of stains, resulting from a process of water and pigments, I showcase the metaphorical importance of stains within our lives. Nature, the everyday, and our bodies have always been an inspiration to my process. Instances such as looking through car windows at the colors rushing past, becoming one, as I travel 60 miles per hour. These moments of moving colors that blur the line between object and pigment are where I find inspiration formally and conceptually. These instances of blurs happen constantly in our lives. Not just because we are moving so fast, but because we can …

The Vital Ambiguity Of Surface: Culturally Determined Notions Of Metaphor And Performance In Contemporary Building Material, Christopher T. Campbell

Graduate School of Art Theses

This thesis investigates the systems and information decipherable within a material surface; more specifically, those ideas of value, performance, and function we may infer from the surface of contemporary building materials. When these materials are reduced to their flattened image, the cosmetic facade of a surface has the capacity to inform as well as deceive. Additionally, we may see in materials outward properties, such as color or tactility, the capacity for metaphor and the application of a symbolic personhood. This thesis seeks to comprehend the ways in which these expectations become fodder for complication and paradox, and promote a perceptual …

Artificiality And The New Image: The Image Body, Liza H. Butts

Bachelor of Fine Arts Senior Papers

This paper sets up a historical argument for how images exist in the world and how artists relate to these images. The questions of the paper are concerned with defining the “Contemporary Image” and looking at how the digitization of all the images in our world affect the art object and the experience of art in the physical world. The conclusion and answer to these questions is found in a resistance to images that oversaturate our culture. This resistance occurs by looking to the painted image to function as a body in the world; aware of its existence, responsive to …

On Assemblage And Erasure, Dante Migone-Ojeda

Bachelor of Fine Arts Senior Papers

Through textual and visual research, I assert that the root cause of the injustice that drives my work and the work of the artists within my thesis paper is erasure. I attribute this erasure in large part to the role of neoliberalism upon the world stage, and it’s pervasive global influence. While neoliberalism did not create inequality, it has codified it and through its relentless push for “progress” it has propped up a dynamic of oppressor and oppressed. This in turn leads to simple categorization and ultimately erasure. I posit that my work not only makes this erasure visible, but …

Exercises On Overcoming Perfectionist Tendencies, Jake Yoo

Bachelor of Fine Arts Senior Papers

In my latest series, I investigate my neurotic perfectionist tendency through repetition of phrases that I understand to be true in my head, but have a problem with accepting it in my heart. This way, I am studying my personal biases and the way I perceive the world in order to break free from unwanted behaviors and process negative emotions. Louise Bourgeois is a historical precedence to my practice as whole, while the series functions similarly to Yayoi Kusama’s dot and net paintings—a psychological portrait achieved through continuous repetition of a few elements.

The Untitled Mapping Project: Case Study Trauma, Wyndi A. Desouza

Graduate School of Art Theses

This thesis is my personal exploration of what trauma is and how, if possible, it can be visually represented. The use of data collection, data visualization, and archive methodology is utilized in my project and this document examines how these components come together to understand trauma. This thesis also works through the ideology that everyone has the ability to experience trauma, of some form, in his or her life. Yet, there are different social perceptions for defining and labeling trauma. It is this social fallacy of trauma that I investigate and then seek to eliminate through the visual representation of …

Rewriting History: The Press As A Tool For Destruction And Preservation, Emily L. Mogavero

Bachelor of Fine Arts Senior Papers

This statement describes my two bodies of work, Aufheben and Artist-Hero/Squish, in which I use printmaking processes to rewrite history. In Artist-Hero/Squish I mimic canonical paintings of women by modernist male painters and run my quotations of these paintings through the press while the paint is still wet on the canvas. Through this process, I examine, confront, and change the male-dominated history of art. Aufheben currently includes one hundred drypoint prints that catalogue the personal history of my mark. This series represents a process of constant change, with individual prints suggesting stages of my process including moments of growth …

Interspace Encounters: Parkview Gardens, Madeline Marak

Graduate School of Art Theses

The undertaking to render an experience tangible reveals the inadequacy of the techniques and technologies of representation to transcribe the perception of ubiquitous, yet unnoticed, spaces in the urban environment. The work of Madeline Marak contemplates overlooked and forgotten spaces that are unnoticed by busy, preoccupied minds. The work advocates for slowing down… considering… and being present. This thesis refers to writer Rebecca Solnit and her anthologies on the subjects of walking, wandering, and getting lost to advocate for activities that preoccupy the mind and facilitate freethinking. The humanist geographer Yi-Fu Tuan is quoted in argument for a direct engagement …

Mr. Jonathan P. Berger: Gentle Conflations, Jonathan Patrick Berger, Mr. Jonathan P. Berger

Graduate School of Art Theses

Sentimentality is a critical aspect of human existence because it is human-natural, agendered, and provides ground for gentle conflation of the domestic sphere and the roles within it. As an artist, I am able to utilize sentimentality to open possibilities and welcome, instead of molest, viewers into contemplation with the assumed norms of domesticity.

With its origins founded in the Age of Enlightenment, sentimentality was a praiseworthy endeavor, one based on intelligence and contemplation. I define sentimentality as the emotional intellect’s way of encoding or decoding the soft emotions surrounding and within objects, people, times or ideas. Soft emotions are …

Damaged Goods: Reconstructing The Perceived Perfect, Sarah E. Harford

Graduate School of Art Theses

The writing that follows is intended to provide a speculative framework based upon theories, literature, and narratives that seek to articulate several major themes that occur within my studio practice. My work incorporates the imagery of domestic objects that can substitute for the body to permeate realities through the deconstruction and reconstruction of structures while simultaneously integrating gendered materials under the principles of the uncanny and sense of danger. This production process provides how we as viewers question strength and stability in what we understand by staging the familiarity of the home that is then imbued with altered states of …

Changing Human Relationships Through Interactive Art, Daniel Shieh

Bachelor of Fine Arts Senior Papers

In our current society, there is a constant endeavor to reconcile our differences while respecting our individuality. Since the 1990s, a large amount of artworks begin focusing on human relationships. In this essay, I discuss the question: how can interactive artworks create common ground between people while respecting their individual identity? Through creating a sequence of interactive artworks, I determine the three factors that are necessary for connecting people of different backgrounds—mutual vulnerability, anonymity, and the leveling of power dynamics. Mutual vulnerability entails an interaction where two people reveal themselves to each other, and connect through this reciprocal action. Anonymity …