Art and Design Commons^™

The Old One And La Mer, Karter Tod Bernhardt

Undergraduate Theses, Professional Papers, and Capstone Artifacts

No abstract provided.

Illustrated Choreography Of Spirals, Kasey Britt

Selected Undergraduate Works

This independent project was created for the yearlong Anatomy component class in Dance. The author utilized movement practice, viewing video recordings, anatomical study and analysis, sketching and drawing, to develop and produce a detailed visual representation of Spirals, choreographed by Irene Dowd © 1991.

Spirals is a complex and comprehensive warm up and cool down choreographic sequence for dancers, built upon functional anatomy and neuromuscular training principles. During the fall semester and for the first eight weeks of the spring semester, the author learned and refined their performance of this material, as well as making anatomical drawings and engaging in …

C Reverse For Care, José Luis Chardiet

Senior Projects Spring 2016

José Chardiet

April 2016

C Reverse for Care is organized in a five part care cycle: Wash, Rinse, Spin, Dry, and Wear. The piece is a study in reversibility. It is an effort to learn, to understand what it means to care, and an effort to try to achieve reciprocal balance in any relationship, whether it is with a family member, a partner, or a friend.

The staging is designed for circular movement, suggesting a cycle that is repeated after completion. The spacial structure of the piece is based on the shape of the white ginger lily, the national flower …

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …