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Full-Text Articles in Art and Design

The Unnaturalness Objection To De-Extinction: A Critical Evaluation, Carolyn Mason Jan 2017

The Unnaturalness Objection To De-Extinction: A Critical Evaluation, Carolyn Mason

Animal Studies Journal

De-extinction of species has been criticised for being unnatural, as have the techniques that might be used to accomplish de-extinction. This objection of unnaturalness will be dismissed by those who claim that everything that humans do is natural, by those who claim that naturalness is a social construct, and by those who argue that ethical concerns arising from considerations of unnaturalness rest on a failure properly to distinguish facts from values. However, none of these criticisms of the objection of unnaturalness is convincing, for reasons I will explain in this paper. The objection of unnaturalness might be motivated by concerns ...


Empathy And Moral Laziness, Kathie Jenni Jan 2016

Empathy And Moral Laziness, Kathie Jenni

Animal Studies Journal

In The Empathy Exams Leslie Jamison offers an unusual perspective: ‘Empathy isn’t just something that happens to us – a meteor shower of synapses firing across the brain – it’s also a choice we make: to pay attention, to extend ourselves. It’s made of exertion, that dowdier cousin of impulse’ (23). This essay is dedicated to elaborating that crucial observation. A vast amount of recent research concerns empathy – in evolutionary biology, neurobiology, moral psychology, and ethics. I want to extend these investigations by exploring the degree to which individuals can control our empathy: for whom and what we feel ...


The Visual Memoir Project: Searching For An Art Of Memory, Blake Smith Dec 2015

The Visual Memoir Project: Searching For An Art Of Memory, Blake Smith

Marilyn Zurmuehlen Working Papers in Art Education

This essay describes an in-progress arts-based dissertation project that attempts “visual life writing” (Sinner & Owen, 2011) as photographic memoir. Spanning several years to date, the series addresses the idea of visually archiving the self through an everyday photographic ritual. Ruminations on loss, presence/absence, and the passage of time are given creative and emotional consideration from behind the camera. Through narrative reflections on my experiences as an artist, teacher, and researcher, the process of art-making is brought alongside the images themselves. Drawing as its subject matter selected scenes, encounters, and objects from everyday life, I share how the project came ...