Art and Design Commons^™

Martin Puryear: 40 Years Since Sentinel, Merlyn I. Maldonado Lopez, Shannon Egan

Schmucker Art Catalogs

Artist Martin Puryear’s commitment to seeing objects as connected to history and culture resonates with a moment when Gettysburg College reflected on the significance of its own historical place and time. As the College approached the sesquicentennial anniversary of its founding, it decided to mark the occasion not with a ball or parade, but with “an intelligent artifact,” a permanent marker that both recognizes its maker and offers its own history. In 1980, Associate Dean of the College Robert Nordvall suggested to President Charles Glassick that they ought to commission a monumental sculpture on campus. Glassick then created the Ad …

Dr. Seuss And Uncle Sam, Ziv R. Carmi

Student Publications

This is an examination of the WWII era political cartoons of Theodor Geisel (aka Dr. Seuss), which covered a variety of topics ranging from isolationism to anti-Axis propaganda to racism and bigotry at home. The project further investigates the attitudes of German-Americans towards Hitler, using Geisel's very vocal hatred of the Nazi leader to compare his sentiments with many of his contemporary peers.

John B. Bachelder’S Artistic Vision For The Gettysburg Battlefield, Shannon R. Zeltmann

Student Publications

John Bachelder was an important artist and historian to Gettysburg, shaping the early interpretation of the battle during the Gettysburg Battlefield Memorial Association period (1863-1895). While he is mainly discussed as the first park historian, it is important to look at his career as an artist and how it influenced his career at Gettysburg. Looking at Bachelder’s entire career, one can see how Bachelder’s vision for the battlefield changed over time. Bachelder wanted to create a grand history painting of the battle, which ultimately became his Isometric Map of Gettysburg. He corresponded with veterans to get their accounts, leading Bachelder …

Friends Of Musselman Library Newsletter Spring 2017, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library News

• "You do not have a minute to lose!"
• New Homes for Old Books
• Wikipedia Edit-a-thon (Melanie Fernandes '16)
• Share a Table (Sarah Nelson '17)
• A Note of Sadness (Jay P. Brown '51)
• Not Lost in Translation

Half a Million Downloads from The Cupola! (Janelle Wertzberger)

Revisit The Mercury

Mercury Stories of Note (Jerry Spinelli '63)

More Early College Publications Online

The Spectrum of Art

First German Print of the Declaration of Independence (Daniel DeNicola)

Hidden Beneath: Watermarks in the Early American Document Collection (Tyler Black '17)

Archaeological Students Dig Special Collections

Research Reflections …

Images Of Power, Images Of War: Schmucker Art Gallery’S New Exhibit, Laurel J. Wilson

The Gettysburg Compiler: On the Front Lines of History

Bodies in Conflict: From Gettysburg to Iraq is a brand new exhibit in Schmucker Art Gallery at Gettysburg College. Curated by Mellon Summer Scholar Laura Bergin ’17, it features eleven depictions of bodies engaged in various conflicts in U.S. history, ranging from the Civil War to the war in Iraq. In addition to curating the physical exhibit found in Schmucker Art Gallery, Bergin also created a virtual version, which can be accessed online through the Schmucker Gallery web page. Of particular interest to those interested in the Civil War are two of the oldest pieces in the collection, a …

Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin

Schmucker Art Catalogs

The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …

Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley

Student Publications

Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …

Ms-191: The Laubenheimer Collection, Devin Mckinney

All Finding Aids

This collection contains three items: the “die trial” of a seal made by Rudolph Laubenheimer for the 1893 Columbian Exposition (World’s Fair) in Chicago; Ernst Laubenheimer’s handwritten diary of an 1896 trip to Europe; and a carte de visite (photograph) of Ernst created at roughly the same time.

On June 20, 1896, Ernst and his father sailed from New York to Hamburg, Germany, on the S.S. Palatia. They traveled south through Germany, Switzerland, and Italy, then back to Germany, returning to New York on October 16.

The diary is a detailed record of prices, distances, and other logistics. It …

The Intersection Of Art And Public History: Schmucker Art Gallery’S Newest Exhibit, Jeffrey L. Lauck

The Gettysburg Compiler: On the Front Lines of History

“‘Pray For the People Who Feed You’: Voices of Pauper Children in the Industrial Age” is the newest exhibit to be featured in the Schmucker Art Gallery at Gettysburg College. The exhibit was curated by Gettysburg College senior Rebecca Duffy ’16, and is the culmination of her three semester International Bridge Course (IBC) program. At its opening on Friday, October 2, Duffy discussed her experiences with the IBC program and the process she went through in putting together this unique project [excerpt].

Friends Of Musselman Library Newsletter Fall 2015, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Avian Flew! (Peter Morgan)

First-Year Book Group

Library News

Students Help Make History Public (Steven Semmel '16, Andrew Dalton '19)

Student Exhibit Exemplifies Liberal Arts (Rebecca Duffy '16)

Report Cards Reveal More Than Grades

Interview with Lawrence Taylor: Case Map Collection

Research Reflections: Eisenhower's Correspondence (Michael J. Birkner '72)

Musselman Likes Ike

Eisenhower in Focus

Hammann Honored (Louis Hammann '51)

Rare Document on Holocaust

GettDigital: The Beauty of a Book (Rachel Hammer '15)

Focus on Philanthropy: Kimberly Rae Connor '79

Gifts to Musselman Library

Research Help Desk: Different Name, Same Great Service!

Friends Of Musselman Library Newsletter Spring 2015, Musselman Library

Friends of Musselman Library Newsletter

From the Director: Open Access (Robin Wagner)

Global Perspective: Library Participation in College’s Internationalization Efforts (Lucy Marinova ’12, Munya Choga ’12)

Remembering Gale Baker

Library wins 2014 Best in Show

Summer Reads 2015 Launches

Eisenhower Exhibit

Birds of a Feather: Photography Exhibit (Sandra Blair)

Heads Will Turn: Student Exhibit (Mark Warwick)

Edible Books

Audubon Print - Carolina Parrot (Geoffrey Jackson ’91)

Life in Photos: William H. Tipton exhibit

50^th reunion Gift of First Editions (John E. Rogers, Jr. ’65)

Sharing the Past: Alumni Memorabilia (Jessica Casale ’18, Julia Hendon, Clara A. Baker ’30, Gary T. Hawbaker ’66)

19^{th …}

For Those At Home: The Romantic Nature Of Civil War Lithography, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Lithography, the art of drawing on stone, was an important part of American Victorian culture during the Civil War. Not only did lithography provide news in pictorial form, but it also was widely displayed in the home. With the economic move from home to factory during the early 19th century, the home became more of a “sanctuary” in which women could decorate and display. [excerpt]

Glenn Ligon: Narratives, Shannon Egan, Kimberly Rae Connor

Schmucker Art Catalogs

The exhibition on display at Schmucker Art Gallery, a suite of nine prints entitled Narratives by prominent contemporary artist Glenn Ligon, has been made possible by a generous gift to Gettysburg College by Dr. Kimberly Rae Connor ’79. Ligon’s works have been exhibited widely at major museums, and Gettysburg College is fortunate to have the opportunity to engage with work that examines issues of race, sexuality, history and representation. The artist is well known for his use of quotations and texts from a variety of literary writers and cultural critics such as James Baldwin, Frantz Fanon, bell hooks and Ralph …

Kara Walker: Harper's Pictorial History Of The Civil War (Annotated), Shannon Egan

Schmucker Art Catalogs

The preface to the original edition of Harper’s Pictorial History of the Civil War, published in 1866 by Alfred H. Guernsey and Henry M. Alden asserts, “We proposed at the outset to narrate events just as they occurred; … to praise no man unduly because he strove for the right, to malign no man because he strove for the wrong." The suite of lithographs on display at Schmucker Art Gallery by prominent contemporary African-American artist Kara Walker entitled Harper’s Pictorial History of the Civil War (Annotated), on loan from the Middlebury College Museum of Art, challenges the truth Guernsey and …

Lisa Blas: Meet Me At The Mason Dixon, Shannon Egan, Miguel De Baca

Schmucker Art Catalogs

The Schmucker Art Gallery at Gettysburg College is extremely pleased to mount the remarkable series of paintings, photographs, and mixed-media installation by contemporary artist Lisa Blas entitled Meet Me at the Mason Dixon. This exhibition is an official part of Gettysburg area’s 150th Commemoration of the American Civil War as well as Gettysburg College’s Kick-Off event for this significant anniversary. Gettysburg provides an especially appropriate backdrop for the exhibition, as the artist took the history of this “hallowed ground” and its current resonances as the subject of her work. Blas traveled the Gettysburg National Military Park, as well as to …