Art and Design Commons^™

Please Read, Joseph W. Anthony-Brown

Theses and Dissertations

This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.

Benjamin Edwards In The Information Age, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Bakery Quality (Tie-Dye And Zebra Cake), Matt Drissell

Pro Rege

No abstract provided.

Landscape In A Dream, Jake Van Wyk

Pro Rege

No abstract provided.

Country Fresh (Mint Chocolate Chip Ice Cream), Matt Drissell

Pro Rege

No abstract provided.

Oak Grove Tree, Jake Van Wyk

Pro Rege

No abstract provided.

Fruiticious Swirls - Diptych, Matt Drissell

Pro Rege

No abstract provided.

Celebrating Life, Denouncing Human Violence, Peter London

Artizein: Arts and Teaching Journal

Essay enticingly brings to our view the painter Seymour Segal, as artist who admits the viewer unabashedly into the "discomfort, the danger ... of the protagonist or event taking place."

Kentucky Folklife Program - Artists (Fa 743), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archive Project 743. This collection contains information relating to the various artists involved with the Kentucky Folklife Program. Many of the artists included in this collection participated in programs offered at, but not limited to, the Kentucky Folklife Festival, Made to be Played Exhibit, apprenticeship programs, and survey or fieldwork that was conducted by the Kentucky Folklife Program. Artists included musicians (gospel, blues, bluegrass, banjo, thumbpicking guitarists, and singing) to traditional artists (painting, quilting, storytelling, basketmaking, and instrument making). The collection also includes musical groups and places relating to artists and art forms. The collection …

Studying Light And Color In Tuscany, Marissa Stanton

Honors Scholar Theses

I will conduct research about color, light, and atmosphere in a series of realistic landscape paintings. I will also write poetry and prose to narrate how I respond to my environment, and to reflect upon my work and how it is developing in that atmosphere. I will visit both Renaissance and contemporary museums and galleries. This will help me to learn more about the pluralistic culture in Italy, and how the dialogue between the old masters and new thinkers might function in my own work. Afterward, I will continue to develop my research by creating a final series of paintings …

A Step Of Two Or The Pas De Deux, Molly A. Hoisington

Masters Theses

The second part of a two-part MFA Thesis presentation, this paper distills the content from the preceding exhibition A Step of Two or The Pas de Deux: an installation of paintings, drawings and projected video. It touches on various themes that surround [well researched] ideas about perception, dissociation, the gaze, and relationships. Most of all, this paper and the body of work it describes is about the visual representation of a sensual understanding of the world.

Transmutation: One Thing Becoming Another, Price Hall

Electronic Theses, Projects, and Dissertations

My art emerges from decades of the experience of building myself, sensitively aware of accumulated experience and the weight of accrued memory. Responding to this life I so deeply appreciate the longer I live, as sculptor, painter and poet, I merge these individual aesthetic observations into a layered work of many reads. Offering poetic observation as a visual sensation beyond the ears’ hearing carried on a field of color connects at some interior emotional level which is absent or very different in the uniformity of type. Time is present in my current work. “Corrugations”, not only in the poetic images …

Make Every Day Count: Longing, Vision, & Painting, Sarah R. Pater

Masters Theses

Images are non-verbal holders of narrative and meaning in Western culture. Historically, painting served this function—a job that we now generally give to digital photography and cinema. One task for contemporary painting, then, might simply be as a self-reflective metaphor for the experience of vision that is mostly lost in photographic technologies: seeing as looking plus touching. Paintings are simultaneously objects and images—corporeal material constructions and visceral illusionary fields. Given the current state of rapid image production, consumption, and instrumentalization, painting’s insistence on singularity and a more ‘composed gaze’—one that asks the viewer to re-read—stands out as significant and potentially …

Landmarks For Sleepwalkers, Isaac S. Howell

Undergraduate Theses—Unrestricted

Abstract:

In my recent work I have been interested in thinking about notions of instability. In order explore these notions, in this paper I will like to explore the relevance of postmodern literary theory and the color black in my work, as well as think about the importance of the grid as a tool for organization and ontological delineation.

I will be examining writing by Alain Robbe-Grillet, as well as art work by Mark Manders, Giorgio de Chirico, Kay Sage, and Ad Reinhardt.

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …

Portrait Of A Mop, Taylor L. Andrews

The Mercury

No abstract provided.

Landscape Painting: A Comprehensive Study Of En Plein Air And Studio Painting, Carly Brock

Summer Research

Landscape painting reflects humankind's perception of the world around it. During the 18th century, most landscapes were idealized scenes that enforced mankind's control over nature. It was not until the end of the 19th century that artists began painting landscapes more subjectively. Through summer research, I was given the opportunity to further explore my own perception of landscape, while comparing the two methods of en plein air ("in the open air") and studio painting.

Path To Phd, Muthanna Yaqoob

The Hilltop Review

This painting depicts two young couples flying in the garden of life on paths of their dreams to reach their goal seen as a bright light in the top right corner of the painting. The couple here resembles myself as a graduate student following my aspirations to graduate and take my PhD resembled in the bright light along with my wife that is my supporter and soulmate.

How To Trace An Erased De Kooning, Ian Gonsher

Scholarly Research

This essay describes a series of paintings made in the early 2000s that investigate art history as a process of sous-rature (under erasure); signified by what is both present and absent in the work.

Flow, Christina G. Collins

The Hilltop Review

No abstract provided.

Little "Sister", Raina Khatri

The Hilltop Review

My mom always called our family poodle my "little sister." Last fall at the age of sixteen she had to be put down, and I was unable to get away from school to be there for her. Instead I took time from my science education PhD work to draw this tribute to her. This portrait, in marker, shows her grey hair, cataracts, and playful stance, even at the end. Life events happen during PhD work, and it is critical to find balance between honoring the past and respecting your future.

Habituated, Jade Valentina Boccia

Senior Projects Fall 2015

Senior Project submitted to The Division of Arts of Bard College.

Polygonal Provocateur, Abigail Daleki

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis calls attention to what we interpret as a painting; an object hung on a wall for decoration, to be looked at, thought about, or just as an interruption to a dull, white surface. Historically, paintings were used in religious practice or to serve utilitarian purpose. Through the years, paintings have become less about content and more about catching the eye, making the viewer think. Paint, on a canvas, stretched over a frame and hung on a wall is, traditionally, a painting. I am focused on challenging that regime. I want to challenge the idea of what a painting …

Depintrix, Samantha Mae Allen

All Graduate Theses, Dissertations, and Other Capstone Projects

My work speaks to the intimacy of individual pleasure. I separate the societal barriers of what private and public pleasure should be. The techniques used convey the same kind of physical consistency of sex. It is wet and sensuous, it is physical. By bringing pornography that is usually consumed in the privacy of one's own home to the public eye, one has to become accustomed to viewing these works with the added pressure of being in a public space. The same ideas follow when using the sexualized photographs of models which are viewed daily and seem to have no response …

Art As A Tool To Communicate Science, Jillian Pelto

Honors College

My thesis explores effective ways to communicate science through art. My main goal is to illustrate significant environmental issues in a way that engages people emotionally, as well as intellectually. Researchers need a means of sharing fascinating things to broaden people’s horizons on science. In order to gain inspiration and ideas, I have researched and discussed a wide range of artists, past and present. This exploration has fueled the content of the body of artwork I have developed throughout this project.