Art and Design Commons^™

Eve Leaving The Garden, Norma L. Colby Ms.

LSU Master's Theses

This body of work serves as an investigation into the concepts and burdens that, as a female millennial, impact me regularly. As the door to my education closes, I turn to a much bigger world with endless possibilities and responsibilities. With these overwhelming prospects, I find myself reflecting on how our society has progressed and worsened to arrive here today. I continue to question the passing down of systemic burdens, politics, and gender roles of women in the 21^st century. Eve Leaving the Garden is a collection of textile works, photographs, and sculptures that serve as an exploration of …

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …

Tiempo De Hibridos, Paul Acevedo Gomez

LSU Master's Theses

Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.

The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects …

Neverending Loop, Joseph Nivens

LSU Master's Theses

The intention of NeverEnding Loop is to depict the trauma of queer adolescense contrasted by the shadow of the closet that follows LGBTQ+ children into adulthood. The reality for queer people is that coming out is a process that never ends and a task that can create a lonely existence for those that are different from the norm. The artwork aims to convey the very real and confusing struggle of finding your identity as a queer person existing in a heterosexual world.

NeverEnding Loop explores loops and cycles in short animations, sculptural forms with repeating imagery, and mixed media forms …

Body/Mind:Matter, Mary Ellen Ratcliff

LSU Master's Theses

Body/Mind:Matter presents the unfiltered experiences of living in a period of momentous instability. Three life-sized figurative sculptures stage my emotional journey towards mindfulness as a direct response to the pandemic and my growing concern for our collective future. A winding network of crocheted yarns and growing vines interweave the troubled figures to signify our complex dependencies upon one another and our environment.

The condition of the encumbered bodies is a result of the worried mind. Revitalized matter proposes reconciliation by introducing a sense of hope; decaying surfaces reveal new life; fused wires hold up under immense pressure; and soft woven …

Hello Again يا اهلا A Study Of Grief, Diana Abouchacra

LSU Master's Theses

Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …

In The Garden, Clare Samani

LSU Master's Theses

My work has focused largely on identity and self-expression, primarily through clothing, pattern, and color as a symbolic content. Having heavily investigated historical costume and clothing from various periods, my attention is drawn to the highly sculptural and ornamented garments of the Middle Ages, the Renaissance, the rococo, and the baroque. In these colorful and puffed garments, I am attracted to the similarities that I see in nature. How we adorn ourselves mimics various flowers, plants and animals in the pursuit of desire and procreation. Focusing on fabric manipulation, printmaking and sculpture, In the Garden coalesces into ambiguous sculptures that …

Meanwhile, Samantha Combs

LSU Master's Theses

Meanwhile is an installation that explores the psychological and physical impact emotions have on individuals and the experienced struggle of restraining and letting go of them. Through the influence of Abstract Expressionism and use of metaphorical materials like soap and self-help book paper, each artwork embodies the intensity of this emotional struggle. Meanwhile represents and exposes the grotesque beauty of peoples’ psychic experience.

Day Gone, Matthew D. Zorn

LSU Master's Theses

As an exploration of the natural world and the otherworldly, Day Gone seeks to define the relationships between disparate places. Through the use of ceramic and supporting materials, the objects serve as a portal to a terra incognita of color, texture, and language. The installation is a catalog of experiences and feelings I hold consciously or unconsciously.

Alternative Methods, Hunter Stabler

LSU Master's Theses

ABSTRACT

In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.

Digital imaging, digital modeling and digital …

Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux

LSU Master's Theses

Phantasmaticis an exploration of materials and materiality which relies on the concept of the phantasmatic body elucidated in Gayle Salamon’s work Assuming a Body: Transgender and Rhetorics of Materiality. This thesis is an exploration of these ideas. In my work, I use wool and clay to represent the material (known) and phantasmatic (sensed) bodies in an effort to explore an expanded understanding of the body at large. My work is also an effort to expand my own understanding of my phantasmatic body and its relationship to (my) materiality.

Darkness On The Edge Of Town, Sarah Louise Ferguson

LSU Master's Theses

Darkness on the Edge of Town focuses on a series of dioramas I created accompanied by audio and video. This thesis exhibition is based on a series of interviews I conducted with a friend who is a recovering opioid addict who has spent the majority of his life incarcerated for drug offenses. The American opioid epidemic currently looms large mostly because of the influx of drug abuse in middle class white communities. My subject is of Puerto Rican descent and represents the much harsher treatment of minority addicts by the criminal justice system. His personal story represents a deep yearning …

Dearest, Grace Tessein

LSU Master's Theses

Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.

Primal Matter, Lucas Allen Bush

LSU Master's Theses

Abstract

Primal Matter is a physical representation of the intuitive process, through two and three dimensional forms. The pieces convey motion and tension while telling the story of their own creation. Working instinctively has always fascinated me, in the way of allowing our subconscious mind to make decisions in the place of preconceived planning. My work is heavily influenced by Intuition and the transformation of energy. I am constantly searching for the underlying image or object through scraps of wood and pieces of charcoal, and this body of work is the visible evidence. It explores the curiosity of our unknown …