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Full-Text Articles in Art and Design

Lotion In Your Lungs, Raul H. De Lara Jan 2019

Lotion In Your Lungs, Raul H. De Lara

Theses and Dissertations

This is a document explaining in detail my artistic practice from childhood to the day I graduated VCU. It will perhaps only be understood by those who have themselves already felt such ways, or similar ways – words and ghosts are mostly invisible.

Generic Of, Nicole Levaque Jan 2019

Generic Of, Nicole Levaque

Theses and Dissertations

generic of is a creative text paralleling the creation of my thesis exhibition. I use fragmented layers of narrative, description and prose in the same way each handbuilt ceramic is fired multiple times, allowing the glazes to build upon themselves. This is a close study of the still life, the intimacy of consuming, and how trauma is passed through the gut.

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee Jan 2018

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined ...

Laminated Paint, Travis R. Austin Jan 2018

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

Of The Crickets, Kathryn Lien Jan 2018

Of The Crickets, Kathryn Lien

Theses and Dissertations

Of the Crickets imagines the overlapping worlds of ethical ecological solutions to climate changed sustenance and the potential for collective excellence in female exclusive environments. Using garments, furniture, site-specific installation and directed performance, the project harnesses social and material sensitivity to mine solutions for idealized living.

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius Jan 2017

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius

Theses and Dissertations

I am not quite sure how to be a woman. It’s complicated, contradictory and highly surveilled. I make videos, sculptures and wearable objects that attempt to rationalize my female identity. The body is a sustained fixture in my work: as an armature, as an absent actor for constructed environments, as fragment and as the literal inclusion of my image. It is through these various modes of dis/embodiment that I negotiate the complexities of gendered existence. Crumbling ceramic and paper objects, pieced fabric forms, videos, beauty products, and delicate flowers reference splintered narratives and unwieldy terrains. I consider the ...

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall Jan 2016

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and ...

Unknowable Terrain, Carli A. Holcomb Jan 2016

Unknowable Terrain, Carli A. Holcomb

Theses and Dissertations

I see the moment of creation as a threshold, a fertile ground where anything is possible. My work combines an interest in science, mythology, cosmologies, and a childlike sense of wonderment to seek the unknowable. I create formless floating worlds that have a seducing, enlightening, and ultimately deceiving presence. Vibrant lusty clusters of candied opulence emphasize the wetness at the beginning of life. Dry folds give way to woozy nests and frenzied organisms while dripping crystalline structures puncture soft unknowable terrains.

Through the process of making I indulge my desire to create an otherworld, one that bubbles, garishly drips, and ...

So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.

Belt Melon Grass, Andrew M. Francis Jan 2015

Belt Melon Grass, Andrew M. Francis

Theses and Dissertations

This essay was written largely after the completion of my thesis exhibition which shares its title. An integral aspect of the work was the after-­hours maintenance it required. Below I describe the unforeseen personal significance that labor came to hold and the way in which it functioned as a healing ritual. Through this work, and those leading up to it, I have a reinvigorated awareness of the importance of therapy as an aspect of my art­making, of which this thesis is a testament.

Cute As A Button, Marta R. Finkelstein Jan 2015

Cute As A Button, Marta R. Finkelstein

Theses and Dissertations

Cute As A Button explores powerlessness, vulnerability, illness and addiction all wrapped up in tender buttons and a cute, cuddly creature. Using animation, sculpture, sound and an intimate space, I surround the viewer in a saccharine nightmare, one that references the dark underbelly of the cute and the sweet. The visual and aural elements are representative of the psychological and emotional states of powerlessness, which are overcome by the act of making and exploring a medium over which I can have complete control.

Sub, Counter And Someothers, Tim Bearse Jul 2010

Sub, Counter And Someothers, Tim Bearse

Theses and Dissertations

Textual accompaniment to the exhibition Blizzard Skitch. This thesis discusses parallels between body cognition in skateboarding and object cognition in sculpture and architecture.

Eighteen Hundred And Froze To Death, Cognets Nicholas Des May 2010

Eighteen Hundred And Froze To Death, Cognets Nicholas Des

Theses and Dissertations

Essay to accompany MFA thesis exhibition for the Department of Sculpture and Extended Media.

The Adventures Of A Young Artist, And The Promise Of The Digital Culture In Art, Jonathan Marshall Jan 2010

The Adventures Of A Young Artist, And The Promise Of The Digital Culture In Art, Jonathan Marshall

Theses and Dissertations

An analysis and explanation of my reasons for working in video, painting and drawing, and sculpture, considering the technological developments of the past decade; the possibility to use the internet as a distribution tool for works of art, and to shift the decision-making balance of the art-world; the ways that this approach is a democratic format for output in the arts and within communities of artists; an explanation of my studio practice while a graduate student at Virginia Commonwealth University.

Collapse, Mia Feuer May 2009

Collapse, Mia Feuer

Theses and Dissertations

Through large sculptural works that are often caricatures of representational objects, my work explores the complicated moments and tangled histories of childhood Jewish schooling in Winnipeg and travels to Israel and Palestine as an adult. My thesis exhibition Collapse, as well as most of my graduate work, examines my investigation through manmade constructions that control and restrict or unite and connect the movement of others. Sculptures about a destroyed bridge’s imagined longing for exotic places, a giant onion serving as a resuscitation mechanism against tear gas or a construction crane to Armageddon are some examples of work that explore ...

Bounded Surface, Emilie Sayward Brown Jan 2008

Bounded Surface, Emilie Sayward Brown

Theses and Dissertations

The relationship between surface, perception, and structure has occupied my graduate studies. Locating, transforming, and transcending the surface requires play with perceptive abilities not only of vision, but of touch, hearing, and the other senses as well. How do the interactions of sense with the qualities of a surface determine our perception of the world? What role does the extension of the senses play in one's ability to perceive surface and structure? Using sense information gleaned from surfaces, the tectonics of our world are made visible. Might this relationship be played backwards as well? Composed structures produce surfaces upon ...

On Zeitgeist, James Sham Jan 2008

On Zeitgeist, James Sham

Theses and Dissertations

This thesis is an exploration into the possibilities and repercussions of articulating zeitgeist, that is, the spirit of our current age. The parameters and ramifications of such a project are, in this writing, analyzed in reference to the notion of historicity, and the narrative gaze that it perpetuates. The mechanism of canonization, and a discourse's capacity to be viral are examined.

Spark Gap, Lillian Cox-Richard Jan 2008

Spark Gap, Lillian Cox-Richard

Theses and Dissertations

"Spark Gap" is an invisible electrical force made visible in spaces between things. This usually describes the space of air between two conductors; a non-conductive gap in an otherwise complete electric circuit, across which a quick luminous disruptive electrical discharge occurs. This interstitial space is the distance between two ideas, arced with a running leap. The arc can also be the difference between two things, a gap that becomes apparent only when the two are held in close proximity. In my thesis exhibition, "Spark Gap," a sea urchin shaped orb sits atop a tower of ladders. The orb is broken ...

One Hundred And Fifty Percent Elasticity, Eli Mikael Kessler Jan 2008

One Hundred And Fifty Percent Elasticity, Eli Mikael Kessler

Theses and Dissertations

The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal.

Funnel Vision, David Grainger Jan 2008

Funnel Vision, David Grainger

Theses and Dissertations

This paper will talk about the videos and sculptural installation in my thesis exhibition. Shooting videos outside of the studio developed into a project overarching any individual video or its particular signs. Thus, this paper will focus on the video project with examples that follow a timeline of development, rather than the actual 6 videos on display in the exhibit. The two-part sculpture "Deer in the Headlights" is created in the context of these videos, and coexists with them in a specific architectural space. This space, as well as the clichéd meaning of the deer's gaze, have a relation ...

Lets Make It Outback Tonight, Michael Douglas Erickson Jan 2007

Lets Make It Outback Tonight, Michael Douglas Erickson

Theses and Dissertations

When I was younger, shortly after my father died, my mother bought me a t-shirt that I loved and wore till it was worn out. On the shirt there was an image of a man, strapped into an electric chair, holding pieces of bread in each hand. A sign above him read, "Making the best of a bad situation." That statement became a mantra I held onto in the early years after my father's death. It still guides my personal philosophy---humor is key to survival. Particularly a type of humor that celebrates the fact that "shit happens", while highlighting ...

Breadfruit Fantasies, Matthew Steven Spahr Jan 2007

Breadfruit Fantasies, Matthew Steven Spahr

Theses and Dissertations

Breadfuit is a strange thing. It's a starchy potato-like sustenance not particularly noteworthy by most accounts. But it's history is amazing, an epic journey. Relocated from the Samoan island of Upalu to Oahu, Hawaii in the 12th Century as well as transplanted from Tahiti, as an economical food source for slaves in the West Indies in 1780 the lowly breadfruit has been held in the hands of Fletcher Christian, Captain Bligh, James Cook, King Kamehameha and innumerous other nameless individuals including Matt Spahr. This fruit contains the weight of colonialism, capitalism, exploration and tropical fantasy under its skin ...

One Million Paintings 2005-2007: A Thesis, Jared Lindsay Clark Jan 2007

One Million Paintings 2005-2007: A Thesis, Jared Lindsay Clark

Theses and Dissertations

I assist discarded collectives of objects to volunteer themselves for inclusion into the privileged legacy of flatness – assuring them they can be transformed into Painting. Reducing my interventions - often to mere arrangement - respects the possibility of this transformation while frankly retaining the objects' original functional identities. Every surface of any object is a readymade painting – especially flat ones. By stacking objects and aligning their surfaces on one privileged side into a flat mega-surface, I am composing and collaging – even building – a painting. With my amateur interest in German I latch upon the double meaning of "Bild" to title my objects ...

Seeing It Straight, Heather Harvey Jan 2007

Seeing It Straight, Heather Harvey

Theses and Dissertations

This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the ...

Last Stand At Big Thunder Mountain, David Herbert Jan 2006

Last Stand At Big Thunder Mountain, David Herbert

Theses and Dissertations

I seek to pose questions about what people overlook or don't consider when viewing art in order to interpret what they see. When working on a project, I purposely retain the effect of my hand. The false crudeness is enhanced by my use of seemingly impoverished materials. This is akin to seeing the fishing wire holding up the miniature spaceship as it flies through the sky. This document was created with Microsoft Word XP.

Dirty Laundry, Mona Mullins Williams Jan 2006

Dirty Laundry, Mona Mullins Williams

Theses and Dissertations

Making art is cathartic for me. Working in a visual medium allows me to communicate ideas and feelings that I would find difficult to express in words. I use a wide variety of traditional and non-traditional materials as symbolic elements in my work. While the pieces are not always pretty, my goal is that they contain an element of irony and humor which helps us laugh at ourselves.

Out Of Body, Alessandra Lee Michelle Torres Jan 2006

Out Of Body, Alessandra Lee Michelle Torres

Theses and Dissertations

This thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evolve.

Forging Space, Chance Burdick Liscomb Jan 2006

Forging Space, Chance Burdick Liscomb

Theses and Dissertations

I naturally like sculpture. My artistic medium of choice is sculpture because it occupies physical space commands attention and thought. The expressive qualities found in steel are numerous as they are in manipulation of found materials. Both materials involve a process of discovery on an evolving road towards any sculpture's ultimate conclusion. My primary goal is that my sculpture should be personal and capture the viewer's eye, stir his or her subconscious, and serve as a form of communication.

The Other Side Of The Fence, Benjamin S. Jones Jan 2006

The Other Side Of The Fence, Benjamin S. Jones

Theses and Dissertations

I pull from what I see in my urban surroundings. There is always a sense of dread fused with optimism that prevails. Is it beautiful? Fragments of low-riders and tricked-out cars become symbols of desire and the glowing red lens of a stop light becomes a Cyclops poised to defend his garden. Candy-coated, blooming, dripping and seductively slick confronts you with the obvious warning: STOP! You could be next… …The grass really is greener on The Other Side of the Fence. At least until winter comes.

Terra Incognita, Miriam Ellen Ewers Jan 2006

Terra Incognita, Miriam Ellen Ewers

Theses and Dissertations

Process Art: A Dialectic Between Intention Versus AccidentThe Art Studio as an Experimental LaboratoryThe Artist's UnknownImagined ArchitectureSubterranean Architecture: Natural and Man-MadePirenesi's Carceri PrintsGaudi's Architectural ModelsSelf-Reflexion and the Subconscious in Art-MakingArt and Ecstasy