Art and Design Commons^™

Art And Science: Blurring The Poetic And The Analytical, Caitlin M. David

Bachelor of Fine Arts Senior Papers

Abstract: Despite a modern conception of art and science as being fundamentally opposed, both have at their core a desire to explain the inexplicable. Their investigations and the communication of the results of these investigations can be blurred at both poetic and analytical junctions. Vivified abstract thought, or the poetic, can be thought of as instigating the ubiquitous desire to explain the inexplicable. Fruitful analysis of resulting data and representation of that data must consider the idiom of both art and science if it is to successfully cross between them, and special emphasis must be placed on the diagram as …

The Void Between Us, Hannah D. Blumer

Bachelor of Fine Arts Senior Papers

My interactive thesis installation, The Void Between Us, addresses the topic of human connection in relationship to the body. The human body marks a physical barrier between one’s self and others. While we exist in the same physical sphere as one another, our minds are isolated in our own self-centered versions of reality. Our bodies allow us to perceive others and be perceived—including having verbal communications—and, therefore, could be seen as helpful or restrictive in the social world. However, our bodies also allow us to engage in physical interactions with others, such as sex, which is a means to …

Drifting / Mooring: On Home, Travel, And Identity, Nicole Fry

Graduate School of Art Theses

Travel acts as a disruptor of routine, encouraging meditation and self-reflection. This activity is especially important in my studio practice because I come from an intensely region- bound family. My personal identity is influenced by my geographical and cultural location. In my studio practice I utilize a combination of writing and visual media to explore these fundamental facets of my life. I use Joseph Campbell’s monomyth structure of narrative storytelling as a baseline for constructing my written narratives. The narratives make heavy use of a feminine voice and examines what it is to be a woman in contemporary America. The …

Thrills, Spills, And Unacknowledgments, Caitlin Aasen

Graduate School of Art Theses

Through the use of stains, resulting from a process of water and pigments, I showcase the metaphorical importance of stains within our lives. Nature, the everyday, and our bodies have always been an inspiration to my process. Instances such as looking through car windows at the colors rushing past, becoming one, as I travel 60 miles per hour. These moments of moving colors that blur the line between object and pigment are where I find inspiration formally and conceptually. These instances of blurs happen constantly in our lives. Not just because we are moving so fast, but because we can …

The Vital Ambiguity Of Surface: Culturally Determined Notions Of Metaphor And Performance In Contemporary Building Material, Christopher T. Campbell

Graduate School of Art Theses

This thesis investigates the systems and information decipherable within a material surface; more specifically, those ideas of value, performance, and function we may infer from the surface of contemporary building materials. When these materials are reduced to their flattened image, the cosmetic facade of a surface has the capacity to inform as well as deceive. Additionally, we may see in materials outward properties, such as color or tactility, the capacity for metaphor and the application of a symbolic personhood. This thesis seeks to comprehend the ways in which these expectations become fodder for complication and paradox, and promote a perceptual …

Artificiality And The New Image: The Image Body, Liza H. Butts

Bachelor of Fine Arts Senior Papers

This paper sets up a historical argument for how images exist in the world and how artists relate to these images. The questions of the paper are concerned with defining the “Contemporary Image” and looking at how the digitization of all the images in our world affect the art object and the experience of art in the physical world. The conclusion and answer to these questions is found in a resistance to images that oversaturate our culture. This resistance occurs by looking to the painted image to function as a body in the world; aware of its existence, responsive to …

On Assemblage And Erasure, Dante Migone-Ojeda

Bachelor of Fine Arts Senior Papers

Through textual and visual research, I assert that the root cause of the injustice that drives my work and the work of the artists within my thesis paper is erasure. I attribute this erasure in large part to the role of neoliberalism upon the world stage, and it’s pervasive global influence. While neoliberalism did not create inequality, it has codified it and through its relentless push for “progress” it has propped up a dynamic of oppressor and oppressed. This in turn leads to simple categorization and ultimately erasure. I posit that my work not only makes this erasure visible, but …

Exercises On Overcoming Perfectionist Tendencies, Jake Yoo

Bachelor of Fine Arts Senior Papers

In my latest series, I investigate my neurotic perfectionist tendency through repetition of phrases that I understand to be true in my head, but have a problem with accepting it in my heart. This way, I am studying my personal biases and the way I perceive the world in order to break free from unwanted behaviors and process negative emotions. Louise Bourgeois is a historical precedence to my practice as whole, while the series functions similarly to Yayoi Kusama’s dot and net paintings—a psychological portrait achieved through continuous repetition of a few elements.

The Untitled Mapping Project: Case Study Trauma, Wyndi A. Desouza

Graduate School of Art Theses

This thesis is my personal exploration of what trauma is and how, if possible, it can be visually represented. The use of data collection, data visualization, and archive methodology is utilized in my project and this document examines how these components come together to understand trauma. This thesis also works through the ideology that everyone has the ability to experience trauma, of some form, in his or her life. Yet, there are different social perceptions for defining and labeling trauma. It is this social fallacy of trauma that I investigate and then seek to eliminate through the visual representation of …

Rewriting History: The Press As A Tool For Destruction And Preservation, Emily L. Mogavero

Bachelor of Fine Arts Senior Papers

This statement describes my two bodies of work, Aufheben and Artist-Hero/Squish, in which I use printmaking processes to rewrite history. In Artist-Hero/Squish I mimic canonical paintings of women by modernist male painters and run my quotations of these paintings through the press while the paint is still wet on the canvas. Through this process, I examine, confront, and change the male-dominated history of art. Aufheben currently includes one hundred drypoint prints that catalogue the personal history of my mark. This series represents a process of constant change, with individual prints suggesting stages of my process including moments of growth …

Interspace Encounters: Parkview Gardens, Madeline Marak

Graduate School of Art Theses

The undertaking to render an experience tangible reveals the inadequacy of the techniques and technologies of representation to transcribe the perception of ubiquitous, yet unnoticed, spaces in the urban environment. The work of Madeline Marak contemplates overlooked and forgotten spaces that are unnoticed by busy, preoccupied minds. The work advocates for slowing down… considering… and being present. This thesis refers to writer Rebecca Solnit and her anthologies on the subjects of walking, wandering, and getting lost to advocate for activities that preoccupy the mind and facilitate freethinking. The humanist geographer Yi-Fu Tuan is quoted in argument for a direct engagement …

Mr. Jonathan P. Berger: Gentle Conflations, Jonathan Patrick Berger, Mr. Jonathan P. Berger

Graduate School of Art Theses

Sentimentality is a critical aspect of human existence because it is human-natural, agendered, and provides ground for gentle conflation of the domestic sphere and the roles within it. As an artist, I am able to utilize sentimentality to open possibilities and welcome, instead of molest, viewers into contemplation with the assumed norms of domesticity.

With its origins founded in the Age of Enlightenment, sentimentality was a praiseworthy endeavor, one based on intelligence and contemplation. I define sentimentality as the emotional intellect’s way of encoding or decoding the soft emotions surrounding and within objects, people, times or ideas. Soft emotions are …

Damaged Goods: Reconstructing The Perceived Perfect, Sarah E. Harford

Graduate School of Art Theses

The writing that follows is intended to provide a speculative framework based upon theories, literature, and narratives that seek to articulate several major themes that occur within my studio practice. My work incorporates the imagery of domestic objects that can substitute for the body to permeate realities through the deconstruction and reconstruction of structures while simultaneously integrating gendered materials under the principles of the uncanny and sense of danger. This production process provides how we as viewers question strength and stability in what we understand by staging the familiarity of the home that is then imbued with altered states of …

Changing Human Relationships Through Interactive Art, Daniel Shieh

Bachelor of Fine Arts Senior Papers

In our current society, there is a constant endeavor to reconcile our differences while respecting our individuality. Since the 1990s, a large amount of artworks begin focusing on human relationships. In this essay, I discuss the question: how can interactive artworks create common ground between people while respecting their individual identity? Through creating a sequence of interactive artworks, I determine the three factors that are necessary for connecting people of different backgrounds—mutual vulnerability, anonymity, and the leveling of power dynamics. Mutual vulnerability entails an interaction where two people reveal themselves to each other, and connect through this reciprocal action. Anonymity …

Abstraction As A Form Of Redaction, Alex P. Derosa

Bachelor of Fine Arts Senior Papers

Abstraction as a Form of Redaction acts as an explanation of the personal and conceptual basis of my three bodies of work titled the dimension of intimacy, notations of the mind, and medical signifiers. Examining contemporary art through the lens of the self, I have created work that is present in conversations about intimacy, abstraction, self-portraiture, and feminism. Though my work does not directly address contemporary feminism, I am using this work to reclaim my body, my mind, and my space as an act of agency. The work, when looked at as a compilation, functions as an autobiography. …

Of Ghosts And Garage Sales: The Painted Realizations Of Reflective Nostalgia, Rachel Ahava Rosenfeld

Graduate School of Art Theses

Painted from the lost snapshot photograph collections of strangers, the Testimonial paintings represent both the mythical potential of earlier times and the maddening reality that no matter what details are revealed, they can only ever be ghosts of the glories and tragedies that preceded our own. In the search for their stories, for their truths, for their absent memories, everything and everyone that we could have known lies dormant. The ghosts, the legion of “selves” arise from the questions asked of the paintings, and through the invented answers that activate the fractured past. In order to do this, I analyze …

The Science Of The Concrete: A 21st Century Bricoleur, Julie Weinberger

Graduate School of Art Theses

The 1962 work of structural anthropology The Savage Mind by Clause Levi- Strauss argues the position of the bricoleur, a resourceful artisan who relies

primarily on mystical thought and constructs using whatever materials are available. In this thesis I argue how my modes of making are parallel to those of the bricoleur, exploring the notion that science and mystical thought are equivalent approaches to understanding the world around us. By exploring aspects of nature, time and space, I invocate the ancient past through my references to indigenous cultures and insert my own experiences through the lens of my IPhone documented …

Toward An Evicted Avant, Adam Charles Turl

Graduate School of Art Theses

Contemporary art has been evicted from both Heaven and Earth—divorced from the promise of spiritual ascension (or existential truth) as well as the emancipatory impulses of modernity (Marxism, anarchism, etc.). The artist is constantly on the make, trying to become in actuality what they feel themselves to be in essence, trapped between a rigid social position and the fluidity and openness of the contemporary art object or gesture. Within that trap are unspoken truisms about what work can and cannot be: too didactic, too earnest, or too confrontational. Contemporary art suffers an unbearable lightness of being and an unbearable weight …

Rhetoric: The Art Of Using Language Effectively, Eric Burwell

Graduate School of Art Theses

My thesis is constructed of fifty text modules, each containing 100 words exactly. These modules express my technical interests, my personal history, and artists that influenced my writing and paintings. The module form enables me to concentrate my thoughts about how I approach personal studio methods and constrain personal limitations that direct my writing into poetry. The methods employed in the writing also correlate with my paintings. Many of the modules address methods I use in constructing my paintings; arrays of gestural marks of language and sometimes specifics words. I choose to arrange these letterforms in gestural fields of color. …

Zeitgeist: An Artist's Present Perspective, Danielle Leventhal

Bachelor of Fine Arts Senior Papers

This statement is an analysis of my process in creating a zeitgeist collection of painted portraits. The pieces in this collection began with a live, in-person session with each of my subjects, all of whom are my friends: females ages 18-22 at Wash.U. An interest in the brain and mirror neurons, as well as Susan Stewart’s idea that the face is a “text” that must be read in order to exist, is what enabled these portraits to become a psychological examination of the spirit of our time. The material process of collapsing layers of time, emotions, and thoughts on the …

Fixing Broken Shit: How We Are Always Cleaning Up Some Mess, Kendall L. Brown

Graduate School of Art Theses

My artistic practice deals with identifying and breaking down expectations that are placed on women in America; both in their personal and public lives. I have combined the ideologies of two previous feminist art movements: The Pattern and Design, and Deconstructivist movements. This creates a visual language that is unique to my time, while acknowledging the successes and contributions of the past. This thesis will analyze how my work draws elements from the past and expands upon those ideas to progress the feminist plight.

Filter Feeding, Sam Boven

Graduate School of Art Theses

This paper is an investigation of the mechanics of evolutionary processes and its methods. These investigations are representative of both a world view and a methodology of artistic production. I consider a central consideration of my current work to be the interaction of distinct components and the new experience that these interactions produce when pondered by a viewer. Evolution and the development of life is driven ever forward by the interactions between organisms, both as groups and individuals. By grouping these relationships into three categories: parasitism, predation, and symbiosis, I aim to provide a lens through which to consider both …

Wax Bodies: Candles, Queerness, & Taking Up Space, Moya Shpuntoff

Bachelor of Fine Arts Senior Papers

My partner and collaborator Callaway Fox and I use queer surrealist installation, craft practices, and performance in order to address queer and disabled temporality, articulating our experiences as disabled queer femme artists through abstracted and literal exploration of femme bodies in space. In performance and installation works Hospital Performance: Part I and Hospital Performance: Part II, we responded to our experience of marginalization, medical malpractice, and emotional isolation, ultimately exploring queer and disabled temporality through queer surrealism. Hand-poured scented candles became metaphors for queer and disabled bodies, and along with other craft practices used in this work, are a …

The Lifted Shadow, Xinyi Xie

Bachelor of Fine Arts Senior Papers

The Chinese shadow puppet tradition is one of negotiation: where the local (folktales and traditions) meets the national (“culture”?), and the national (??) meets the international (???). It is a cultural practice in which the "masses" create "entertainment," which is then intellectualized and "refined" by social (and cultural) “elites.”

In a nation that has rejected "feudalism" in the past, the shadow puppet tradition is one of many at risk of being commercialized and exported as national commodity. It offers potential cultural “heritage,” soft power to go hand-in-hand with China's economic and industrial might. When a nation has produced everything and …

To Sleep, Perchance To Dream, Carla G. Steppan

Bachelor of Fine Arts Senior Papers

Focusing on the devaluation of monumentality identified by architects in the mid-twentieth century, this paper examines how the reduction of form throughout the history of architecture and how such reduction affects space framed by such architecture. By applying the malleability of symbolic meaning to a closed set of symbols, the nature of the set is re-made and subsequently manipulated to theoretically set the stage for a romantic narrative. A formal interest in reproduction and repetition serves a conceptual interest in allusion of forms in the creation of the illusion of narrative and romance.

Cuba A La Yuma: In, Around, And Millennial Thoughts, Zoe Kline

Bachelor of Fine Arts Senior Papers

The camera phone prompted a new stylistic approach that has created an outlet for inexpensive and democratized photography, seemingly giving anyone the revolutionary ability to be called an artist. It is because of this that photojournalism, as an art practice, is losing its intrinsic ambitions — to employ visual storytelling to, more effectively than written word, foster positive social and political activism. Photographs of war and marginalized people in society have become both exploitative and dehumanizing in their treatment of both photographic style and relationship to subject and have only numbed their viewers to today’s atrocities. I look to find …

Shady Ladies: Femininity Across The Gender Spectrum, Holly Mcgraw

Graduate School of Art Theses

This thesis explores performing gender fluidity as a deviant act. The conceptual impetus is to tease out ways in which comedy and beauty can be used to subvert stigma against the gender fluid community in a cultural climate where it is still dangerous to be queer. Through aestheticized, heroic and subversive imagery, I utilize drag vernacular to contextualize my own feminine performance as a gesture of power. In collaboration with gender fluid models, we create imaginary spaces as a backdrop for the outlaw act of playing with the gender binary. Within recognizable systems of gender marketing, the cult of the …

Crossing The Divide: Art As Mediation And Pilgrimage, Sophia Keskey

Bachelor of Fine Arts Senior Papers

Founded on my personal experiences of growing up in an interfaith household and my high school semester abroad in Israel, my artistic practice seeks to build bridges between people, connecting diverse communities across divides (cultural, religious, economic, racial, ethnic etc.). Through two process, mediation and pilgrimage to self, specifically in using myself as an active participant, I argue that the process of making can become the neutral ground in which to build relationships and begin to imagine coexistence.

Mediation is expressed by Homi Bhabha’s definition of negotiation: “The ability to articulate differences in space and time…to intervene in the forest …

“I Would Save You, But My Boobs Keep Getting In The Way”: An Examination Of My Art Through The Lens Of The Heroic Myth And Alternative Comics, Barrett Hollingsworth

Bachelor of Fine Arts Senior Papers

My artwork challenges the masculine, violent idea of the hero through utilizing the visual language of comic books, as well as autobiographical themes. In this examination of my work, I explore conceptual and visual precedents and relate them back to my own practice throughout. My essay establishes the idea of the contemporary American heroic myth by looking at Joseph Campbell, as well as more contemporary re-examinations and criticisms of his ideas, relating the modern myth to the superhero comic genre. Next, I explore the history of underground comics, specifically feminist autobiographical comics, and relate the works of artists such as …

A Borrowed Language, Yvonne Osei

Graduate School of Art Theses

Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.

My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …