Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Art and Design

Tracing Vision: Modern Drawings From The Ceseri Collection And The Georgia Museum Of Art, Wright State University Art Galleries Sep 2001

Tracing Vision: Modern Drawings From The Ceseri Collection And The Georgia Museum Of Art, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features drawings from an exhibition of artists in the 19th- and 20th centuries from the private collection of Giuliano Ceseri and the Georgia Museum of Art. The Tracing Vision exhibition was held at the Wright State University Art Galleries from September 12 through October 14, 2001.


Nexus, Fall 2001, Wright State University Community Sep 2001

Nexus, Fall 2001, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


The Present Past: A Survey Of Work By David Leach, David Leach, Robert And Elaine Stein Galleries Jan 2001

The Present Past: A Survey Of Work By David Leach, David Leach, Robert And Elaine Stein Galleries

Books Authored by Wright State Faculty/Staff

In 1982 printmaker and painter David Leach created a photo intaglio print titled Broken Line (fig .1) that records an illusion, a seeming change in angle of a twig partly immersed in water, an effect resulting from light refraction. The image might almost serve as commentary on Leach's production as artist. He has stated that in 1982 he realized he was not a "post-studio" artist. 1 That conclusion caused him to move away from the conceptualist investigations that had become the focus of his art by the later 1970s and for which work he had established a reputation. Partly out …