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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins
Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins
James Madison Undergraduate Research Journal (JMURJ)
Zhang Xiaogang’s series of paintings, Bloodline, is a strange, surreal, and haunting collection of family portraits. As a Chinese artist who was young during the Cultural Revolution of the 60s and 70s, Zhang has a complicated relationship with his own national history. The paintings of Bloodline are not photorealistic portraits; rather, they are constructions coming from within his mind, returning to these memories and feelings decades later. This essay examines Big Family No. 3, a painting for this series done in 1995, exploring the influences and processes that contributed to its creation. It argues that this work in …
Battle For The Minds: Use Of Propaganda Films In Stalinist Russia And Nazi Germany, David Rosenblum
Battle For The Minds: Use Of Propaganda Films In Stalinist Russia And Nazi Germany, David Rosenblum
Senior Honors Projects, 2010-2019
Since the end of the Second World War, scholars and experts have examined the use of cinema in spreading totalitarian propaganda. Nazi Germany, in particular, has caught the most attention. However, most of these studies focus exclusively on one nation, and relatively few studies have tried to directly compare the cinematic propaganda of different countries. This study aims to directly compare cinematic propaganda of Stalinist-era Russia and Nazi Germany and find out who utilized the medium of film more effectively. To accomplish this, this study will examine and directly compare several critical components, such as industry structure and artistic merits, …
Interview Panel With Adam Erby, Emilie Johnson, And Teresa Teixeira, Adam Erby, Emilie Johnson, Teresa Teixeira
Interview Panel With Adam Erby, Emilie Johnson, And Teresa Teixeira, Adam Erby, Emilie Johnson, Teresa Teixeira
Madison Historical Review
No abstract provided.
Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway
Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway
Libraries
The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …