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Articles 1 - 11 of 11
Full-Text Articles in Art and Design
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
Schmucker Art Catalogs
The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.
Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd
Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd
Art Faculty Books and Book Chapters
"On February 24, 1684, Giacomo Borzacchi was given small iron pegs and wooden wedges by the members of the Fabbrica (Building Works) of St. Peter's, "which he needs for the armature that he is making for the horse and statue of the King of France."1 Borzacchi was a kind of handyman-a mason and engineer-who was in the regular employ of the Fabbrica for almost 30 years. His project in 1684, the "armature," must have been the wooden support structure needed to safeguard Gian Lorenzo Bernini's equestrian statue of French King Louis XIV on its long trip to Paris. The previously …
What A Relief! Variations On Printmaking, Augustana College, Rock Island Illinois
What A Relief! Variations On Printmaking, Augustana College, Rock Island Illinois
2015-2016
What (is) a Relief?
Relief printmaking was the first printmaking process invented, and has its origins in seals in China around 255 BCE. At its most basic, one can think of a stamp as a relief print. The artist uses tools to cut away portions of the matrix (a wood block, linoleum sheet, Styrofoam, etc.), leaving behind a raised image area, which is then printed on a substrate (paper, fabric, etc.). To this day, relief printmaking is still the most accessible form of printmaking because a press is not required to make a print – just the matrix, ink, pressure …
Earthly Pleasures: Bounty In Ukiyo-E Prints (2015), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)
Earthly Pleasures: Bounty In Ukiyo-E Prints (2015), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)
Ukiyo-e Prints Course | Exhibition Catalogs
"Earthly Pleasures or, broader, nature’s riches and man, is a topic for an exhibition project of the ukiyo-e prints curatorial course taught at RISD in the Fall Semester of 2015. When deciding on this subject matter we were curious to see how the urban art of ukiyo-e with its focus on figurative representation of celebrities dealt with the nature theme, essential for Japanese culture and all-pervading in Japanese classical visual arts and literature. Did ukiyo-e artists include images of nature in their compositions? If yes, then who, when and how? It is with this quest in mind that a …
"Introduction" & "Modernisms And Authority", Charles J. Palermo
"Introduction" & "Modernisms And Authority", Charles J. Palermo
Arts & Sciences Book Chapters
Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestures; rather, they are complex responses to the symbolist art and poetry of figures important to them, including Paul Gauguin, Charles Morice, and Santiago Rusiñol. The young Picasso and his contemporaries experienced the challenges of modernity as an attempt to reflect on the lost relation to authority. For the symbolists, art held authority by revealing something compelling—something …
Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center
Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2015 Kentucky Folk Art Center exhibition catalog of artist Minnie Adkins.
Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman
Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman
Graduate Research Posters
Voz Alta is a participatory, voice-activated public light installation designed by Rafael Lozano-Hemmer as a memorial for the Tlatelolco massacre, which occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, Mexico. In the Plaza, Lozano-Hemmer has synchronized a megaphone with a 10 kW Xenon robotic searchlight. As each participant speaks into the megaphone, the searchlight shines to the uppermost floor of the towering Centro Cultural Tlatelolco (CCT) building where three additional searchlights instantaneously strobe, dim, and brighten, illuminating the nocturnal landscape in horizontally fixed, tangential beams. Although the aesthetic, social, historical, and political aspects of …
The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko
The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko
Pomona Faculty Books
“The Fragile Bee” was exhibited at the Museum of Art and History in Lancaster, CA and is an outcry to the plight of the bees in relationship to the environment. This accompanying catalog critically examines the work in the exhibition beginning with a foreword by Andi Campognone, museum manager and curator at MOAH. Artist Nancy Macko established a garden for native bee-attracting plants in order to document them throughout the year. The resulting series of photographs, "Botanical Portraits", are the subject of the essay by museum director Kathleen Stewart Howe. Contemporary art writer and curator Carole Ann Klonarides writes in …
A Place Called Home: Frank Lundahl And The Quad Cities, Augustana College, Rock Island Illinois
A Place Called Home: Frank Lundahl And The Quad Cities, Augustana College, Rock Island Illinois
2015-2016
Frank Lundahl (1858-1932) was a Swedish-American artist born in Rock Island. A painter of interior murals by trade, his works in Augustana’s collections focus on the world around him, calling our attention to the everyday beauty of our region, this place we call home.
Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun
Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun
Undergraduate Research Posters
Through art exhibitions in Beijing, China and Richmond, Virginia, Reviving project 01 aims to help promote/ revive a craft technique in Qinghai, China that is disappearing due to the urbanized surroundings.
American artist were invited to collaborate with people from Qinghai to make new pieces incorporating original crafted pieces.
Ejecta, Anthony Cervino, Shannon Egan
Ejecta, Anthony Cervino, Shannon Egan
Gettysburg College Faculty Books
Co-authored with artist Anthony Cervino, this book was produced on the occasion of the exhibition of the same name at CulturalDC's Flashpoint Gallery in Washington, DC. The book is comprised of several curatorial essays as well as fictional and personal reflections, and an in-depth interview to examine issues of parenthood, professional successes, personal tragedies, and larger art-historical contexts.