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Sculpture

2018

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Articles 31 - 60 of 65

Full-Text Articles in Art and Design

Progressive Commemoration: Public Statues Of Historical Women In Urban American Cities, Melanie D. Chin May 2018

Progressive Commemoration: Public Statues Of Historical Women In Urban American Cities, Melanie D. Chin

All Dissertations, Theses, and Capstone Projects

Women who made notable accomplishments are underrepresented in commemoration. Some American cities have brought women to the forefront of becoming visible through commemoration in statues. This thesis compares the commemoration of historical women in four different American cities. Stakeholders hold the key to implementing and changing public policy to increase the visibility of women and people of color in public monuments. Cities which lack representation of women and people of color may learn from and follow the efforts of a leading city to achieve lasting and effective change in representing those who historically been underrepresented.


How To Be The Perfect Asian Wife!, Sophia Hill Apr 2018

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.


A Synthesis Of Structures, Patrick Kingshill Apr 2018

A Synthesis Of Structures, Patrick Kingshill

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.

Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and ...


In Between, Wansoo Kim Apr 2018

In Between, Wansoo Kim

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

In my eyes, the world is composed of both revealed things and hidden things. I interpret my surroundings based on this idea, seeking to realize my ignorance and awareness. With this in mind, I create objects in which dichotomous ideas are present, and use their physically revealed and hidden aspects in order to represent the greater human struggle to see and understand what is hidden from us.

The notion of inside and outside is one of my particular subjects. Upon observing an object or a structure, we see only its external reality. I aim to present the unobservable, often presenting ...


|You| |Me|, Sheila Goloborotko Mar 2018

|You| |Me|, Sheila Goloborotko

Showcase of Faculty Scholarly & Creative Activity

|you| |me| Series of cast iron sculptures, prints and embossment.


Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li Mar 2018

Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li

Forces

No abstract provided.


Introduction, Scott Yarbrough Mar 2018

Introduction, Scott Yarbrough

Forces

No abstract provided.


The Chinese Ghostbuster, Peizhao Li Mar 2018

The Chinese Ghostbuster, Peizhao Li

Forces

No abstract provided.


2018 Forces, Scott Yarbrough Mar 2018

2018 Forces, Scott Yarbrough

Forces

No abstract provided.


Ode To The Sea: Art From Guantanamo, Erin L. Thompson, Charles Shields, Paige Laino Feb 2018

Ode To The Sea: Art From Guantanamo, Erin L. Thompson, Charles Shields, Paige Laino

Publications and Research

Exhibition catalogue for “Ode to the Sea: Art from Guantánamo” (October 16, 2017-January 26, 2018, President's Gallery, John Jay College of Criminal Justice, New York). Detainees at the United States military prison camp known as Guantánamo Bay have made art from the time they arrived. The exhibit displays some of these evocative works, made by eight men: four who have since been cleared and released from Guantánamo, and four who remain there. They paint the sea again and again although they cannot reach it. The catalog includes contributions by Trevor Paglen, Solmaz Sharif, Natasha Trethewey, Jericho Brown, and current ...


Passages Through The Ordinary: Human Pyramid, Daniel Dean Feb 2018

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Daniel Dean

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully ...


"Can You Shut The Door Behind You?", Nate Millstein Jan 2018

"Can You Shut The Door Behind You?", Nate Millstein

Senior Projects Spring 2018

"Can you shut the door behind you?" creates a parallel between the basement and the subconscious. These settings (one mental and one physical) serve as storage units. In creating these spaces, I became fascinated with the container as a sculptural form; objects whose purpose is to carry and cradle other objects. Pipes cycling water throughout the home, crates and boxes holding family memorabilia, washing machines continuously cycling dirty laundry. My work captures how these containers, abandoned in this forgotten space, grow and decay. The entire space is in and of itself a constructed container a viewer may enter. Casting is ...


Transit, Christopher Janke Jan 2018

Transit, Christopher Janke

Masters Theses

This written thesis, transit, accompanies an exhibition by the same name and serves to contextualize the exhibit. The written portion begins with an inquiry into the nature of the contextualization itself, questioning the nature of the relationship between the written thesis, the exhibit, and the University which explicitly requires and connects the two, especially the ways that the written word as granted authority through an institution of higher education might undermine the exhibit’s intent to provoke thought into other forms of knowledge and other avenues of legitimacy than those presented by this institution.

The thesis discusses the philosophic question ...


Arts 263, Dewitt Godfrey Jan 2018

Arts 263, Dewitt Godfrey

Faculty Syllabi

This course introduces, through a series of directed projects, basic sculptural concepts and processes, both analog and digital, in a contemporary critical context. There will be a focus on understanding form and space, including direct modeling, digital design and scanning, 3D printing, mold-making and additive techniques.


The Soft Animal Of Your Body: Seven Attempts To Explain Chronic Illness To Myself And To You, June Naureckas Jan 2018

The Soft Animal Of Your Body: Seven Attempts To Explain Chronic Illness To Myself And To You, June Naureckas

Senior Projects Fall 2018

THE SOFT ANIMAL OF YOUR BODY – ARTIST’S STATEMENT

If I knew how to explain vision loss or chronic pain, I wouldn’t have started this senior project.

How do I communicate the knowledge that my body is slowly failing me, that even the best treatments aren’t guaranteed to work? With whom do I have to speak with to be heard and understood? I’ve previously attempted dictionary definitions, disability accommodation letters from the Bard Learning Commons, repeatedly cancelling plans with friends until they stop inviting me to things, and passive-aggressive conversations with my neurologist. None of these efforts ...


My Eyes Due See, Johannes J. Barfield Jan 2018

My Eyes Due See, Johannes J. Barfield

Theses and Dissertations

My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts and broomsedge grass. Each of these elements arranged in space share a nuanced and complicated view of blackness through the lens of a black man decoding personal history and American history simultaneously. Autonomy is the overarching theme throughout the work as it pertains to race, identity, urban and rural environments, and the relationship between generational trauma and nostalgia.


A Familiar House, William Lenard Jan 2018

A Familiar House, William Lenard

Theses and Dissertations

The landscapes of my home in Connecticut are important to me. When I was young, I went to the woods for seclusion and comfort. While I wandered through the woods, I discovered a passion for storytelling. Now that I no longer live in New England, I miss the familiar landscapes of home. As a way to portray my sentiment, I write poetic narratives and create objects to illustrate natural landscapes.

I combine my interests of classic Americana art and literature with brutalist architecture and modern furniture to create immersive installations. I work with concrete and hardwood to materially bridge the ...


Enact In Disappearance, Stephanie Demer Jan 2018

Enact In Disappearance, Stephanie Demer

Theses and Dissertations

Enact in Disappearance excavates the unseen through the medium of photography in order to chart a new strategy for knowing and communing with a complicated world.


Mantle, David Hannon Jan 2018

Mantle, David Hannon

Masters Theses

Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using scenic design ideas. Home for many is a safe place, but for queers, it can be a difficult one, wrought with not belonging in a childhood of heteronormativity. Being stuck in that heteronormative space is what I communicate through a stage set, composed of four theater flats, printed and collaged wallpaper, free-standing photos mounted on MDF, a giant necklace in a separate room, and impromptu pieces made in the space.


After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee Jan 2018

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined ...


Converging Objects Of The Universe, Everett Hoffman Jan 2018

Converging Objects Of The Universe, Everett Hoffman

Theses and Dissertations

Reconfigured found objects shape scenes of everyday life, questioning the structural histories that go into defining an identity. Engaging in a multidisciplinary approach of making, my work reimagines the function of ornamentation and its relationship to the body. I approach new materials and found objects with the eye of a jeweler, highlighting and exploiting the subtle, and often invisible, links between material histories and their connection to identity. Material debris patinated with age like skillets, baseballs, and furniture are used to penetrate normative structures around identity, gender, and sexual desire. Using adornment as a support in my installations I propose ...


What Is It Made Of?, Yuyang Guo Jan 2018

What Is It Made Of?, Yuyang Guo

Honors Theses at the University of Iowa

People often have strong opinions and preferences on colors. We associate colors with specific objects, occasions, and emotions subconsciously, but our relationships with colors are more than the preconceptions. This project is aimed at evoking viewers’ individual associations and experiences with colors by providing them with sets of uncommon yet somewhat plausible combination of colors and objects. I will be exploring new forms and building techniques while making the project. To realize this, I chose three to four items for each of the eight basic colors that I included based on a web quiz and my own interpretations. I used ...


Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra Jan 2018

Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra

Theses and Dissertations

I wish I could believe in something. Having grown up in a religious household, I have continually teetered between faith and doubt. Landscapes seen and unseen are my last source of awe; here my doubt is suspended – for a moment. Using unfired clay, I create alternate landscapes inspired by sublime philosophy. The sublime experience is born in a sense of amazement linked to fear of something beyond our understanding or control. The amazing intricacy of microbiology, a whole universe existing alongside and inside us, fascinates me. The abundance of unfamiliar life in my work triggers a cautious curiosity. My imagined ...


The Pond, Jordan Loeppky-Kolesnik Jan 2018

The Pond, Jordan Loeppky-Kolesnik

Theses and Dissertations

A collection of creative texts written concurrently with the creation of the artist’s thesis exhibition. A range of written forms coexist - poetry, prose, and dialogue - to open up the narrative and emotional space of the visual work. The text emerges from the point-of-view of different voices, describing experiences and body states that hinge upon the physical and conceptual space of the pond. Amphibiousness offers a gateway to a state of becoming and transformation. Some of the following texts appear in video works by the artist.


Laminated Paint, Travis R. Austin Jan 2018

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.


Good Game, Greyory Blake Jan 2018

Good Game, Greyory Blake

Theses and Dissertations

This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say ...


Profile In Scale, Jason Boldt Jan 2018

Profile In Scale, Jason Boldt

All Theses, Dissertations, and Other Capstone Projects

I started gaining and interest in sculpture after seeing and learning about Frank Lloyd Wright and his use of natural materials integrated into planar and linear forms. I appreciate how he creates buildings such as Fallingwater, a home built for a family, where the structure is part of nature rather than intruding in on it.

The underlying feature between all of my work is the relationship between different forms that are integrated together. My sculptures include different media, such as wood, stone, metal, and found objects. My latest projects, however, include creating maquettes, which are miniaturized versions of larger objects ...


Misfits, Hanna Newman Jan 2018

Misfits, Hanna Newman

All Theses, Dissertations, and Other Capstone Projects

My figurative ceramic sculptures are comprised of deconstructed, fragmented and simplified renderings of the human form. Within these sculptures I integrate materials such as human hair, fabric, wood and plaster cast body parts to mimic limbs and body mass, creating diversity in the tactile surface quality. The pastel tones, bright colors and additions of hair further obscures the realistic appearance of these beings. Clay's malleability fuels my intuitive creative process and allows me to replicate the human form in ranges from anatomical accuracy to biomorphic abstraction.

I am inspired by the relationship between interiority and exteriority, between the mind ...


Signor Mio Carissimo: A Theatrical Analysis And Translation Of Michelangelo’S Love Letters To Tommaso Dei Cavalieri, Miles Edmonds Messinger Jan 2018

Signor Mio Carissimo: A Theatrical Analysis And Translation Of Michelangelo’S Love Letters To Tommaso Dei Cavalieri, Miles Edmonds Messinger

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts and The Division of Languages and Literature of Bard College.


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I ...