Art and Design Commons^™

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

The Birth Of "A Painting": You Yong Solo Exhibition, Dongpeng Wang

MA Projects

Curator Wang Dongpeng takes great pride in unveiling "The Birth of 'A Painting'," an exclusive solo exhibition by the renowned painter You Yong. In this thoughtprovoking display, You Yong harnesses the simplicity of the iPad to craft vivid artworks that capture the essence of individual lives amidst the pandemic. His pieces offer a window into the lived realities within mainland China during these challenging times. This exhibition is an invitation to an extraordinary art experience that breaks free from the confines of traditional art space, promising to leave viewers with lasting impressions. The Birth of "A Painting" stands as a …

Living In Untranslatability--Performance Art In China And Usa, Ziyun Ma

Masters Theses

This thesis embodies discontinuities in performance art and its non-equivalent Chinese term “行 为艺术” between language and cultural context into a migrating journey. A comparative analysis on the disciplinary history of performance art studies in the US and China laid a foundation in exploring the dynamics of marginality in two contexts. Extracting from the narrative mechanism and body view of Chinese performance art, I demonstrate how the philosophy of living (生) inspired many artistic creation, which also echoes my research journey. And from our mutual living experience, I pose the concept of constructive untranslatability that applies positionality and situated knowledge …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

Curiosity Beyond The Hidden, Yi Young Kim

Masters Theses

What lies beneath the surface of vessels? This captivating thesis explores the hidden world within, drawing inspiration from traditional Korean ceramics and employing coil-built sculptures. By focusing on the hollowness of vessels, this study unveils their profound interconnectedness and inherent uniqueness.

Through spontaneous stacking of claylike glazes and textured elements, the artwork reveals mysterious processes and transformations within these vessels. Exposing the intricacies of hollow spaces, viewers are invited to contemplate the mesmerizing realms concealed within.

Intertwining elements of Korean heritagewith intricate structures, this artistic endeavor

sheds light on the hidden and challenges preconceived notions of everyday existence. The work …

Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor

Masters Theses

A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …

Postindustrial Playbook++, Maxwell Fertik

Masters Theses

There is no such thing as an undisrupted ecosystem. Every inch of the planet is impacted by industrial development and its chemical legacy has mutated the soil and water. As a response, this thesis is designed to promote abundant over extractive resources and visualize a post-industrial reality. It consists of a series of objects, writing and design research on the relationship of industry and ecosystem.

In many ways it is a playbook++, laying out possible strategies or “plays’’ for making do with what exists around us amid collapse.

Japanese knotweed (Reynoutria japonica)(ي'ڑ*), a plant that grows in the most degraded …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

Rooted In Topsoil, Jiaying Wang

Masters Theses

Disillusioned by my transnational identity, I have come to realize that my sense of belonging is no longer attached to any physical location, but instead to a state of mind, to an intimacy with the world. My notion of home is an obscure and unsettled—at times utopian—idea, which can be infinitely decoded, re-positioned and re-established psychologically. This thesis is an investigation of that liminal state, questioning the paradoxical place at the intersection of longing and belonging, interior and exterior, rootedness and uprootedness. Through a collection of short essays that accompany projects, I seek to unpack the precarious emotional complexities that …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

Bachelor of Fine Arts Theses

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin

University of New Orleans Theses and Dissertations

In any space, there is a residue that coats the present with a patina of memory. Creating layered imagery in dream-like paintings and prints, I use the domestic realm as a metaphor for the internal world of the mind, memories, and private thoughts, including them in compositions with symbols like the boundaries of windows, doors, and gates. These metaphorical structures also portray outward identities, which guard inner emotions. The conceptual aspects of these compositional elements weave together memories of the past and places of the present into a unified whole.

I began graduate school at the beginning of the COVID-19 …

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Refigured: Separations In Portraiture, Caroline Myers

All Theses

Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.

Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Contemporary Environmental Art: The Multidimensional Relationship Between Black Communities And The American Landscape, Sophia Perkins

Honors Theses

Contemporary environmental art can be inspired by personal experience and reflections between the artist and their surroundings. Black women have a unique interaction with and relation to their environment. I would like to unpack the relationships between Black women and the environment by exploring a few different artists’ work, and by dissecting the effects race and gender have on one’s view of the natural world. I have studied the work of four artists: Torkwase Dyson, Allison Jane Hamilton, LaToya Ruby Frazier, and Calida Garcia Rawles. Environmentally, I have a specific interest in bodies of water / Black waterways because of …

New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack

Theses and Dissertations

Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.

For Everyone's Eyes Only: Digital Art As Public Art (Agency, Accessibility, And Aura), Linda Dai

Pomona Senior Theses

Should digital art qualify as public art? This thesis aims to explore the significance of this question in a contemporary context by cross-examining the two genres in terms of creative agency, accessibility, and aura. Through various interviews and case studies with global artists, I examine similarities and differences in materiality and engagement in public and digital art and the implications of my findings under broader, theoretical frameworks. I further seek to understand how the relationship between technology, art, and society has shifted over time. Ultimately, I argue that the fluidity of digital art allows to exist in public and private …

Artistic Representation And Self Esteem, Brianna Davis

Honors College Theses

Dependent upon the constructs of the perception of self and the viewpoint of others, humans base the value of their self esteem on outer perspectives rather than internal ones. For this thesis in particular, the outer perspective to be examined is representation in the field of the arts. This thesis project explores the process of self esteem, artistic representation in the arts, how one affects the other, a history of the correlation between the two, and ways to inform and educate the masses with the tools necessary to advance representation in the arts thus raising the self esteem of its …

Aiii Sài Gòn Hông?, Jackie Ta, Ngoc Uyen Phuong Ta

All Theses

“Aiii Sài Gòn Hông?”

In Saigon, “Ai… hông?” is a phrase that street vendors often shout to advertise what they sell for the day. This body of work, “Aiii Sài Gòn Hông?” (Translates: “Saigon, anyone?”) invites the audience to take a glimpse into the vivid everyday life in contemporary Vietnam through a perspective of a Saigon local. Utilizing the modalities of painting and sculpture, I collect, accumulate and organize parts of the streets and marketplace by manipulating and amplifying certain key visual elements. The goal of the work is to reconstruct an experiential space that speaks not only to the …

Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, Savannah M. Champion

Masters Theses

This thesis aims to understand Wolf-Rehfeldt’s place in the unofficial art world of the GDR by examining her work in light of her status as a clerical worker with social rather than professional ties to the art world. She stands out within the East German Mail Art context, not just for her inventive use of a typewriter to create abstract figurations, but for the way she used it to interject considerations of gender and power into a network of artists overwhelmingly dominated by men with her open-ended Typewritings.”

Through historical research and close readings of her work, this study uncovers …

The Ephemerality Of The Living And The Persistence Of The Inanimate, Erin Johnston

MFA in Visual Art

I create fragile, sculptural works with paper. Either cast from pre-existing objects or constructed forms, my three-dimensional works ultimately become pure paper objects. I use the visual language of absence, memory, ruin and ephemerality to present modern artifacts and address the now. I am interested in how the manufactured crumbs we leave behind as a species reveal our collective desires, and our relationship to the body and mortality. I am fascinated with, and even enchanted by, the proliferation of material objects and their tendency to surpass the lifespan of any single human. Perhaps this behavior of producing lasting creations is …

Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta

Dissertations, Theses, and Capstone Projects

“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …