Art and Design Commons^™

Tapestries In Wool And Stone, Clifford Wood

Bridgewater Review

No abstract provided.

"In The Beginning, There Was The Ratio, And The Ratio Was With God, And The Ratio Was God", Donna Stanton

Bridgewater Review

No abstract provided.

Teaching The Arts Through The Appalachian Culture: A Proposal For A High-School Class., Valerie Renee Pitts

Electronic Theses and Dissertations

Because of a demonstrable need, there should be a course for the study of Appalachian art in the high school curriculum. This study is a proposal for the study of traditional Appalachian art and its importance to the promotion and preservation of the arts and crafts in the Appalachian region.

This course consists of background information on selected traditional Appalachian art, contact and interaction with local artists and craftspeople, and student hands-on experience in the art forms considered. Detailed unit and lesson plans are included in the following areas: Spinning and Weaving, Dyeing, Basketry, Quilting, Pottery, Woodcarving, Blacksmithing, Vernacular Architecture, …

Tygr 2001: A Literary & Art Magazine, Jill Forrestal, Anna J. Street

TYGR: Student Art and Literary Magazine Archives (1985-2017)

TYGR is the student art and literary magazine for Olivet Nazarene University.

[Historical Muse] William Blake -- The Tyger

[Historical Muse] Franz Kafka -- The Tiger

2001 Forces, Scott Yarbrough

Forces

No abstract provided.

Tracing The Cultural Memory In The Rio Grande Valley: Mexican-American Dichos, Proverbs Interpreted Through Art, Jennifer Michele Rodriguez

Theses and Dissertations - UTB/UTPA

Conversational phrases, dichos are verbal hallmarks from Mexican-Americans and familiar to the Hispanic culture through different versions. This folk wisdom is exposed through communication, tracing historical accounts of life, love, struggle, and ultimately survival among Mexican-Americans. I have started a series of paintings and collective art pieces focusing on Mexican-American dichos unique and familiar to the Rio Grande Valley. They are a cultural representation of life unique to this area, and combine the recollective spirit from not only myself, but from my family's accounts of these spontaneous conversational phrases.

With influences stemming from the Pop Art period, specifically Roy Lichtenstein …

The Company Of Animals: A Nontoxic Approach., Bonnie K. Foss Boochard

Electronic Theses and Dissertations

This document investigates the concept of why man creates animal images and introduces the influences and focus of the artwork contained in the public exhibition. These original images focus on the similarities between animal and human personalities. Also included is a brief history of each "ink on paper" printmaking process used and a comparison of the results. All of the techniques discussed generally have a photographic process as their basis and use personal photographs and drawings for the foundation of each original print. In conclusion, areas for growth, enhancement, and future work are discussed, including a summary of the personal …

Chthonic Power Versus Synthetic Power: Iconography And Color Symbolizing The Female Principle Relative To The Male Principle, Kathryn M. Thorn-Simpson

Theses and Dissertations - UTB/UTPA

The images depict an exploration of an expressive, abstract aesthetic that delineates visual content with symbolism: depicted by color, iconography, and form. The artistic intention underlying the imagery is to evoke emotional awareness of the possibility that chthonic forces of nature—the mysterious life force generated by earth and the universe—in contrast to man-made synthetic powers—technology, science, machines, war, and ideas related to control over nature—are manifested as a dichotomy of experience between female and male; the forces of nature as the female principle and synthetic powers as the male principle. The imaginative elements in the imagery use colors and forms …

Artists Gallery, Children Of The High Street Neighborhood Center

disClosure: A Journal of Social Theory

No abstract provided.

Pubes, Heidi Steinke

disClosure: A Journal of Social Theory

No abstract provided.

Child Bride, Heidi Steinke

disClosure: A Journal of Social Theory

No abstract provided.

Commonthought Vol.Iii (2001), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts

Inscape Spring 2001, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 2001 edition of the Inscape: Literary and Art Magazine.

The Lantern Vol. 68, No. 2, Spring 2001, Kirsten Mascioli, Benjamin Schuler, Alyson Jones, Sarah Napolitan, Corey Taylor, Padcha Tuntha-Obas, John Ramsey, Lori Kruk, Syreeta Dixon, Melanie Scriptunas, Thomas Lipschultz, Jeffrey Church, Daniel Gallagher, Mike Keeper, Monica Stahl, Ani Broderick, Christine Spera, Jason Fischer, Genevieve Romeo, Rosabelle Diaz, Raquel B. Pidal, Kelly Campbell

The Lantern Literary Magazines, 1933 to Present

• Eden
• Ginsberg Mourning
• On the Cusp of Winter
• (Woman: as Needing to be Silver and Sharp)
• Descended
• Book Unbinding
• Scrawlings on the Stall
• My Frankenstein
• Jazzy Avantguardia
• Paper Crane
• A Child's Valentine
• Ten Years' Gone
• Out the Window
• Tar's Melting
• Passing Time
• Ave Maria
• Heart of the Matter
• Damn Kids
• The Candle Incident
• Nostalgia
• Cuban Couch
• Dinner Date

Zephyr: The Second Issue, Zephyr Faculty Advisor, Matthew Bibeau, Danielle Chabot, Tiffany Cherry, Ernie Cote, Lisa Curtiss, Ryan Eling, Richard Goddeau, Judith Haug, Andrew Shuttleworth

Zephyr

This is the second issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Textile Society Of America Newsletter 13:2 – Spring 2001

Textile Society of America Newsletters

Northampton Silk Project
Collections News
Textile Study at University of California – Davis
Letter from the President
TSA News
Shep Award Nominees
Member News
Info Exchange
Textile Network: Friends of Fiber Art
Conference Reviews
Calls for Papers
Conferences & Symposia
Exhibitions Calendar
From the Editor
TSA Symposium 2002
Lectures/Workshops
Tours/Courses
TSA Calendar

Trends. The Idolatry Of Ignorance And Iconoclasm: Notes On The Taliban, Ibpp Editor

International Bulletin of Political Psychology

The New York Times has reported that at least some Taliban authorities have directed that all statues in Afghanistan--including those commonly viewed as priceless exemplars of cultural (largely Buddhist) heritage and as treasures--be destroyed. The Taliban's rationale--that these statues have been used as idols and deities by non-Islamic believers and may be turned into idols in the future--is largely discussed in the context of leading to a global cultural catastrophe, as an unacceptable decision, as gratuitous vandalism, as exemplifying a rigid ignorance deserving unique contempt and disgust.

“Amid The Great Sea Meadows”: Re-Constructing The Salt-Marsh Landscape Through Art And Literature, Kimberly R. Sebold

Maine History

Salt marshes played an important role in northern New England agricultural from the colonial period to the twentieth century. While some coastal residents depended upon the natural grasses or salt hay to provide them with additional winter fodder, others transformed wetland into farmland through reclamation. The activities of salt marsh farmers created a whole new landscape which, ironically; late nineteenth-century artists and writers portrayed as the last vestiges of a “natural” landscape along the northern New England coast. Their paintings, photographs, poetry and stories established the salt marshes as an important part of coastal New England identity and aided the …

The Pots Of Jatumpamba, Joe Molinaro

Art and Design Faculty and Staff Scholarship

Narrative and photo essay describing the work of the Jatumpamba women potters living in the highlands of southern Ecuador, written by Joe Molinaro and Nancy Bronner.

Words & Images 2001, University Of Southern Maine

Words and Images

Words & Images is an annual arts and literature publication distributed by the University of Southern Maine.

Publishing Director: Allison Bouchard

Illustrator: Sarah Gagnon

Art Editor: Bradford Conner

Normal Editions Workshop Newsletter, 2001, Wonsook Kim School Of Art

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

The Greeks Have A Word For It (Bookcover), Sky Bergman, Archie Ferguson

Art and Design

Cover photograph © Sky Bergman 2001 Cover design by Archie Ferguson

Glyptotek, Copenhagen, Demark. 1996., Sky Bergman

Art and Design

Photographing from a distance using a panorama camera, Bergman captures the unique spatial quality and grandeur of the museum architecture. In the gallery the marble sculptures assume a unique sense of presence which helps to emphasize the temple-like quality of the interior.

The Athenian Murders, Charlotte Strick, Sky Bergman

Art and Design

Jacket design: Copyright © 2001 by Charlotte Strick. Jacket photograph: Copyright © 2001 by Sky Bergman.

Pandolfo Collenuccio's "Specchio D'Esopo" And The Portrait Of The Courtier, Giancarlo Fiorenza

Art and Design

No abstract provided.

2001, Valparaiso University

The Lighter, 1958-2019

No abstract provided.

Dürer To Goya: Three Centuries Of Printmaking From The Needles Collection, Louise Lincoln, Belverd E. Needles Jr., Marian Needles, Timothy Smith

DePaul Art Museum Publications

No abstract provided.

2001 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 2001. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

The Mockingbird, Etsu Department Of Art And Design, Etsu Department Of English

The Mockingbird

Devon Koren Asdell [Amateur Astronomy]; Bonnie Boochard [Striped Donkey]; Jessica Brise [Something Golden]; lsaac Denton [Ty Cobb]; Nancy Jane Earnest [Untitled Poem]; Jessica Heschong [Untitled~1]; Monet LaClair [Dysfunctional]; Shanda Miller [Arrested Impasse; The Bridge That Dad Built]; Tonya Moreno [The Dance of Days]; Meghan O'Connor [Chaotic Confusion; Still There]; Craig Bradley Owens [The Great Plains Incident]; Sherri Pugh [Guess What Just Flew Inside My Mouth; Katydid's Bubbles]; Rhonda Richards [Thirteen Views of a Flourescent Light]; Melissa Stallard [Untitled Photograph]; Kevin Stephenson [Two For One Special; Poor Little Thing; Burden; Wake]; Lacey Stewart [Oak Ridge's Forgotten History]; Amelia Stuetzel [Figure]; Pam …

Mathematical Aspects Of Oriental Carpets, Carol Bier

Carol Bier

The mathematical principles of pattern making according to symmetrical repetition are well-known today, but the mathematical aspects of pattern formation have been glossed over in the study of Oriental carpets, or neglected in favor of either an appreciation of color and form or a discussion of social and ethnic origins. This article seeks to address several mathematical aspects of Oriental carpets, which are both integral to their form and manifest in their visual make-up.