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Full-Text Articles in Art and Design

Children Shouldn't Play With Dead Things, Sarah Adcock Aug 2019

Children Shouldn't Play With Dead Things, Sarah Adcock

Graduate School of Art Theses

I view my creative process as alchemy, the transformation of materials through experimentation. I use wax as a material that transcends its historical use as a sculptural process for casting and instead, use it for its transmutable qualities to inform content. Because of its plasticity and duality as fragile and resilient, wax is symbolically submissive and assertive. By applying heat, wax can be molded and formed into new shapes. Once it cools, wax reverts back to its natural state; solid and impermeable. I use objects to explore desires of origin and life. Transitional objects, the first “me not me” possession ...


The Psychos, Paula N. Stevenson May 2019

The Psychos, Paula N. Stevenson

Graduate School of Art Theses

My current body of work is a series of drawings that juxtapose characters of fiction and reality in an attempt to explore the relationship between horror film and contemporary social issues. I strive to render an accurate portrayal of the face to draw the viewer into questioning the troubling narrative these characters illuminate. I focus on retelling stories of fear and horror, and crime and infamy. I want my work to convey ethical dilemmas as they are present within the relationship between horror movie antagonists and the audience (all of us). It is these concerns I attempt to visualize in ...


Its Skin Is My Skin, Bryan Page May 2019

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or ...


If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger May 2018

If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger

Graduate School of Art Theses

The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces that much like the previous layers, are made up of many things, most certainly not one thing. A static object may hold a series of other objects, spaces and events. A static object may also embody the passage of time.Though one may try to hold the object at a constant, that is to slow or even bring a halt to its motion, this task is near impossible.

Bird Box House, Bear Box Dresser, Lamp ...


Flesh And Blood, Clayton Petras May 2017

Flesh And Blood, Clayton Petras

Graduate School of Art Theses

In my work, I look for ways to visualize and document the degenerative mental disease of Parkinson’s and transform it into portrayals of the disease itself, its effects, and those it afflicts. Being a physical breakdown of the body, both popular culture and my own corporal understanding influence my interpretation and representation. This document outlines those influences and their buildup towards a shared understanding of the interests behind the work, as well as implies what the work does through these contexts.

How do we give identity to a disease that is difficult to diagnose or view on medical technology ...


Gesture As Revelation, Laurel Panella Aug 2015

Gesture As Revelation, Laurel Panella

Graduate School of Art Theses

Abstract

The two divergent paths of fine arts and psychological research come together to demonstrate how physical gesture and facial expression communicates significant meaning regarding human emotion and intention. The conceptual framework of these paintings arises from the artist’s engagement with peer-reviewed psychological studies on Affective Science. The paintings balance qualities of both emotional and intellectual thinking, with the goal of calling them forth in equal strength during the viewing experience. The symbolic and representational language of gesture is examined through the painting titled Precarious Extension. Dynamics of compassion and affect theory are analyzed through the painting Transmission of ...


Presence-At-Hand, Eric Lyle Schultz May 2015

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the ...


Finding Cathartic Beauty In Trauma And Abjection, Christy R. Kirk May 2014

Finding Cathartic Beauty In Trauma And Abjection, Christy R. Kirk

Graduate School of Art Theses

Inspired by the dichotomy of beauty and the grotesque in relation to the female body, I set out to both find a balance and interrupt the balance between the two with my artistic practice. Defining beauty as something more significant and meaningful than a pretty image and the abject as something that inspires repulsion, I sought to find connection between the two. Through creating abject textures surrounding nude female forms, I discovered an underlying trauma latent in the artistic expressions of my work. The process of creating abject works of art has lead to catharsis and posttraumatic growth in my ...