Art and Design Commons^™

On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry

Bachelor of Fine Arts Senior Papers

Personal agency is the feeling of control over one’s actions. Capitalism is deeply etched into the fabric of America and the world at large. In this paper, I propose that late stage capitalism has forever altered the means by which personal agency manifests, that it has left no room for alternatives on account of its far-reaching scope. My work, through its subject matter and medium, refers to the lack of autonomy under escape or embrace. Failure and futility are both key ideas, as complacency is intrinsic to our current moment, which is evocative of the ongoing metamodern art movement.

Ritual And Digital Craftsmanship: Imprudent Practices, Mik Patrik Mcdonnell

Bachelor of Fine Arts Senior Papers

This essay explores the role of traditional and digital craftsmanship in my art practice as it relates to provocative imagery. I tackle the question of how my practice is influenced by my audience. My process and products both aim to agitate the ascetic individual. The argument opens on a poetic, personal note, before defining craft/craftsmanship and its social reception according to scholarship. I outline the intended audience for my work being those akin to my mother: christian, middle-aged, and leaning conservative. Because I employ devotional, virtuosic craftsmanship I argue my work is effective at provoking dialogue with these persons who …

Sad Socks Without Sole Mates, Shaelee Comettant

Bachelor of Fine Arts Senior Papers

Portrait of A Hundred Heartbreaks is a series that uses the unmatched sock as a symbol to speak about the experience of losing and grieving a relationship. Positioned as a series of memorials, the project facilitates spaces for viewers to bring their own life experiences to the project as well as empathize with those presented in the series. The use of the unmatched sock, an inanimate object, allows for it to be projected onto and melded into the specific and individualized narratives that viewers bring to the works. In its ability to access a level of specificity for each viewer, …

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

The Ephemerality Of The Living And The Persistence Of The Inanimate, Erin Johnston

MFA in Visual Art

I create fragile, sculptural works with paper. Either cast from pre-existing objects or constructed forms, my three-dimensional works ultimately become pure paper objects. I use the visual language of absence, memory, ruin and ephemerality to present modern artifacts and address the now. I am interested in how the manufactured crumbs we leave behind as a species reveal our collective desires, and our relationship to the body and mortality. I am fascinated with, and even enchanted by, the proliferation of material objects and their tendency to surpass the lifespan of any single human. Perhaps this behavior of producing lasting creations is …

Storytelling For A Changing World: Comics As Agitprop, Kruttika Susarla

MFA in Illustration & Visual Culture

This essay imagines fictional storytelling and urban practices of maintenance, repair, and care as interrelated to one another. They are both practices engaged in building a better world. Urban scholars like Gautam Bhan, Shannon Mattern, and David Harvey propose the city as a space for envisioning the kind of community we want to be—a space for working towards our collective future. By engaging in fictional storytelling, I argue, we are doing the same thing: the dual work of taking from fact and representing it to an audience while also engaging in imagining and world-building. This is also a practice of …

The Wizard's Alphabet Book: Illustration As Counter-Environment To The Digital World, Stephen Barany

MFA in Illustration & Visual Culture

This thesis essay accompanies a built installation of twenty-six densely drawn illustrations, each consisting of numerous creatures and objects whose names all begin with the same letter. Thus, each illustration represents a different letter of the alphabet. Printed on cloud-shaped substrates and suspended as a group in a 10”x10” ring, the array of illustrations form a small space where viewers can immerse themselves in the act of free and careful looking. This essay elaborates on the ideas that propelled the design and construction of this illustrated installation.

This essay explores the potential for illustration to create a space for looking …

Home Suite Home: An Analysis Of Comfort In Americana And Motel Culture, Jodi Kolpakov

MFA in Illustration & Visual Culture

This essay provides a critical look at the motel, investigating it as a souvenir, exploring its nostalgic phenomenon, and questioning its complexity of comfort. We begin by looking at the evolution of the motel and how its strange stereo- type came to be. I dissect the terms “shady” and “sketchy” as both a psychological and illustrated representation of the motel while closely reading how these terms appear in other forms of media, such as Bates Motel and Bad Times at the El Royale. Through exploring nostalgic Americana, I investigate how motels connect us from the past to the pres- …

A Perfect Escape: Fantasy, Place And Narrative In Adolescence, Cydney Cherepak

MFA in Illustration & Visual Culture

This essay explores the realms of special places, the literary genre of fantasy, narrative, and comics. These topics are traversed alongside subjects of adolescence and the creation of stories for middle-grade readers. Framed with personal stories, as well as peaks into my process, I investigate these subjects through the lens of my own life and work, specifically my thesis project, a comic for middle-grade readers titled Beyond the Castle Walls. Beginning with adolescence in association with special places, I consider the work of developmental psychologists David Sobel and Edith Cobb as they pin-point the role of secret forts, nature, …

Untethering The “Other”: Creating Spaces For Black Autonomy And Community, Kaylyn Webster

Bachelor of Fine Arts Senior Papers

By complicating viewers’ relationships to my painted figures through the application of the gaze, my work analyzes how America’s colonial past affects our current landscape to find ways to break the cycle, and to make space for Black autonomy. Blackness should be free to exist without being tethered in a position of inferiority to Whiteness. Radical defiance, resiliency, and expressions of agency have been used by Black people for centuries, and their employment must continue to combat systems of oppression. Our history has been one of division, but mutual respect and cooperation are needed for our communities to stand against …

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

Fictitious Ecology, Paulina Zuckerman

MFA in Illustration & Visual Culture

My thesis project, The Mountain Fog, is a children’s picture book pitch that tells a light-hearted story of two dogs who must face an environmental disaster. In this accompanying critical essay, I break down the process of crafting a fictional relationship between author-illustrator, animal characters, and the environment. It begins through the context of J.R.R. Tolkien’s essay “On Fairy Stories,” which identifies seeing the world through two lenses - the Primary world and the Secondary world. From these terms, I navigate the idea of a fictitious ecology, an encapsulated anthropomorphic world governed by the creator’s personal experience with nature. This …

Because Potato, Candice Evers

MFA in Illustration & Visual Culture

This thesis project explores the phenomenological qualities of the internet; asking, since the internet is difficult to grasp, what other modes of investigation might we have available? Using an investigative framework set forth by Jack Halberstam, this thesis declines to come to knowledge solely through understanding the formal, the structural, the highly visible and mainstream. The literature that I have gathered provides a range of modes for interrogating the simultaneously central and inconsequential subject of my thesis itself: the potato. Juxtaposing the physical, political and material conditions of the potato the internet’s least academic mode of knowing: the meme. Analyzing …

Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl

MFA in Illustration & Visual Culture

Since the rise of consumer culture in the late 19th century, Americans have had a complicated relationship with decorative objects, the idea of taste, and the cycle of trends within our classist society. This essay examines some of the decorative objects in my childhood home such as patterned wallpaper and an antique chair as well as a contemporary brand name mascara. While these objects do not have major functional properties, their decoration and superficiality bring me joy. To better understand my appreciation of decoration and aesthetics, I assess how an object or fashion is considered in good or bad taste. …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Echoed Sites And The Unknowable Object, Joseph Canizales

MFA in Visual Art

This thesis will discuss the expanded field of sculpture, simulacra, digital technology, and two terms I’ve devised: the unknowable object, and echoed sites. Within these two terms, I’m concerned with the complicated relationship between humans and geology and how we extract material from the ground without reflecting on the geologic history of the site. In echoed sites I create sculptures with and without a geologic site or object, by way of digital technology. These forms display two states paradoxically in balance, where what’s presented leaves more questions than answers. Thus, as part of echoed sites, exists the unknowable object. …

Constants, Martin Lammert

MFA in Visual Art

A constant is something that I consider to be present in everything I make. Each overarching constant is a clue which may help the reader come to a conclusion about why I make sculpture. I will address repetitive motion in regard to failure and how this parallels the ongoing endeavors of the alchemist. I will discuss the idea of meaning as it exists in the conflict between cleanliness and the mess. I will explain how Hollywood movie tropes can be used to create sculpture. Lastly, I will frame the theatrical vessel as a vehicle to make a story more significant …

Un Guisado: Allí, Allá And The Space In Between, Quinn A. Briceño

MFA in Visual Art

I am a Guisado: a savory stew. A blend of two worlds: one of Nicaragua, and the other of the United States. I am both Nicaragaüense y Estadounidense. As an artist, I work with painting and collage as a form of image making that carefully takes inspiration from those traditions to create a new narrative. In my work, I examine both my struggle with identity and how I came to be the person I am today. As I am both Nicaragüense and Estadounidense it is important that my paintings reflect those two worlds.

The ingredients making up my …

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

Source Of All Hair, Wearer Of All Socks, Samantha Modder

MFA in Visual Art

I work figuratively in pen, collage, and digital media to portray larger-than-life Black, female characters taking up space in real and imagined worlds. In a series of mural installations, I present a subjective Black woman’s fairytale to process interlocking structures of oppression. Centered in the speculative practice of the Black imaginary that creates spaces of both comfort and confrontation, I tell the story of a Black woman who escapes into an alternate reality made up of only herself, her hair, and the clothes she wears. This text is centered on a chapter of this ongoing narrative, Source of All Hair, …

The Precarity Of Images: Sci-Fi Worldbuilding And Its Uses In Agitprop, Noah Jodice

MFA in Illustration & Visual Culture

“The Precarity of Images” examines how theories of worldbuilding common to the science fiction genre are applied to the making of agitational propaganda for liberation movements. In doing so, it questions how both explicit and implicit political images—posters, games, comics, illustrations, social media posts—either light a pathway for making a more just world or limit our ability to imagine alternate futures.

Following the ethos of Steven Jackson’s essay “Rethinking Repair,” the paper takes the “breakdown, erosion, and decay” of images as a starting point. Images change meaning over time as our cultural connections to them shift. Strategies of decoding and …

Twisting Tales: A Guide To Fairytale Adaptation, Tori Forster

MFA in Illustration & Visual Culture

“Twisting Tales” is a guidebook examining fairytales and the realm of fairytale adaptation. To begin with, I define fairytales by expanding on Tolkien’s essay “On Fairy Stories”. By defining fairytales as abstracted tales set in the realm of Faerie, adaptations of fairytales become an avenue in which to explore world building and narrative, which fairytales naturally lend themselves to. The guidebook also explores more troubling tropes and trends in the fairytale, particularly those regarding women. Marcia K. Lieberman’s essay “Someday My Prince Will Come”critiques heroines in fairytales and serves as a dialogue for the role of the female protagonist in …

Necessary Myths, Jessica Ramsey

MFA in Illustration & Visual Culture

My thesis essay was inspired by my search for a belief system that could transform despair over what will be lost through climate change into valuing what we still have. In researching the earliest iterations of belief structures, I came across the Maros-Pangkep cave paintings. These paintings are the oldest known works of art, and by my interpretation the first evidence of religious life. They are a series of representational paintings which tell a story, and I was inspired to emulate this methodology in my own exploration of belief.

My essay investigates the relationship between images and religion. Through W.J.T …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

Gumball Astronauts: Establishing A Space-Time Vocabulary For Genre Bending In Picture Stories, Henry Uhrik

MFA in Illustration & Visual Culture

This paper attempts to redefine genre as a set of bodily experiences rather than a collection of thematic objects. Beginning with the western genre as a whole and ending with my own comics work, I pull apart elements within specific narratives and analyze them as mechanical divides that disrupt the reader’s experience of time and space. This paper explores these generic arcs that branch from film to comics to video games. The first section of the paper pulls apart the approach I take when looking at genre, one that is influenced by Bahktin’s idea of the chronotope, a time-space defining …

Infinite Instruments, Betsy Ellison

Bachelor of Fine Arts Senior Papers

Last login: Fri May 6 17:00:00 on console

>_

>run BZE.exe

Whether building websites from scratch, generating abstract video portraits with recursive machine-learning AI, mounting steel plate carvings with fishing hooks, or painting portraits of schoolgirls on skinned and tanned bunny hides, I seek to infiltrate the strange spaces where rationality and empiricist philosophy collapse into delirium and drift.

Machines and animals are both organized bodies. All knowledge can be broken down to constituent parts: cells, atoms, grids and codes. All constellations of these fundamental parts are fictions. Fragmentation and re-organization are frontiers for new knowledge.

By treating the objective …

But They Are Not Real, Takura Suzuki

Graduate School of Art Theses

This text discusses how my art explores the relationship between humans and contemporary digital technology and investigates how this relationship shapes today’s society. With the development of artificial intelligence (AI) and more data-driven technologies, the interaction between humans and digital technologies has become more intimate and complex. Today, machine automation is an essential development factor in society. An increasing number of industries will benefit from the automation of goods through digital technologies such as AI-driven tools. As automation continues to develop, machines will gradually become indispensable and closely integrated into our lives. In an increasingly automated and data-driven society, digital …

Pero...Maybe, Adrian Gonzalez

Graduate School of Art Theses

Through collage, assemblage, and object making, I fit unlikely fragments that I call manchitas—stains—together. In my paintings and mixed media assemblages I incorporate references to Spanglish as un acto of making. To me, it’s like the visual work that I make: thinking in one language and speaking another, words start with English but end in Spanish. They sound like English but are Spanish or vice versa. The words look misspelled but are used in everyday conversation. Spanglish is idiosyncratic and is what I build my practice on. I collect materials around me, some I find and some I make. …

The Garden Of Extraterrestrial Deee-Lites, Jessica Bremehr

Graduate School of Art Theses

I present a delusion where you, the reader, are a hitchhiker on a journey toward an alternate realm guided by a god-like buffoon. While I take you on a journey through my daydreams and my musings on an alternate existence, a tour guide will lead the way to an otherworldly realm called The Garden of Extraterrestrial Deee-Lites, reflective of a tourist experience to a faraway destination. The tour will culminate in an uncanny space where curious life forms converge with familiar objects to encourage a sense of wonder while promoting ideas of interconnectedness within the world around us.

The Feeling Of Foam & Other Essays, Ryan Erickson

Graduate School of Art Theses

I create conceptual drawings, collages, sculptures, and installations to humorously destabilize and ultimately question how human language, formal methodologies, and social institutions function. While seemingly embracing an aesthetic of rationality, I undermine it with absurdity. In my work, I take a fundamentally dialectical position by skewering the rational to the illogical as neither can exist without the other.