Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Affair of the Diamond Necklace (1)
- Agnès Varda (1)
- Alexandra Fedorovna (1)
- Annette Messager (1)
- Art (1)
-
- Art Historical Canon (1)
- Art embroidery (1)
- Artistic Canon (1)
- Artistic Creation (1)
- Black Venus (1)
- Body Politics (1)
- Canon (1)
- Chantal Thomas (1)
- Christine de Pisan (1)
- Creation (1)
- Elena Prakhova (1)
- Elisabeth Vigée-Lebrun (1)
- Female Representation (1)
- Female Representation in Art (1)
- Female Sexuality (1)
- Feminism (1)
- Feminist Art (1)
- Feminist History (1)
- Fertility (1)
- French (1)
- French Art (1)
- French Feminist Theorists (1)
- French Women (1)
- French Women Artists (1)
- French Women in Art (1)
Articles 1 - 2 of 2
Full-Text Articles in Art and Design
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Embroidery In The Circle Of The Last Romanovs, Wendy Salmond
Embroidery In The Circle Of The Last Romanovs, Wendy Salmond
Art Faculty Articles and Research
This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In the …