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Lacanian Gaze, Semiotics, And The Enigma Of Bosch., Virginia Lynn Hosono

Electronic Theses and Dissertations

Hieronymus Bosch’s (1450-1516) paintings have long fascinated, intrigued, and mystified viewers. In particular, the Garden of Earthly Delights (c.1500) has generated much discussion and speculation. Bosch’s use of medieval symbols and fantastic images, his preoccupation with sinfulness and Hell, and his dismal view of mankind’s future have long been sources of study and speculation. Not only do art historians ponder his work, but so do social historians, philosophers, creative artists and the general viewing public. There is no definitive interpretation of Bosch’s Garden that explains the power the painting holds over its viewers. By examining various interpretations of Bosch’s works, …