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Art and Design Commons

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Full-Text Articles in Art and Design

Tygr 2001: A Literary & Art Magazine, Jill Forrestal, Anna J. Street May 2001

Tygr 2001: A Literary & Art Magazine, Jill Forrestal, Anna J. Street

TYGR: Student Art and Literary Magazine Archives (1985-2017)

TYGR is the student art and literary magazine for Olivet Nazarene University.

[Historical Muse] William Blake -- The Tyger

[Historical Muse] Franz Kafka -- The Tiger


Commonthought Vol.Iii (2001), Commonthought Staff Apr 2001

Commonthought Vol.Iii (2001), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts


Zephyr: The Second Issue, Zephyr Faculty Advisor, Matthew Bibeau, Danielle Chabot, Tiffany Cherry, Ernie Cote, Lisa Curtiss, Ryan Eling, Richard Goddeau, Judith Haug, Andrew Shuttleworth Apr 2001

Zephyr: The Second Issue, Zephyr Faculty Advisor, Matthew Bibeau, Danielle Chabot, Tiffany Cherry, Ernie Cote, Lisa Curtiss, Ryan Eling, Richard Goddeau, Judith Haug, Andrew Shuttleworth

Zephyr

This is the second issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.


Beauty, Truth, And Fact : Photography In 1930s America, Nora Eccles Harrison Museum Of Art Jan 2001

Beauty, Truth, And Fact : Photography In 1930s America, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Contemporary theory and criticism of photography has generally taken the form of a face-off between formalism and contextualism. The first postion contends that what is required to understand a photograph is prmarily a close examination of its formal structure, the ability to connect it to other art forms, and perhpas some knowledge of the artist's biography and intentions. The second position holds that photographs have no meaning outside of the scoial and political context of their making. For the most part, these positions have been hardened and adversarial.