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Full-Text Articles in Art and Design

Wendy Red Star: Challenging Colonial Histories And Foregrounding The Impacts Of Violence Against Indigenous Women, Virginia Hellmann Jan 2018

Wendy Red Star: Challenging Colonial Histories And Foregrounding The Impacts Of Violence Against Indigenous Women, Virginia Hellmann

Undergraduate Honors Theses

In my thesis, Wendy Red Star: Challenging Colonial Histories and Foregrounding the Impact of Violence Against Indigenous Women, I analyze two of Red Star’s photographic series, Four Seasons and White Squaw. I argue that Red Star uses irony, humor, parody, and erasure to challenge stereotypes and misrepresentations of Indigenous lives. In Four Seasons, Red Star uses irony and humor to critique historically marginalized images in museum exhibitions, and the stereotypes created as a result of visions of empty land, ethnographic photography, and commercialization of Indigenous cultures. In White Squaw, Red Star uses parody and erasure to reveal the negative ...


The Death Of Superman: Superheroes In Contemporary Hollywood, Corey Shaw Jan 2015

The Death Of Superman: Superheroes In Contemporary Hollywood, Corey Shaw

Undergraduate Honors Theses

For my undergraduate honors thesis, I propose a study on the evolution of Superman and Batman as superheroes in America over the course of the past century, ultimately leading to the creation of the comic book movie genre in contemporary cinema. The study will be done using the close analysis of two films, with each film viewed through the historical (social, political, religious) lens of the period it was made. The two films are as Superman (1978, Dir. Richard Donner) and Batman (1989, Dir. Tim Burton).

Comic books, per the decade they are made, can offer a fantastic metaphor for ...


Momentary Memorials: Political Posters Of The Lebanese Civil War And Hezbollah, Megan Miller Jan 2014

Momentary Memorials: Political Posters Of The Lebanese Civil War And Hezbollah, Megan Miller

Undergraduate Honors Theses

The Lebanese civil war (1975-1990) is a product of its diverse participating factions. With more than a dozen political, religious, and social parties, the streets of Lebanon became flooded with contradicting political imageries, influencing public perception of the ‘other’ and inciting military action. Their unique role in Lebanon’s political atmosphere allows such graphics to transcend mere propaganda to become physical sites of memorialization, despite their ephemerality. Posters exhibiting martyrs, political icons, and spiritual references control viewers’ field of vision and prompt their physical accumulation around the images, much like one would see at a funeral or sculptural memorial. These ...