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Full-Text Articles in Art and Design

Save The Trees. Save Humanity., Lindsey Davis Jun 2019

Save The Trees. Save Humanity., Lindsey Davis

The Goose

Visual art by Lindsey Davis


Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau Jun 2019

Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau

The Goose

Editorial introduction to the special issue on environmental art and activism, The Goose, volume 17, issue 2 (2019).


Giiwe, Skyler Kuczaboski May 2019

Giiwe, Skyler Kuczaboski

I2

No abstract provided.


Displaced, Charlene Browne May 2019

Displaced, Charlene Browne

I2

No abstract provided.


Cempasuchitl, Jennifer Lopez May 2019

Cempasuchitl, Jennifer Lopez

I2

No abstract provided.


The Anti-Yellow Agenda, Karen Zheng May 2019

The Anti-Yellow Agenda, Karen Zheng

I2

No abstract provided.


Darwin Or Frankenstein?, Sylvia S. Santamaria May 2019

Darwin Or Frankenstein?, Sylvia S. Santamaria

University of New Orleans Theses and Dissertations

Through sculpture and drawing, I create my own versions of natural specimens primarily based upon the visual unity of disparate organisms. Invented specimens are composed using a variety of processes employing a mixture of atypical materials following the (20th, 21st century) Postmodern shift away from formalist and traditional uses of any singular medium. As well as a variety of art materials, the specimens are hybrids of organic and biomorphic elements, blurring boundaries between botanical, animal, fungal, metal, and mineral. Is my approach perhaps like Charles Darwin, observant and studious naturalist, or am I more like Dr. Frankenstein, science ...


A Tale Of Two Dogs Fine Art Exhibit, Jeff Harris May 2019

A Tale Of Two Dogs Fine Art Exhibit, Jeff Harris

Electronic Theses and Dissertations

The purpose of this paper is a formal examination of the fine art exhibit titled A Tale of Two Dogs by Jeffrey A. Harris as a partial fulfillment of requirements for a Master of Fine Arts degree from Stephen F. Austin State University.

By examining the multiple established points of view within his artwork, the author questions these establishments and asks if this approach leads to a relevant way of seeing. Using expanded polystyrene foam as a sculpture medium, a series of artworks created during the MFA research process are conceptually analyzed to explore the value of maintaining a multiplicity ...


Forgotten, Megan Mishler May 2019

Forgotten, Megan Mishler

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.


A Vestige Of The Ultimate Force Of Time And Space, Jiyoung Megan Lee May 2019

A Vestige Of The Ultimate Force Of Time And Space, Jiyoung Megan Lee

Bachelor of Fine Arts Senior Papers

This art statement is rooted in an idea that the existential quality is independent of absence and presence (synonymous to appearing and disappearing, and real and recognition) and distilled physicality of human body creates a parallel relationship between the two. In search of a proof and logic for articulating the central idea, –that the absence does not define evanescence of existence— the application of physical interactivity in my art, also known as relational aesthetic, enables the work to invite viewers in a way that the interactors leave their traces by physically interacting with the work. These individual traces are eventually ...


Dialogical Practice, Meenakshi Jha May 2019

Dialogical Practice, Meenakshi Jha

Graduate School of Art Theses

Within an interdisciplinary and dialogical practice where process is as significant as final form/s, I delve in matters not to resolve but to explore them. Digging deep in my studio practice over my philosophical yearnings to talking loud and clear about my life in performances, I venture out in the geographical expanse to connect with self and others. In fact, the more I practice my craft, I feel a lesser and lesser gap between my ‘self’ and others. The walk outwards brings me closer to my internal realizations as a human being. In short, my practice is based on ...


Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, Rylie Walter May 2019

Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, Rylie Walter

Bachelor of Fine Arts Senior Papers

Plastic has become ubiquitous in the oceans. Although a convenient and cheap way to distribute goods around the world, plastic is also a leading cause for the death of many marine ecosystems. Walter explores her personal connection to the ocean, researches the relationship between plastic pollution and the ocean, and examines art as a means for inciting social change to protect and restore ocean environments. By using plastic as her main material for making art, Walter transforms the material from one that harms into one that can be calming and peaceful, while still representing the destruction it causes.


Downing, Joseph Dudley, 1925-2007 (Sc 3428), Manuscripts & Folklife Archives May 2019

Downing, Joseph Dudley, 1925-2007 (Sc 3428), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3428. Letter to WKU faculty member Frances Richards from artist and Kentucky native Joe Downing, Paris, France, regretting his inability to see her during a 1962 visit to Bowling Green, Kentucky. Includes various notices and catalogs of Downing’s art exhibits.


Stories Untold: Art From Syria, Manas Ghanem May 2019

Stories Untold: Art From Syria, Manas Ghanem

New England Journal of Public Policy

In Damascus, a group of artists created paintings of startling intensity, rich in texture and bold to the eye, suffused with light and reflecting alternate realities: the resilience of a highly cultured people with a civilization of seven thousand years and a history of survival and reinvention. While the machines of war produced death, amid the blood and terror, the devastation and savagery, these artists produced images of hope and beauty that were brought together in an exhibition held in Athens and other parts of Greece. The paintings that accompany Ghanem’s article, “Stories Untold: Art from Syria,” also the ...


Keith Haring: Silence = Death, Nellie Jalalian May 2019

Keith Haring: Silence = Death, Nellie Jalalian

Student Scholar Symposium Abstracts and Posters

The American aids crisis is one of the most important epidemics of the contemporary world, yet many americans do not know the severity of the crisis or the true lasting effects on recent society. In my project I will go over personal accounts of individuals directly affected by the illness, like famed artist Keith Haring, to give it a more human perspective. I will also reflect on the art that was created at the time, and how that was reflective on the people affected. Aids is an immunodeficiency virus that has been proven difficult to diagnose in the early on ...


Zitrone, Chase Roy Young May 2019

Zitrone, Chase Roy Young

Theses and Dissertations

The purpose of this thesis paper is to describe the elements and narrative associated with the exhibition, Zitrone, as well as the conceptual and theoretical ideas influencing the work. The exhibition is centered around an invented singular historical object in the form of a vehicle, and a museum display of artifacts, documents, and recreations intended to validate the existence of the central subject. Drawing on the work of artists Marcel Broodthaers, Damien Hirst, and David Wilson in conjunction with theoretical writings of Dave Hickey and Lewis Hyde, the exhibition seeks to address the perception and presentation of history as absolute ...


Seeing Through Feeling, Christopher Mitchell Rodgers May 2019

Seeing Through Feeling, Christopher Mitchell Rodgers

Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value ...


Finding Balance, Quinn Maher May 2019

Finding Balance, Quinn Maher

All Graduate Plan B and other Reports

Exhibition Statement

Finding Balance is my exploration into the relationship between form, firing, and utility.

In the studio I pay close attention the silhouette of each piece, looking for strong continuous lines in both the positive and negative space accentuating the volume created on the potter’s wheel. I spend time with each piece combing the surface to create texture and reveal the course particles below the surface. As I apply white slip to this textures surface, the high points allow the fluid slip to break and pool in recessed areas creating a layer of depth and variety. The white ...


Cedarville Review Artist Spotlight: Savannah Hart, Savannah L. Hart, Abigail C. Wisser Apr 2019

Cedarville Review Artist Spotlight: Savannah Hart, Savannah L. Hart, Abigail C. Wisser

Cedarville Review

No abstract provided.


How To Build A Worldview, Abigail C. Wisser Apr 2019

How To Build A Worldview, Abigail C. Wisser

Cedarville Review

No abstract provided.


Cedarville Review Artist Spotlight: Miranda Dyson, Miranda Dyson Apr 2019

Cedarville Review Artist Spotlight: Miranda Dyson, Miranda Dyson

Cedarville Review

No abstract provided.


A Study In Vulnerability, Sarah V. Harris Apr 2019

A Study In Vulnerability, Sarah V. Harris

Cedarville Review

No abstract provided.


Fighting For You, Sarah Harris Apr 2019

Fighting For You, Sarah Harris

Cedarville Review

12 X 9 X 7 in. ea. Wood, Acrylic, Fabric


Strong, Firm And Steadfast, Joy Prichard Apr 2019

Strong, Firm And Steadfast, Joy Prichard

Cedarville Review

Drypoint Print

Edition 5/6


From Lace To Chains. The Making Of A Print, Alison G. Stewart Apr 2019

From Lace To Chains. The Making Of A Print, Alison G. Stewart

Zea E-Books

How have printed works of art changed over time? Do printmakers today work with the same materials and techniques that printmakers used centuries ago? And does printmaking involve the same motivations, concerns, or methods of distribution today as it did in the past?

These were questions asked by University of Nebraska–Lincoln students in a history of prints class in the School of Art, Art History & Design taught by Hixson-Lied Professor of Art History Alison Stewart during fall semester 2018. For this curatorial project, students selected one set of old master prints (pre-1850) and one modern (post-1850) print from Sheldon ...


Female Expression In Hispanic Art, Kristine Reynardus Apr 2019

Female Expression In Hispanic Art, Kristine Reynardus

Library Research Scholars Program 2018-2019

I explored female representation in Hispanic/LatinX Art through transcending multiple means of understanding. I provided the historical context of the artist along with relevant biographic information that likely informed their artistic style, whether that be family history or places of study. Another dimension would include the visual representation of the artist’s work. The way I imagine these coming to life would be through mini galleries of well-know and lesser known works of the artist. The last component of the project would be what ties all of this information together: making it a map of the Americas! An early ...


The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day Apr 2019

The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day

Steeplechase: An ORCA Student Journal

No abstract provided.


Entangled, Katherine Cox Apr 2019

Entangled, Katherine Cox

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate ...


Awakening From A Dream, Liam Reading Apr 2019

Awakening From A Dream, Liam Reading

Honors College

I have created a hand-bound book of copper etchings and poetry called Awakening From A Dream. This project consists of over thirty handmade, printed, and illuminated plates that symbolize an introspective journey through the mind and out the other side. What begins with a looming existential dread transforms into an acceptance for the patterns of creation and destruction. Self-pity and fear of facing the unknown are met with delving deep into the recesses of the mind in order to reconcile my waking life with my nightmares. This is a process of overcoming heartbreak and depression, and becoming self-actualized. In no ...


The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik Apr 2019

The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik

Senior Theses and Projects

The curiosity of everyday objects looms large in every human’s life. And naturally, these objects are almost as diverse in character as the person who bought them. This variation can be in style, period, shape, origin but also in the arrangement it is given in relation to other objects or persons in a space. On one level, the objects we surround ourselves with are meaningless, purely functional, utilitarian and banal. Especially on a budget, one may not consider aesthetic or design issues at all and purely buy a toaster because they want toast. Why would one buy a SMEG ...