Art and Design Commons^™

The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11

The Fordham Undergraduate Research Journal

In the field of art history, the medium of tapestry has only recently begun to gain attention as its own significant art form. This paper examines the possible relationship between the Burgos Tapestry, recently on view at The Cloisters after a thirty-year conservation, and medieval theatre. The compositional and stylistic forms of the tapestry may have been influenced by productions of medieval mystery plays, which through analysis can help provide a greater understanding of the medieval cultural mindset, the possible artistic decisions behind maintaining medieval pictorial traditions into the early sixteenth century, and the medieval viewer’s experience when looking at …

Betty Jane Meggers (December 5, 1921 - July 2, 2012), Monica Barnes

Andean Past

No abstract provided.

The Waywaka Gold: New Chronometric Evidence, Joel W. Grossman

Andean Past

No abstract provided.

Christian Conversion: The Spiritual Transformation Of Eastern Pagan Structures In Late Antiquity, Alexandra Fallone

Art Journal

No abstract provided.

Yellow, Red, And Blue: A Symbolic And Linguistic Analysis Of Gendered Colors In Xix Dynasty Egyptian Mortuary Art, Carolyn Dedeo

Art Journal

No abstract provided.

Art Journal 2013 - Musings

Art Journal

No abstract provided.

Pennsylvania Noir, Bridget Reed

Art Journal

Distant vestiges of memory incite my art making. By examining my biographical past through various scopes, I can extract key memory perceptions for further investigation.

In my work, I physically construct models of memories to correlate to the mental process of memory reconstruction. The very nature of memory is devoid of a logical progression or stability. Imagery loses clarity, moving in and out of our consciousness. The memories often become muddled creating passages that can be fleshed out by intuitive impulses. Therefore, the structure is built to contain the fleeting memories so I can extract meaning from them. Individually crafting …

On The Other Side, Nathalie Coughlin

Art Journal

It is human nature to want to live in an ordered world and to organize our lives through plans and rules. We tend to find security in routines and like creatures of habit we rarely stray outside of our comfort zones.

My work deals with creating a sense of dislocation to take our statically ordered worlds and contort them slightly. The cows and organic shapes in my paintings are supposed to elicit the feeling of a connection with the viewer. The fences, rock walls, and other physical barriers are a formal choice to present this dislocation. Metaphorically, the barriers in …

Connotations: An Exploration Of Iphoneography, Justine Harrington

Art Journal

Language is the most systemized and direct method of human expression; it is the medium by which groups and individuals convey, communicate and understand. We most directly and effectively reveal our identity through sharing language with others.

A similar situation exists in the expressive function of visual imagery. Much of my work abstracts and interprets the nature of objective reality, notably in visual relationships between space, lines and edges. I think of my artworks as extensions of a distinct visual language, and the vocabulary by which I abstract and compose is communicated in a systemized manner similar to language forms. …

Eye Witness, Elise Costello

Art Journal

Ballet is my passion. Through the movements of dance, my body and mind can become one. In this state, the actions are performed with muscle memory; there is almost a mindlessness that all athletes have to maintain in order to be able to lose themselves to movement.

My project allows me to fully understand what goes on in this semi-mindless state, and allows me to analyze it intellectually outside the arena of performance. I use a high-speed camera to capture and isolate the steps involved in each movement. I can use the images to study the particular muscles and motions …

In The Palm Of His Hands, Shana Kakareka

Art Journal

In my work, I explore a topic that generates a never-ending series of questions for me: my faith. People hold so many various personal beliefs according to their faith. For one to believe so strongly in something and be able to place all of their trust in their faith when they have no certainty is fascinating. One message that I connect with immensely in my faith was delivered to me through a song called “On Eagles’ Wings.” This song resonates with me because it reminds me that even though unexpected things happen in life, God is always watching over and …

Fog Emotion, Amanda Dailey

Art Journal

My bodies of work are mental stepping-stones towards an intrapersonal discovery. I am in pursuit of understanding the seemingly endless psychological chaos unraveling inside my mind. These images are highly personal conceptual representations that aim to demonstrate the strains of separation anxiety, and the physical and psychological changes of pregnancy. They are abstract enough to encourage individual interpretation, while still allowing the viewer access to the window of my mind and body. By choosing and combining images that are individually strong, I am able to create pieces that are emotionally complex and powerful.

Systems, Caroline Morgan

Art Journal

Every place around the world that is visible to us fits within a system. In my work I use elements of landscape and architecture as starting points in the project of mapping space. I see all the components of the external world installed together like a three-dimensional puzzle. In analyzing the world, I am trying to simplify it into its essential parts and then re-complicate it through formal and material choices in my work. I take inputs from the natural world and transform them into a new fragmented surface of abstract shapes, textures, and mysterious breaks in perspectives.

I intend …

One Face, Blair Rohan

Art Journal

Faces are the most recognizable part of the human body. With the exception of identical twins, no two people have the same face. But while we all have unique features, there are universally common characteristics of the human face. After all, everyone has a nose, mouth, and eyes. In my work, I want to emphasize that when completely different faces are superimposed, they can form one coherent face. By using short brushstrokes and different colors for each portrait, I am able to make all the features on the face of four different portraits become one facial appearance. The four different …

Avalanche Vocals, Megan Costello

Art Journal

Throughout my studies of photojournalism, I have developed a strong interest in documentary photography. Avalanche Vocals contains street photographs of people I happened upon by chance. These images were created while I was living in Italy and France this past fall. As a foreigner to the lands, I wanted to understand the identity of the native people. I found that much like the United States, France and Italy have a collage of identities and cultures. As a result, I decided to use street photography as a method of understanding the concept of individual identity. I found that the identity of …

Art Journal 2012 - Interface

Art Journal

No abstract provided.

Representation And Appropriation In Guamán Poma De Ayala, Julio Ortega, Philip Debenshire

Journal of Global Initiatives: Policy, Pedagogy, Perspective

By discussing the cultural role of iconography, this article explores the likely source of representations in Felipe Guaman Pomade Ayala's The First New Chronicle and Good Government. His process of appropriation serves as a model of the new Andean cultural production by showcasing how emblematic allegories have been used in Latin America to illustrate Colonial manuscripts as well as national emblems and public art.

The Retablos Of Edilberto Jiménez, Victor Vich, Danielle Geary

Journal of Global Initiatives: Policy, Pedagogy, Perspective

The Ayacucho retablo has changed dramatically as a result of life events and experiences. Its most prominent architects were not strangers to the period of violence, as they experienced it firsthand. I want to comment on a set of Edilberto Jimenez retablos in what we might call an "ethics of testimony," or an act by which authors take responsibility for that which they represent, believing that their goal is to reveal the truth and to discover a new range of possible truths by doing so. It is my belief that these retablos are worth contemplation, for they represent something forbidden …

Cicada Husk, David Versluis, Roy R. Behrens

Pro Rege

digital montage

Three Vanillas (New York, French And Regular), Matt Drissell

Pro Rege

No abstract provided.

Nyc Taxi, Doug Burg

Pro Rege

No abstract provided.

Nyc Train, Doug Burg

Pro Rege

No abstract provided.

Chocolate Ice Cream, Matt Drissell

Pro Rege

No abstract provided.

Hound Of Heaven, Jake Van Wyk

Pro Rege

Stoneware with porcelain slip. Based on a poem by Frances Thompson.

Nyc Times Square, Doug Burg

Pro Rege

No abstract provided.

Combination Mark And Identity, David Versluis

Pro Rege

Company mark and identity created for Dajo Pottery Ltd., Makurdi, Benue State, Nigeria.

Nyc Flag, Doug Burg

Pro Rege

No abstract provided.

Coming, Jake Van Wyk

Pro Rege

Stoneware and porcelain clay, epoxied to plywood.

Angel Crown, Jake Van Wyk

Pro Rege

Stoneware and porcelain clay. Reduction fired at cone 10.

Equilibrist, David Versluis

Pro Rege

Working model (elevation and view from above); 1:12 scale maquette: wire, steel, double-ply powder coating; intended to be fabricated in tubular steel.