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Articles 31 - 60 of 192

Full-Text Articles in Art and Design

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown May 2018

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown

Bachelor of Fine Arts Senior Papers

In my work I generate forms that occupy the space between our false conceptions of nature and culture. I subvert binaries–both between nature and culture and between women and men–through the physical conflation of microscopic and macroscopic spaces. Nature itself is a cultural concept; the notion that we are separate from nature at all is a fallacy. The body of work discussed uses ideas from Environmental Sociology and my definition of intersectional Ecofeminism to visualize the intersection of these cultural binaries within physical space. The pieces included utilize light responsive technology as a means of mediating our experiences ...


Chinese-American Landscape, Jessica Wen May 2018

Chinese-American Landscape, Jessica Wen

Bachelor of Fine Arts Senior Papers

Cultural hybridity is an unwillingness to succumb to the notion of choosing sides when it comes to mixed heritage and culture. The approach taken to identity has a place in the artistic sphere as well. Through an investigation of my art practice in painting alongside a contemporary and historical context, the hybrid space between Chinese and Western landscape painting is explored and determined. The goals of nature depicted through distorted perspective, abstraction and simplification of objects, and emphasis on texture are techniques employed by both artistic spheres. By utilizing these goals and mixing materials of both Chinese and Western painting ...


Invisible Territories, Lydia Seaman May 2018

Invisible Territories, Lydia Seaman

Bachelor of Fine Arts Senior Papers

Layering geography, space and time, my work urges viewers to embrace the equivocal and create a desire for the impossible. To explore this notion, Invisible Territories is an analysis of my practice, examining how I mediate specific references into abstract and universal interpretations. My work employs subjects that document the world by analyzing the layers and simulacra that form our visual information; focusing on the intervals between “things” as the subject matter themselves. Looking to the words of Italo Calvino as a conceptual guide, this paper discusses the practice of mapping through drawing, etching and painting.


(Fear Of) (An Exploration Of Empathy), Caroline Schmidt May 2018

(Fear Of) (An Exploration Of Empathy), Caroline Schmidt

Bachelor of Fine Arts Senior Papers

How much can you understand what another person is feeling? How much can they understand what you feel? This is the territory that my capstone investigates. Utilizing a mixture of informal and formal language and experimental footnotes, I describe the concepts and process behind my most recent body of work, the (Fear Of) series of animations, and its relationship to empathy. I follow this discussion with an explanation of my choice of fears and eyes as vehicles for this project, and end with an appendix featuring a sample of the interview-based monologues and my notes on which the project was ...


Mediated: An Investigation Of Print Media's Impact Of Self, Rachel Hertzman May 2018

Mediated: An Investigation Of Print Media's Impact Of Self, Rachel Hertzman

Bachelor of Fine Arts Senior Papers

In the 21st Century print media is often overlooked for the masses of images available at everyone’s fingertips on the internet. This thesis is an exploration of the ways in which those original forms of mass produced images, specifically fashion/ beauty magazines and newspapers, alter one’s sense of self. The magazines have a proven negative effect on women consumers who internalize the singular thin beauty ideal persisted in this media. A similar internalization happens with the constant viewing of news papers, creating a sense of shared cultural memory. The Artist takes an in depth look at how ...


Tracing Patterns: Making Sense Of Experience, Isabelle Davis May 2018

Tracing Patterns: Making Sense Of Experience, Isabelle Davis

Bachelor of Fine Arts Senior Papers

In my life, I have developed several practices in attempt to preserve my memories in a way that I can relive them, knowing exactly how I felt at the time. Two of these practices are the practice of frequently journaling, and the practice of keeping objects for their sentimental value. For my thesis, I used journal entries and sentimental objects as a starting point for creating a metaphor for how I process emotions in my life. I created a quilt out of 36 excerpts of journal entries from throughout college to symbolize the way it is comforting to me to ...


Mind In Hand, Anna Olson May 2018

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set ...


The Continuous Movement Of Water And Time, Ryan Brandt May 2018

The Continuous Movement Of Water And Time, Ryan Brandt

Bachelor of Fine Arts Senior Papers

Water has a relationship with every living thing on earth, and represents a force that both gives life and can eliminate it. In my work, I use water, color, and the figure to explore the sublime, death and decay, the passage of time, and overwhelming emotions. I have looked at my work in relation to Marilyn Minter’s photography, Mark Rothko’s color field paintings, Julie Evans’ and Henri Matisse’s cut-out works, Sam Gilliam’s continuously changing canvas installations, and Ekaterina Smirnova’s investigation into the meaning of an individual’s place in the universe. By seeing the different ...


Unmaking As Making, Viola Bordon May 2018

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.


Literarische Filmsimulation: Heinrich Eduard Jacobs Medienphilosophische Filmästhetik In "Blut Und Zelluloid", Paula Vosse May 2018

Literarische Filmsimulation: Heinrich Eduard Jacobs Medienphilosophische Filmästhetik In "Blut Und Zelluloid", Paula Vosse

Arts & Sciences Electronic Theses and Dissertations

Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the outbreak of the Second World War. This thesis provides the interested scholar with a different approach: It discusses Jacob´s media-philosophical method to simulate the upcoming medium film in literature. With his implicitly and explicitly organized systems of diverse media, he circumvents constraints of the Paragone-discourse and offers a well-balanced literary construction.

Jacob´s method is compared with Pinthus´ Kinobuch and Pirandello´s Shoot!, while Simmel and Benjamin provide the thesis with a fundament to ...


Learning Culture: Cultural Relationship In Masked Lanterns, Yuxuan Ding May 2018

Learning Culture: Cultural Relationship In Masked Lanterns, Yuxuan Ding

Graduate School of Art Theses

Culture shock, or culture conflict, is the unfamiliarity or disorientation an individual experiences after encountering a culture different than their own. To better understand the people around us who share a different culture and the way of life it creates, we need to first respect and understand their culture. In general, Chinese culture stresses that individuals must see themselves as part of a larger group for the benefit of society, while American culture stresses the importance of individualism.

Based on my experiences in graphic design, I decided to further my studies in a studio art context to understand how the ...


It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom May 2018

It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom

Graduate School of Art Theses

My work in video, installation, performance, sound, and photography is influenced and inspired by my experience of being a woman. In my work, I draw pink flowers and create pink backdrops. I smash things, eat, drink, drop things, smile, nod, and look at you. Through these works, I explore the gender performativity of female niceness, synthesizing these two separate theories as a social condition and expectation for women. I argue that female niceness consists of bodily and linguistic patterns that women must perform in order to be perceived as feminine.

In my video and installation work, I use a “sickeningly ...


Observance | A Passage, Charis Schneider Norell May 2018

Observance | A Passage, Charis Schneider Norell

Graduate School of Art Theses

My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations. I wish to expand drawing’s definition beyond its traditional material limits to simply be the process of leaving marks. Fiber is my medium, and the space within the frame loom’s warp and weft becomes my support. I see the drawing process to be the gestural residue of thought, and call these works my “fiber drawings.” While I use traditional weaving methods and materials as I work, I do not call myself a weaver. I ...


Four Sights Of The Patient (Ophelia), Cecily Ann Fergeson May 2018

Four Sights Of The Patient (Ophelia), Cecily Ann Fergeson

Graduate School of Art Theses

I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to reckon with the following subjects: a reclamation of the notion of the so-called medical gaze and its historical record in photography; the idea that receiving the medical gaze transforms patients’ bodies; the idea of illness as an uncanny and intimate experience; and, finally, the act of metaphorically retracing the body’s material journey through the medical institution as it exists today. In this text, I discuss my practice in the context of critical theory, a recent ...


Transformation Through Mortality, Samuel Carpenter May 2018

Transformation Through Mortality, Samuel Carpenter

Graduate School of Art Theses

Throughout this paper I address topics of spirituality, time and rituals. These are things that I am constantly doing, reading about and experiencing. My art practice and the work I make are continually influenced by my journey through this mortal existence. Through understanding the movement of time geologically, physically and perceptually, I gain a greater understanding of the importance of this life and how I can become a better person. I have found that through rituals, change will begin to develop and I can better myself. These rituals range from personal to family and community development.

Some of the materials ...


If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger May 2018

If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger

Graduate School of Art Theses

The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces that much like the previous layers, are made up of many things, most certainly not one thing. A static object may hold a series of other objects, spaces and events. A static object may also embody the passage of time.Though one may try to hold the object at a constant, that is to slow or even bring a halt to its motion, this task is near impossible.

Bird Box House, Bear Box Dresser, Lamp ...


Enter The Void: Visual And Other Pleasures, Serena Silver May 2018

Enter The Void: Visual And Other Pleasures, Serena Silver

Bachelor of Fine Arts Senior Papers

My research and art practice focus on the idea of power dynamics where the female is the passive object of the active male gaze. Through the influx of digital social media platforms, these power dynamics exist in many fluid forms which is what I believe to be the relationship between the masculine and the feminine- where the masculine is inevitably always alpha. In contemporary terms, this power dynamic exists and penetrates our daily consumption of visual culture. From the art world to the fashion industry and beyond- all are feeding into consumerism and capitalism. People have become brands, or as ...


Strange Woods, Song Park May 2018

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own ...


The Vanishing Line, Jacopo Mazzoni May 2018

The Vanishing Line, Jacopo Mazzoni

Graduate School of Art Theses

This thesis is an exploratory effort to bridge the rift that political and monetary powers created between art and technology. In my practice, these socio-political motivations are exposed through the creation of non-utilitarian inventions that use different technologies as charged metaphors. I research mass media language and construct interactive pieces while borrowing strategies from the entertainment industry to make environmental, social, and political issues more palatable than documentary films or raw data could. In my work, technology is regarded as a semidivine entity with supernatural powers that can both elevate and reduce the human experience. My work functions differently according ...


Misassembled Monsters, Jenn Brown May 2018

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the ...


A Meditation In Three Parts, Brent Nakamoto May 2018

A Meditation In Three Parts, Brent Nakamoto

Graduate School of Art Theses

I’m interested in the way we read images—they way we see through an image’s surface in order to perceive its illusion, in the same way that we see through words in order to understand their meaning. I’m interested in this relationship, in both images and texts, between surface, illusion, and meaning. In Buddhist philosophy, the source of suffering is in our attachments to the self-as-image. The function of Zen meditation practice is to bring attention to this process of perception and, in doing so, to help see through the illusions of self-hood and ground our understanding ...


Interpreting The Theater Of The Absurd: From Stage To Still Image, Clement Stanback May 2018

Interpreting The Theater Of The Absurd: From Stage To Still Image, Clement Stanback

Bachelor of Fine Arts Senior Papers

This paper outlines my practice this semester, in which I attempted to interpret the Theater of the Absurd into the still image. This project relied heavily on research, both into the Theater of the Absurd and into specific artists, both past and present, who are in conversation with it. Here, I detail the work of these artists, their connections to theater, and connect it to the work I made in the process of this project.


A New World Order, Yuwei Pan May 2018

A New World Order, Yuwei Pan

Bachelor of Fine Arts Senior Papers

Through my work “A New World Order,” I question the extent to which the color Millennial Pink changes our perceptions of objects and even influences our unconscious decisions, by imagining what it would look like if on the institutional level pink’s “feminizing” power is put into good use – to reduce perceived violence for a kinder society –in a fictional feminist utopia/dystopia. In this paper, I will be contextualizing my art practice with the complex implications of pink in realms of psychology, pop culture, politics and participation art, and how social construction about the color pink affects gender performance ...


Sport Combo Theory, Hailey Nathel May 2018

Sport Combo Theory, Hailey Nathel

Bachelor of Fine Arts Senior Papers

The mind-body is not separate just as artist and Art are not separate entities either. Because the human subject is tied to the Art object, rather than striving for perfection, a more fruitful approach to artmaking is one that utilizes imperfection to its advantage. By subverting what is thought of as error, the glitch acts as a transgressive image. It functions as a symbol of embracing imperfection by leveraging mishap as a catalyst for experimentation and re/invention. Profile on platform serves as a curatorial space, one of agency, access, and opportunity, to display images of our selfiest selves. In ...


Unspooling Of Experience Into Space: Diary Projects, Jinhee Kim May 2018

Unspooling Of Experience Into Space: Diary Projects, Jinhee Kim

Graduate School of Art Theses

Through meditation and layering of yarns, I visually present the process of embracing myself, specifically my personal traumas, and cultural duality. The tension between concealing and revealing of constant shifts in emotion is a crucial facet of my artwork. Evolving from an art therapy technique, the Winnicott Squiggle Game, I am drawn to the connections one can make with one another from a simple cluster of lines and create images as a result. These images are a result of intention and accident, a combination that mimics inevitable life choices.

My method of creating each canvas is a very intricate process ...


Canonical Poses And The Gaze, Sarah Oakley Apr 2018

Canonical Poses And The Gaze, Sarah Oakley

Bachelor of Fine Arts Senior Papers

My work deals with the nude female form and the various depictions that it has taken on. From the early oil paintings from masters like Ingres and Titian, through Playboy centerfolds of the 50s-70s, and continuing all the way up to the contemporary nude iPhone selfie, I explore questions of the gaze, ownership, and commodification of the female form. Starting with my painted Selfie Series and ending with my embroidered pillows, I touch on a variety of framing devices for the female nude and its representation of sexuality in modern culture.


Uncanny Home, Sloan Brunner Apr 2018

Uncanny Home, Sloan Brunner

Graduate School of Art Theses

In my work, I create objects and installations that incite both the feelings of comfort and discomfort of home. They function as displays that mirror the décor of domestic spaces from my memories. These installations take the form of adorned walls between eight to ten feet high. Their scale spurs a feeling of familiarity. While large enough to create an immersive experience that the viewer can explore, they are kept to a scale that is emblematic of a familiar, domestic space. I curate these displays with uncanny objects to examine the blindness to dysfunction that closeness in relationships can breed ...


Other-Ing: Creating A Three-Dimensional Asian American Perspective, Caroline Yoo Dec 2017

Other-Ing: Creating A Three-Dimensional Asian American Perspective, Caroline Yoo

Bachelor of Fine Arts Senior Papers

Through my thesis body of work “Other-ing,” my goal is to create a three-dimensional Asian American perspective. As a result of Western standards implemented as the norm, where colonialism is still prevalent and white still reigns supreme, the media has created an onslaught of fictional Asian characters to control this group. Representations, tropes, stereotypes have long shaped the Asian American community, so much so that it is often easier to understand these one-dimensional depictions rather than the complex reality of how an Asian American defines themselves. Not shying away from implicating myself in this systematic structure of racism, I become ...


Same Stuff, Just Packaged A Different Way (Maybe It's Not So Bad?), Kyle Strobel May 2017

Same Stuff, Just Packaged A Different Way (Maybe It's Not So Bad?), Kyle Strobel

Bachelor of Fine Arts Senior Papers

Who Would You Be? examines the interplay between person and persona, relationship building, and artist-sitter dynamics. By placing contemporary sitters in the context of historical portraiture conventions, it seeks to lead viewers to consider the issue of self-absorption and vanity in social media profiles from a different angle. Additionally, this project became a way to enhance the quality of my personal relationships with those involved through providing a space to interact and creating a link for them between myself and each other.


Betwixt / Between: Hybridity In Asian American And Christian Identities, Sherry Xiao May 2017

Betwixt / Between: Hybridity In Asian American And Christian Identities, Sherry Xiao

Bachelor of Fine Arts Senior Papers

Hybridity is defined as the fusion of worlds that were once separate in one’s self. Both cultural and religious identity are sites of hybridity and dialogue with one another to shape conceptions of sacred and profane. My research explores historical accounts and anecdotes in which cultural understanding informs expressions of faith. My practice takes elements of Eastern and Western visual culture and art history and frames them within a Christian perspective through painting, printmaking, and installation. By participating in the legacy of religious art through a hybrid lens, I seek to adopt cultural ownership of Christianity.