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Full-Text Articles in Art and Design

Skin Echoes, Andreia Santana May 2023

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.


On The Line Mfa Thesis Exhibition Cassi Rebman, Cassandra Rebman Jan 2023

On The Line Mfa Thesis Exhibition Cassi Rebman, Cassandra Rebman

Master's Theses

My work asks, “What are we capable of and what might be holding us back?” I survey of themes of mortality and human frailty, psychological susceptibility, dependence and codependence, established ideas of being and an increased mediation of our experience through the screen.

I make strange and confounding objects that seek to entice as much as they repel. Though I gain method, means and motivation from the Dadaists and Neo-Dadaists, my work fits within the pluralism of the postmodern. By making material and stylistic choices to fit the narrative of each piece, I utilize the familiar and the uncanny with …


Visibility, Jamie Valdez Jun 2022

Visibility, Jamie Valdez

Electronic Theses, Projects, and Dissertations

I am a woman, activist, artist, mother, and wife. My art practice questions the role of

institutions in disseminating outdated traditions and unfair rituals in relation to women. Bringing

visibility to what is ignored, I create works that are critical to the unfair expectations that society

fosters, expectations which ultimately oppress women vis- -vis the (art) institution. Through

different conceptual strategies, my work questions what society has taught us about gender

roles and explores the pedagogies that our institutionalized education has systematically

perpetuated for women and girls from early educational experiences.


The Good, The Bad, And The Unspoken: Complex Layers Of Motherhood, Casaundra R. Beard May 2021

The Good, The Bad, And The Unspoken: Complex Layers Of Motherhood, Casaundra R. Beard

MSU Graduate Theses

This body of work represents my frustrations about domestic life, by

communicating the raw, unfiltered side of how sometimes my anxiety and

motherhood coincide. By addressing the harsh stigmas society has towards both

anxiety and motherhood, I hope to normalize the reality rather than continue the

cycle of these idealized notions of what motherhood is supposed to be. Each piece

represents a small seemingly insignificant moment from my average day, but it is

when they start to accumulate together that results in an anxiety attack. The titles

of each piece are the positive mantras I repeat endlessly to convince myself …


Feminism And The Staged Uncanny, Jessica C. Mensch Jan 2020

Feminism And The Staged Uncanny, Jessica C. Mensch

Theses and Dissertations

In my Thesis, I work towards a new definition of the uncanny and show the transformation of its sense in the modern period. I will then show how this transformed sense appears in the media of mechanical reproduction—stage theatrics, photography and film—and, then, specifically in my art practice.


I Speak As One In Doubt, Margaret Hazel Wilson Aug 2019

I Speak As One In Doubt, Margaret Hazel Wilson

Masters Theses

A written thesis to accompany the M.F.A. Exhibition I Speak as One in Doubt. Blending epistolary format and visionary narrative, the artist addresses her complex relationship to her Catholic upbringing.


Overstimulated - An Immersive, Multimedia Art Installation, Quinn Devlin Jun 2019

Overstimulated - An Immersive, Multimedia Art Installation, Quinn Devlin

Honors Theses

This thesis provides the explanation, inspiration, research and progression of an immersive, multimedia art installation that emulates the idea of a “sexual dystopia.” It explores how our dichotomy of inadequate sex education and hypersexual, gender-based media is resulting in a dystopian sexual reality for women in particular. The work portrays a future world in which sexual and fertility technology is so advanced and accessible that real men and women no longer interact. As a result, women and objects become one in the same.

Female literary icons are over-sexualized to suggest that porn-culture is a by-product of a historical framework that …


Trace., Kcj Szwedzinski May 2019

Trace., Kcj Szwedzinski

Electronic Theses and Dissertations

Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and between …


Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen Feb 2019

Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen

Theses and Dissertations

“Behind Closet Doors: Horror and Dislocation in the Queer Closet,” is composed of a collection of sculptures, videos, and sound works that are directly associated with themes of horror and anxiety derived from the precarious space of the queer closet as detailed in this thesis of the same name.


Vox Machinal : The Voice In The Machine, Phoebe Hiltermann Jan 2019

Vox Machinal : The Voice In The Machine, Phoebe Hiltermann

Senior Projects Spring 2019

Senior Project submitted to The Division of Arts of Bard College.

A radio play and foray into the psychosis of a woman through sound, dance, and puppetry.


Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen Aug 2018

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …


Tipping Point, Pang Z. Vang May 2017

Tipping Point, Pang Z. Vang

Theses and Dissertations

What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.


Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius Jan 2017

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius

Theses and Dissertations

I am not quite sure how to be a woman. It’s complicated, contradictory and highly surveilled. I make videos, sculptures and wearable objects that attempt to rationalize my female identity. The body is a sustained fixture in my work: as an armature, as an absent actor for constructed environments, as fragment and as the literal inclusion of my image. It is through these various modes of dis/embodiment that I negotiate the complexities of gendered existence. Crumbling ceramic and paper objects, pieced fabric forms, videos, beauty products, and delicate flowers reference splintered narratives and unwieldy terrains. I consider the idea of …