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Full-Text Articles in Art and Design
Elsewhere: In Defense Of Daydreaming, Alex Braden
Elsewhere: In Defense Of Daydreaming, Alex Braden
MFA in Visual Art
Much like music, organic life is an absurd, improbable, and serendipitous instance. I set circular, electric, acoustic, and magnetic forces in motion and allow them to coalesce freely in the hopes of synthesizing unexpected moments of beauty, connection, and harmony.
Resonance Of The Unseen, Dung Thi Thuy Nguyen
Resonance Of The Unseen, Dung Thi Thuy Nguyen
Senior Projects Fall 2023
in the moment
playful
in memory of
learning
altogether
Thuy-Dung (Julius) Nguyen's exhibition, 'Resonance of the Unseen,' confronts the sensory saturation of contemporary life by elevating the unobserved aspects of perception. Through sound, scent, and touch, this immersive installation encourages a rediscovery of the elemental experiences of life. The show illuminates the concept of absence, not only as something lacking but as an integral part of the sensory narrative, inviting a deeper resonance with the world.
Is It Real?, Hana Al-Saadi
Is It Real?, Hana Al-Saadi
Masters Theses
The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.
As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.
Yellow, Sisi Chen
Yellow, Sisi Chen
Theses and Dissertations
The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.
Murmur/Murmuro, Paola M. Di Tolla
Murmur/Murmuro, Paola M. Di Tolla
Theses and Dissertations
By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.
Place Accumulation: Kingston/Ulster, Callan F. Fish
Place Accumulation: Kingston/Ulster, Callan F. Fish
Senior Projects Spring 2018
Since February 2018, I’ve been listening and recording around Kingston and the town of Ulster; synthesizing interviews, bird song, passing cars, protests, conflict, unique perspectives and oral histories, meetings, optimisms, water, as part of a project called, Place Accumulation: Kingston/Ulster. Using the Dynamic Listening Instrument, an interactive sound sculpture which uses a venn-diagram of electromagnetic fields to allow sounds to be handled as a tactile entity and bended dynamically, sounds are arranged and dispersed back into different locations and events in Kingston. Using a sounding bucket, people in Kingston can listen in, re-arrange, explore, and play with sounds from their …
Laminated Paint, Travis R. Austin
Laminated Paint, Travis R. Austin
Theses and Dissertations
Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.
Fear And Nostalgia In Immigration, Daniel A. Matthews
Fear And Nostalgia In Immigration, Daniel A. Matthews
Theses and Dissertations
Fear and Nostalgia in Immigration is a project that uses re-occuring memory and experiential memory to help us understand our common histories. The projects asks individuals to first share a re-occuring memory by writing it on a chalkboard. The next step is to then write an experiential memory about immigration, this can be a story you might have heard or it could be something from your own family history. These two tasks are done on a communal table where several individuals are engage in the same task at the same time. This aim of this exercise is to have something …
A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams
A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams
Theses and Dissertations
A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the object-among-objects as the phono-present stretches the discursive …
Light Sensitive, Andrew Thompson
Light Sensitive, Andrew Thompson
Electronic Theses, Projects, and Dissertations
I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …