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Poetry

2016

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Full-Text Articles in Art and Design

Writing On Water Writing On Air: Poetry Installations By Clark Lunberry At The University Of North Florida, Thomas G. Carpenter Library, And Beyond, Clark Lunberry, Elizabeth A. Curry, A Samuel Kimball Nov 2016

Writing On Water Writing On Air: Poetry Installations By Clark Lunberry At The University Of North Florida, Thomas G. Carpenter Library, And Beyond, Clark Lunberry, Elizabeth A. Curry, A Samuel Kimball

Clark Lunberry

Contains photographs and descriptions of visual poetry installations by Clark Lunberry, Professor of English at the University of North Florida. The installations originated at the University of North Florida's Thomas G. Carpenter Library and expanded to various locations around the world. Contents: Writing on water, Writing on air: seeing in time, reading in motion -- Water on water, March 2007 -- Murmur of words, April 2008 -- Floating form less, November 2009 -- Sensation: water/trees/sky, March 2011 -- No such thing, March 2012 -- Bodies of water, March 2014 -- The uncomprehending window (Paris, France), March 2010 -- Providing positioning …


Writing On Water Writing On Air: Poetry Installations By Clark Lunberry At The University Of North Florida, Thomas G. Carpenter Library, And Beyond, Clark Lunberry, Elizabeth A. Curry, A Samuel Kimball Nov 2016

Writing On Water Writing On Air: Poetry Installations By Clark Lunberry At The University Of North Florida, Thomas G. Carpenter Library, And Beyond, Clark Lunberry, Elizabeth A. Curry, A Samuel Kimball

Elizabeth Curry

Contains photographs and descriptions of visual poetry installations by Clark Lunberry, Professor of English at the University of North Florida. The installations originated at the University of North Florida's Thomas G. Carpenter Library and expanded to various locations around the world. Contents: Writing on water, Writing on air: seeing in time, reading in motion -- Water on water, March 2007 -- Murmur of words, April 2008 -- Floating form less, November 2009 -- Sensation: water/trees/sky, March 2011 -- No such thing, March 2012 -- Bodies of water, March 2014 -- The uncomprehending window (Paris, France), March 2010 -- Providing positioning …


Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden Jul 2016

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …


Association, Patrick Bryant Jun 2016

Association, Patrick Bryant

The Anthology

A poem


Full Issue, The Anthology Jun 2016

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.


Full Issue, The Anthology Jun 2016

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.


Rhetoric: The Art Of Using Language Effectively, Eric Burwell May 2016

Rhetoric: The Art Of Using Language Effectively, Eric Burwell

Graduate School of Art Theses

My thesis is constructed of fifty text modules, each containing 100 words exactly. These modules express my technical interests, my personal history, and artists that influenced my writing and paintings. The module form enables me to concentrate my thoughts about how I approach personal studio methods and constrain personal limitations that direct my writing into poetry. The methods employed in the writing also correlate with my paintings. Many of the modules address methods I use in constructing my paintings; arrays of gestural marks of language and sometimes specifics words. I choose to arrange these letterforms in gestural fields of color. …


The City From Above, Guadalupe Astorga Contreras May 2016

The City From Above, Guadalupe Astorga Contreras

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

The city of Tijuana, Mexico has become a second home to many LMU students through programs like De Colores, which introduce students to issues of immigration, poverty, and education. The city varies from L.A.-style skyscrapers and paved roads to shacks along dirt paths. This image shows some of the diversity and growth of the city as it continues to develop, and provides a different perspective on the crowded communities that make up Tijuana.


Tourist To My Own Culture, Guadalupe Astorga Contreras May 2016

Tourist To My Own Culture, Guadalupe Astorga Contreras

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

After nine years of living in the U.S. and staying away from her cultural homeland of Mexico, photographer Astorga returned to some of the places she remembered visiting as a child in her native country. Throughout the trip, the unthinkable change from intimacy to unfamiliarity was clear. These pictures show that progression and invite the viewer to become a tourist alongside Astorga as she visits a place she once considered home.


Only 45 Minutes Away, Guadalupe Astorga Contreras May 2016

Only 45 Minutes Away, Guadalupe Astorga Contreras

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Being a part of an immigrant family, photographer Astorga has not had the chance to travel much even within her home state of California. Trips through class, clubs and events sponsored by Loyola Marymount University have provided her with the opportunity to visit places like Catalina Island right off the coast of L.A. and see things she and her family had only talked and dreamed of.


Hereisthefamilymotherfatherdickandjane: An Analysis Of Parenting And The Dick And Jane Readers In Morrison’S The Bluest Eye, Rachel Roseman May 2016

Hereisthefamilymotherfatherdickandjane: An Analysis Of Parenting And The Dick And Jane Readers In Morrison’S The Bluest Eye, Rachel Roseman

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

First-generation college student Rachel Roseman has found the American educational and cultural systems to privilege the white, upper to middle classes. As Toni Morrison demonstrates in The Bluest Eye, those who do not fit this mold often lack educational support and have to learn how to navigate cultural systems on their own. Unlike the character of Pecola, who features in the following essay, Roseman had a strong community and family who supported her decision to attend college and, as a result, achieved success.


Understanding School, Tiffany P. Ta May 2016

Understanding School, Tiffany P. Ta

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

As a first-generation college student in the Silicon Valley, author Tiffany Ta grew up in a high-achieving academic culture that she only really began to unpack and understand in college. Upon being exposed to more diverse cultures and backgrounds, Ta began to realize that her upbringing was vastly different than many others, and that some of her classmates' behaviors were unnatural. This poem reflects how she now feels about the experience looking back.


Did You?, Tiffany P. Ta May 2016

Did You?, Tiffany P. Ta

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem is a reflection on first-generation college student Tiffany Ta's family heritage. The piece focuses on the author's grandmother, who Ta never really got to know.


Ice, Genesis Montalvo May 2016

Ice, Genesis Montalvo

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Commonly known as ICE, the US Immigration and Customs Enforcement works to monitor the level of illegal migration to the United States. They also are in charge of at least 40% of deportation of innocent, non-criminal immigration violators. At times, the children of these immigrants are born in the United States. As US citizens, ICE cannot deport them without violating their rights, resulting in the separation of families. This poem speaks of a young child whose mother was deported by ICE and the yearning of wanting to know where the mother is. The mix of English and Spanish reinforces the …


Sheep In A Grotto, Laken D. Brooks May 2016

Sheep In A Grotto, Laken D. Brooks

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Many first-generation college students undergo feelings of inadequacy in what is known as "impostor syndrome." This piece of fiction is born from such feelings of identity confusion and formation. The story functions as a written snapshot of an otherwise normal teenager whose life is threatened by a sexual assault; she faces and overcomes trauma at the cusp of her coming of age. Brooks' tale incorporates a raw focus upon the protagonist's ability to persevere and thrive in the face of violence. Ultimately, this text transcends a single character's journey into womanhood to reflect a message of hope and growth.


The Beauty Within Us, Areli C. Hernandez May 2016

The Beauty Within Us, Areli C. Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This piece of prose, inspired by Chapter 23 of John Steinbeck's The Grapes of Wrath, tells the story of a simple, yet vivacious get-together of migrant Latino workers, exploring the beauty within us--members of the migrant farm worker community.


Volume 7, Issue 3: Full Issue, Manuscripts Staff May 2016

Volume 7, Issue 3: Full Issue, Manuscripts Staff

Manuscripts

No abstract provided.


Excerpts, Manuscripts Staff May 2016

Excerpts, Manuscripts Staff

Manuscripts

No abstract provided.


The Weekly Theme, Helen Overton May 2016

The Weekly Theme, Helen Overton

Manuscripts

No abstract provided.


On Eating Grapes Downward, Betty Smith May 2016

On Eating Grapes Downward, Betty Smith

Manuscripts

No abstract provided.


The World Unmasks, Ted W. Sedvert May 2016

The World Unmasks, Ted W. Sedvert

Manuscripts

No abstract provided.


Why I Came To College, John F. Carson May 2016

Why I Came To College, John F. Carson

Manuscripts

No abstract provided.


Joseph Lautner--Director Entertainer, Harlan Johnson May 2016

Joseph Lautner--Director Entertainer, Harlan Johnson

Manuscripts

No abstract provided.


Entertainment--Two Kinds, Robert Dietz May 2016

Entertainment--Two Kinds, Robert Dietz

Manuscripts

No abstract provided.


Opera Tonight, Suzanne Masters May 2016

Opera Tonight, Suzanne Masters

Manuscripts

No abstract provided.


In The Beginning, Barbara Frederickson May 2016

In The Beginning, Barbara Frederickson

Manuscripts

No abstract provided.


"Night Moment" And "Spring", Robert C. Schalk, Wyoming Robinson May 2016

"Night Moment" And "Spring", Robert C. Schalk, Wyoming Robinson

Manuscripts

Poems include: "Night Moment", by Robert Schalk and "Spring", by Wyoming Robinson


Black Sheep, Jack Shackelford May 2016

Black Sheep, Jack Shackelford

Manuscripts

No abstract provided.


"Is War Justified?" And "Lost Glory", Marigrace Franklin, C. Myron Winegardner May 2016

"Is War Justified?" And "Lost Glory", Marigrace Franklin, C. Myron Winegardner

Manuscripts

Includes: "Is War Justified?", by Marigrace Franklin and "Lost Glory", by C. Myron Winegardner


Dreams, Marie Tellas May 2016

Dreams, Marie Tellas

Manuscripts

No abstract provided.