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Diabolical Frivolity Of Neoliberal Fundamentalism, Sefik Tatlic Jan 2009

Diabolical Frivolity Of Neoliberal Fundamentalism, Sefik Tatlic

Sefik Tatlic

Today, we cannot talk just about plain control, but we must talk about the nature of the interaction of the one who is being controlled and the one who controls, an interaction where the one that is “controlled” is asking for more control over himself/herself while expecting to be compensated by a surplus of freedom to satisfy trivial needs and wishes. Such a liberty for the fulfillment of trivial needs is being declared as freedom. But this implies as well the freedom to choose not to be engaged in any kind of socially sensible or politically articulated struggle.

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International Terrorism:Role ,Responsibility And Operation Of Media Channles, Ratnesh Dwivedi Mr Nov 2008

International Terrorism:Role ,Responsibility And Operation Of Media Channles, Ratnesh Dwivedi Mr

Ratnesh Dwivedi

"Terrorism" is a term that cannot be given a stable defintion. Or rather, it can, but to do so forstalls any attempt to examine the major feature of its relation to television in the contemporary world. As the central public arena for organising ways of picturing and talking about social and political life, TV plays a pivotal role in the contest between competing defintions, accounts and explanations of terrorism. Which term is used in any particular context is inextricably tied to judgemements about the legitimacy of the action in question and of the political system against which it is directed. …

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Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier Jan 2005

Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier

Jane E. Dusselier

"Artful Identifications" offers three meanings of internment art. First, internees remade locations of imprisonment into livable places of survival. Inside places were remade as internees responded to degraded living conditions by creating furniture with discarded apple crates, cardboard, tree branches and stumps, scrap pieces of wood left behind by government carpenters, and wood lifted from guarded lumber piles. Having addressed the material conditions of their living units, internees turned their attention to aesthetic matters by creating needle crafts, wood carvings, ikebana, paintings, shell art, and kobu. Dramatic changes to outside spaces of "assembly centers" and concentration camps were also critical …

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Spanish And Mamluk Carpets: Comparisons Of Decoration And Structure, Carol Bier Jan 2004

Spanish And Mamluk Carpets: Comparisons Of Decoration And Structure, Carol Bier

Carol Bier

Two recent exhibitions, Carpets of Andalusia and Mamluk Rugs from Egypt, at The Textile Museum afforded a rare opportunity to compare two radically different rug-weaving traditions from the perspectives of design and weave structure. While not often evident to the casual viewer, there is a significant relationship between design, pattern, and weave structure in all Oriental carpets. The opportunity to explore such differences warrants careful examination and critical viewing.The Mamluk rugs all probably date from the last quarter of the 15th century. They comprise a cohesive group defined by color, a geometric style, and similarity of weave characteristics.

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Other Pile Weavings From Safavid Iran: The Persian Velvets At Rosenborg, Carol Bier Jan 1996