Art and Design Commons^™

Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams

Criticism

Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …

Ingredients For An Invisibility Cloak Or A Blindfold, Laine Knowles

Theses/Capstones/Creative Projects

An artist book is an art object that expressly utilizes the linear, time-based form of a book in a way that will best serve the artist’s intentions. The contents of this 16 page book are an expansion of the ideas and themes in my BFA thesis show. This will include original writing, drawings, watercolor paintings, prints, and collaged elements that will inform each other artistically. The title of this art book refers to the circumstances and ideas that inform my sense of self-perception, and how I relate to others.

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

Ipseity Vol. 1: An Artful Exploration Of Identity Formation In Emerging Adulthood, Lauren Alexis Taylor

Honors Theses

Ipseity is a multi-edition coffee-table style book that integrates digital and print design and incorporates handmade elements and processes such as die-cuts, letterpress printing, gold foiling, hand-sewn bindings, and embroidery. Its design is rooted in minimalism, yet the handmade aspects, eye-catching color palette, and bold illustrations make reading Ipseity a visual and tactile experience. The design utilizes typography and flat-color illustrations in a consistent layout, with a strong emphasis on the handmade elements and craftsmanship throughout the book. It is not only a publication to read and ponder, but it is an artful object with a physical presence to be …

Explorations In Book Binding Techniques, Kristen Faux

Williams Honors College, Honors Research Projects

This project is to explore different binding methods and techniques used in book creation. The final product will be 4-5 books created using the binding methods. The contents of these books will be research about the methods used as well as a description of the creation process. The final books will be displayed in the Projects Gallery at the Myers School of art, in the Fall semester of 2019.

Technology And The Printed Book: Pursuing A Holistic Human Experience With A Sacred Text, Rachel Dugan

Masters Theses

There exists a sort of gravitas attached to a book that is printed and bound by hand that gets lost on the production line. When holding a hand-printed (or hand-written), hand-bound codex next to a mass-produced book, there is between the two a visible and tactile difference in quality and harmony between form and content. With the modern technological advancements now available, how can the craftsmanship and beauty — the gravitas — evident in books of the past be replicated in a way that is aesthetically pleasing, harmonious in message, and reflective of the present time? As objects, books are …

Field Guide, Madeline Helland

Scripps Senior Theses

Field Guide is a mixed-media artist book detailing the exploration of a fictitious culture through cartography, narrative, and illustration. It is presented through the lens of an amateur archaeologist, navigating a chain of islands to search for ruins and artifacts. In part, the project is focused on the fantasy of an imagined world. The island chain is a place entirely of my own creation. By creating the viewpoint of an outside explorer, it was possible to navigate through this world. Although I, as the artist, can know everything about this fictitious world, adopting the perspective of someone distanced by time …

Florentine Bookbinding And Restoration, Emily Erin Purcell

Senior Theses

Florence, Italy is a hub for art and literature. These two disciplines come together in the tradition of bookbinding, which is alive and well in Florence. A city that appreciates its own rich culture, Florence maintains many traditional practices and crafts, such as bookbinding and metalworking. The Florentines preserve more than just practices, though. The numerous museums in Florence work to physically protect and store pieces of art, artifacts, and documents. All of this preservation was challenged in 1966, with the flood of Florence’s Arno River. The flood destroyed countless manuscripts, books, and pieces of art. With this devastation, a …

The Collins: W. Collin, Court Bookbinders & Ernst Collin, The Author Of The Pressbengel, Peter D. Verheyen

Libraries' and Librarians' Publications

The Berlin-based firm of W. Collin led by Wilhelm and Georg Collin and the antiquarian, author, and editor Ernst Collin were among the leaders in German bookbinding trade and writings about the trade from the mid-1800’s into the mid-1930’s. During that same time, bookbinding experienced many transformations, as well, moving from a trade practiced in smaller master-run shops to large industrial firms, including changes in materials, book structure, aesthetics, and overall business climate with concerns about quality and business opportunities. As court bookbinders to Prussian Kings and German Emperors, the firm of W. Collin was privileged with access to commissions …

The Bone Folder By Ernst Collin (2nd Ed.), Peter D. Verheyen, Ernst Collin

Libraries' and Librarians' Publications

DER PRESSBENGEL / THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. The family and bindery of W. Collin were Court Bookbinders in Berlin from the mid 1800 until the "liquidation" of the …

Early American Bookbinding In Brigham Young University's Special Collections, Kylie Ladd

Student Works

Bookbinding is a tradition that began in America before America itself. The earliest identified binder was John Ratcliff, who came to Boston from England about 1662. In fact, bookbinding preceded printing in America – the first (anonymous) binding was completed in 1636, and the first printer didn't appear until two years after that. Save for a few major figures, most binders and the bindings they completed remain anonymous, identifiable only by the style of decoration. In this paper will attempt to study the characteristics and traditions of early 19th century publishers and book binding through a case study of a …

Paper Spine For Thin Volumes, Donia J. Conn, Department Of Preservation And Conservation

Libraries' and Librarians' Publications

Similar in concept to the Molded Paper Spine, this treatment is intended for materials in the collection printed before 1800 in which the text block is less than 1cm thick. The technique comes from Frank Mowery at the Folger Shakespeare Library.

Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky

Libraries' and Librarians' Publications

Interview of Peter D. Verheyen by Richard Minsky. Peter Verheyen, conservator, bookbinder, and creator of the Books Arts Web, discusses the current state of book arts. Although he creates impeccable fine bindings that have won international awards, Peter Verheyen's huge contribution to the field of book art has little to do with making or conserving physical books. His magum opus is the Book Arts Web (philobiblon.com), the main location on the Internet for book art information and resources, from online exhibitions to tutorials, opportunities, blogs, and reference materials.

Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky

Peter D Verheyen

Interview of Peter D. Verheyen by Richard Minsky. Peter Verheyen, conservator, bookbinder, and creator of the Books Arts Web, discusses the current state of book arts. Although he creates impeccable fine bindings that have won international awards, Peter Verheyen's huge contribution to the field of book art has little to do with making or conserving physical books. His magum opus is the Book Arts Web (philobiblon.com), the main location on the Internet for book art information and resources, from online exhibitions to tutorials, opportunities, blogs, and reference materials.

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Peter D Verheyen

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation.

"Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Libraries' and Librarians' Publications

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation. "Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Libraries' and Librarians' Publications

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation.

"Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …

The Bone Folder By Ernst Collin, Peter D. Verheyen

Peter D Verheyen

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER

By Ernst Collin, translated and introduced by Peter D. Verheyen

Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

The Bone Folder By Ernst Collin, Peter D. Verheyen

Libraries' and Librarians' Publications

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

Der Gebrochene Rücken: A Variation Of The German Case Binding, Peter D. Verheyen

Libraries' and Librarians' Publications

The “gebrochene rücken” is variant of the German case “Bradel” binding, something often described as the quintessential German binding structure. It is precise and adaptive to a variety of needs and aesthetic considerations can be worked “in boards” or as a case. Its closest modern relative is the simplified binding (reliure simplifée) as demonstrated by Sün Evrard and Laura Wait. While there are structural differences (that are not as great as one would think given that one is German and the other French), what both these bindings have in common is that they allow for the use of different covering …

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Peter D Verheyen

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008.

"The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Libraries' and Librarians' Publications

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008. "The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …

Member Profiles: Karen Hanmer And Peter Verheyen, Peter D. Verheyen, Karen A. Hanmer

Peter D Verheyen

This is the second in a continuing series of interviews of Guild members. Current and former Exhibitions Chairs Karen Hanmer and Peter Verheyen met at Standards in Chicago in 1999. She never dreamed his subliminal messages would entice her from making “freaky-foldies” to become a binder. He never suspected she would attempt to seduce him to the other side with odd examples of vaguely book-like ephemera. They share an appreciation of fine craft, spare design, and excessively robust (read Teutonic) endsheets.

Member Profiles: Karen Hanmer And Peter Verheyen, Peter D. Verheyen, Karen H. Hanmer

Libraries' and Librarians' Publications

This is the second in a continuing series of interviews of Guild members. Current and former Exhibitions Chairs Karen Hanmer and Peter Verheyen met at Standards in Chicago in 1999. She never dreamed his subliminal messages would entice her from making “freaky-foldies” to become a binder. He never suspected she would attempt to seduce him to the other side with odd examples of vaguely book-like ephemera. They share an appreciation of fine craft, spare design, and excessively robust (read Teutonic) endsheets.

William Anthony Fine Binder, Peter D. Verheyen

Peter D Verheyen

William “Bill” Anthony (1926-1989) was arguably one of the most influential bookbinders and conservators in the US. His impact cannot be measured by his work alone but also by his legacy as demonstrated by all those he trained, many of whom are now leaders in the field in their own right. Lawrence Yerkes’ forward and Helen Ryan’s introduction to the catalog describe not only Anthony’s life and work, but also the emotional bond they had with him and his spirit that touched so many.

William Anthony Fine Binder, Peter D. Verheyen

Libraries' and Librarians' Publications

William “Bill” Anthony (1926-1989) was arguably one of the most influential bookbinders and conservators in the US. His impact cannot be measured by his work alone but also by his legacy as demonstrated by all those he trained, many of whom are now leaders in the field in their own right. Lawrence Yerkes’ forward and Helen Ryan’s introduction to the catalog describe not only Anthony’s life and work, but also the emotional bond they had with him and his spirit that touched so many.

Millimeter Binding / Edelpappband, Peter D. Verheyen

Libraries' and Librarians' Publications

What we call the “millimeter” binding in North America is a “nobler” version of the German “pappband,” or paper binding, hence the name “edelpappband.” The technique is based on the German case (Bradel) binding which is covered in paper. What distinguishes the technique is that cloth, leather, or vellum trim is added to the head and tail, foredges, and/or corners for greater durability, making the book more elegant at the same time. This article describes how to complete a binding using this technique.

Bringing Us Together / Getting Us Out, Peter D. Verheyen

Peter D Verheyen

The past five years have seen an explosion in the use of the Internet by book artists both as a tool for communication and as a means of publicizing their work. Not quite as rapidly, but steadily nevertheless some formerly traditional book artists have left the confines and limitations of hot type on damp paper to explore the creation of "books" which can only exist in digital form. In this presentation, I will explore how both book artists and the book arts represent themselves using digital media and what I see as some of the implications for the ways in …

Bringing Us Together / Getting Us Out, Peter D. Verheyen

Libraries' and Librarians' Publications

The past five years have seen an explosion in the use of the Internet by book artists both as a tool for communication and as a means of publicizing their work. Not quite as rapidly, but steadily nevertheless some formerly traditional book artists have left the confines and limitations of hot type on damp paper to explore the creation of "books" which can only exist in digital form. In this presentation, I will explore how both book artists and the book arts represent themselves using digital media and what I see as some of the implications for the ways in …